Table of Contents:
  • Introduction
  • Gao Xingjian, postdramatic theatre and transnationalism
  • Gao and postdramatic theatre: a comparison with British playwright Martin Crimp
  • Dialogue and rebuttal: the death of love in postdramatic transnationalism
  • Individualism and freedom in nocturnal wanderer
  • Transnational postdramatic realism in Weekend quartet
  • Latest postdramatic attempts at transansnationalism
  • Conclusion.