|
|
|
|
| LEADER |
00000cam a2200000Mu 4500 |
| 001 |
ocn923764513 |
| 003 |
OCoLC |
| 005 |
20240623213015.0 |
| 006 |
m o d |
| 007 |
cr |n||||||||| |
| 008 |
151017s2014 xx o 000 0 eng d |
| 040 |
|
|
|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d EBLCP
|d OCLCQ
|d MERUC
|d ZCU
|d ICG
|d OCLCO
|d OCLCF
|d OCLCQ
|d DKC
|d OCLCQ
|d OCLCO
|d OCLCQ
|d DEGRU
|d AUD
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCL
|
| 019 |
|
|
|a 1192488575
|a 1246233592
|a 1269116356
|
| 020 |
|
|
|a 9780823262502
|
| 020 |
|
|
|a 0823262502
|
| 020 |
|
|
|a 9780823262496
|q electronic bk
|
| 020 |
|
|
|a 0823262499
|
| 024 |
7 |
|
|a 10.1515/9780823262496
|2 doi
|
| 035 |
|
|
|a (OCoLC)923764513
|z (OCoLC)1192488575
|z (OCoLC)1246233592
|z (OCoLC)1269116356
|
| 050 |
|
4 |
|a PN1035.F73 2015eb
|
| 072 |
|
7 |
|a LIT014000
|2 bisacsh
|
| 049 |
|
|
|a HCDD
|
| 100 |
1 |
|
|a Frank, Adam.
|
| 245 |
1 |
0 |
|a Transferential Poetics, from Poe to Warhol.
|
| 260 |
|
|
|a Bronx :
|b Fordham University Press,
|c 2014.
|
| 300 |
|
|
|a 1 online resource (200 pages)
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 347 |
|
|
|a text file
|b PDF
|2 rda
|
| 588 |
0 |
|
|a Print version record.
|
| 505 |
0 |
|
|a Front -- Contents -- Introduction: Affect in the Scene of Writing -- 1 / Thinking Confusion: On the Compositional Aspect of Affect -- 2 / Expression and Theatricality, or Medium Poe -- 3 / Maisie�s Spasms: Transferential Poetics in Henry James and Wilfred Bion -- 4 / Loose Coordinations: Theater and Thinking in Gertrude Stein -- 5 / Vis-à -vis Television: Andy Warhol�s Therapeutics -- Out and Across -- Notes -- Bibliography -- Index -- Acknowledgments
|
| 520 |
|
|
|a Transferential Poetics presents a method for bringing theories of affect to the study of poetics. Informed by the thinking of Silvan Tomkins, Melanie Klein, and Wilfred Bion, it offers new interpretations of the poetics of four major American artists: Edgar Allan Poe, Henry James, Gertrude Stein, and Andy Warhol. The author emphasizes the close, reflexive attention each of these artists pays to the transfer of feeling between text and reader, or composition and audience their transferential poetics. The book's historical route from Poe to Warhol culminates in television, a technology and cultu.
|
| 546 |
|
|
|a In English.
|
| 650 |
|
0 |
|a Poetics
|x History.
|
| 650 |
|
0 |
|a Semiotics.
|
| 650 |
|
7 |
|a LITERARY CRITICISM / Poetry.
|2 bisacsh
|
| 650 |
|
7 |
|a Poetics
|2 fast
|
| 650 |
|
7 |
|a Semiotics
|2 fast
|
| 655 |
|
7 |
|a History
|2 fast
|
| 758 |
|
|
|i has work:
|a Transferential poetics, from Poe to Warhol (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGC9VKGjxwhdybx6vrJrHK
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|a Frank, Adam.
|t Transferential Poetics, from Poe to Warhol.
|d Bronx : Fordham University Press, ©2014
|z 9780823262465
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=3239939
|y Click for online access
|
| 903 |
|
|
|a EBC-AC
|
| 994 |
|
|
|a 92
|b HCD
|