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OCoLC |
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20241006213017.0 |
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150917s2016 nju ob 001 0 eng |
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|a 2021678135
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|a DLC
|b eng
|e rda
|e pn
|c DLC
|d N$T
|d IDEBK
|d YDXCP
|d CDX
|d EBLCP
|d OCLCF
|d OTZ
|d OCLCO
|d K6U
|d OCLCQ
|d OCLCO
|d OCLCL
|d SXB
|d OCLCQ
|d OCLCO
|d UEJ
|d OCLCQ
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| 019 |
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|a 930757996
|a 936856928
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|a 9781611478044
|q (ebook)
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|a 1611478049
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|a 9781611478044
|q (electronic)
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|z 9781611478037
|q (cloth ;
|q alk. paper)
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|z 9781611478051
|q (pbk. ;
|q alk. paper)
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|z 1611478030
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|z 1611478057
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|a (OCoLC)928626434
|z (OCoLC)930757996
|z (OCoLC)936856928
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0 |
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|a PN56.M54
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|a BIO
|x 007000
|2 bisacsh
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|a HCDD
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|a Great War modernism :
|b artistic response in the context of war, 1914-1918 /
|c edited by Nanette Norris.
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|a Madison :
|b Fairleigh Dickinson University Press,
|c [2016]
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| 300 |
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|a 1 online resource (viii, 247 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references (pages 227-238) and index.
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|a Print version record and CIP data provided by publisher; resource not viewed.
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|a Acknowledgments; Introduction; I: Noncombatant Responses-Nostalgia, Legacies, and Recuperations; 1 Homeric Cheeses and the Breast of a Decrepit Nurse; 2 The Irrepressible Conflict; 3 A Reconstructionary Tale; 4 Noncombatancy, Narrative, and Henry Green's Pack My Bag; 5 Painting Abstraction/Observing Destruction at the Front; II: High Modernists and the Shock of War; 6 World War I and Messianic Voids in Virginia Woolf's To the Lighthouse; 7 H.D. and the Secrets of Redemption; 8 Violence and Laughter in Women in Love; 9 You Give Them Money, They Give You a Stuffed Dog.
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|a III: Soldiers and Soldiering10 Anonymity, Transnational Identity, and A German Deserter's War Experience; 11 Rosenberg's Half Life; 12 From Drills to Dreams; 13 A Necessary Aesthetics; Bibliography; Index; About the Contributors.
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|a This international collection of essays gives fresh insight into the lives and perspectives of the modernist authors who lived and wrote in the shadow of war. What did Hemingway's signature terse style have in common with H.D.'s imagism? These essays offer a link through wartime experience, as the fragmented, violent, and traumatic period demanded unique forms of expression.
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| 650 |
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|a Modernism (Literature)
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|a World War, 1914-1918
|x Literature and the war.
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|a BIOGRAPHY & AUTOBIOGRAPHY
|x Literary.
|2 bisacsh
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| 650 |
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|a Modernism (Literature)
|2 fast
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| 650 |
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|a War and literature
|2 fast
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| 647 |
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|a World War
|d (1914-1918)
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39Qhp4vB9cvdKydGHm4yKx7Gb
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| 648 |
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|a 1914-1918
|2 fast
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| 700 |
1 |
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|a Norris, Nanette,
|e editor.
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| 758 |
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|i has work:
|a Great war modernism (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFRTtdCbh3Jwp6X9kPfBrm
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
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|i Print version:
|t Great War modernism.
|d Madison : Fairleigh Dickinson University Press, [2016]
|z 9781611478037
|w (DLC) 2015034668
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| 856 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=4086672
|y Click for online access
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
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