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ocn932487675 |
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OCoLC |
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20241006213017.0 |
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|a 1100244643
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|q (electronic bk.)
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|a (OCoLC)932487675
|z (OCoLC)1100244643
|z (OCoLC)1167331108
|z (OCoLC)1259086770
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|a 9781501302961
|b CodeMantra
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4 |
|a PN1995.9.A8
|b M275 2016eb
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|a PSY
|x 031000
|2 bisacsh
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| 049 |
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|a HCDD
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| 245 |
0 |
0 |
|a Making sense of cinema :
|b empirical studies into film spectators and spectatorship /
|c edited by CarrieLynn D. Reinhard, Christopher J. Olson.
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| 264 |
|
1 |
|a New York :
|b Bloomsbury Academic,
|c 2016.
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| 264 |
|
4 |
|c ©2016
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| 300 |
|
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|a 1 online resource (xvi, 304 pages) :
|b illustrations
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| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 520 |
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|a "Explores a variety of theological and methodological approaches to film spectatorship through a dialogue of international contributions"--
|c Provided by publisher
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| 504 |
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|a Includes bibliographical references and index.
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| 588 |
0 |
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|a Print version record.
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| 505 |
0 |
0 |
|g 1.
|t Introduction: Empirical Approaches to Film Spectators and Spectatorship /
|r CarrieLynn D. Reinhard and Christopher J. Olson --
|g 2.
|t Spectatorship in Public Space: The Moving Image in Public Art /
|r Annie Dell'Aria --
|g 3.
|t The Festival Collective: Cult Audiences and Asian Extreme Cinema /
|r Jessica Hughes --
|g 4.
|t : Transnational Investments: Aging in Les Invisibles (Sébastien Lifshitz, 2012) and its Reception /
|r Darren Waldron --
|g 5.
|t Preferred Readings and Dissociative Appropriations: Group Discussions Following and Challenging the Tradition of Cultural Studies /
|r Alexander Geimer --
|g 6/
|t "Legolas, He's Cool ... and He's Hot!": The Meanings and Implications of Audiences' Favorite Characters /
|r Martin Barker --
|g 7.
|t In Search of the Child Spectator in the Late Silent Era /
|r Amanda C. Fleming --
|g 8.
|t Seeing, Sensing Sound: Eye-Tracking Soundscapes in Saving Private Ryan and Monsters, Inc. /
|r Andrea Russell, Sean Redmond, Jenny Robinson, Jane Stadler, Darrin Verhagen and Sarah Pink --
|g 9.
|t Seeing Animated Worlds: Eye Tracking and the Spectator's Experience of Narrative /
|r Craig Batty, Adrian Dyer, Claire Perkins and Jodi Sita --
|g 10.
|t Focalization, Attachment on Film Viewers' Responses to Film Characters: Experimental Design with Qualitative Data Collection /
|r Katalin Bálint and András Bálint Kovács --
|g 11.
|t Making Sense of the American Superhero Film: Experiences of Engagement and Detachment /
|r CarrieLynn D. Reinhard --
|g 12.
|t Indexing the Events of an Art Film by Audiences with Different Viewing Backgrounds /
|r Sermin Ildirar --
|g 13.
|t Exploring the Role of Narrative Contextualizationin Film Interpretation: Issues and Challenges for Eye-Tracking Methodology /
|r Thorsten Kluss, John Bateman, Heinz-Oeter Preusser and Kerstin Schill --
|g 14.
|t Conclusion: A Metholodigcal Toolbos for Film Reception Studies /
|r Christopher J. Olson.
|
| 650 |
|
0 |
|a Motion picture audiences
|x Research
|x Methodology.
|
| 650 |
|
7 |
|a Films, cinema.
|2 bicssc
|
| 650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x General.
|2 bisacsh
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| 650 |
|
7 |
|a PSYCHOLOGY
|x Social Psychology.
|2 bisacsh
|
| 700 |
1 |
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|a Reinhard, CarrieLynn D.,
|e editor.
|
| 700 |
1 |
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|a Olson, Christopher J.,
|e editor.
|
| 758 |
|
|
|i has work:
|a Making sense of cinema (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFtGb7hQBYc69Jf37cvQHK
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|t Making sense of cinema.
|d New York : Bloomsbury Academic, 2016
|z 9781501302947
|w (DLC) 2015028704
|w (OCoLC)915135932
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=4198054
|y Click for online access
|
| 903 |
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
|