A companion to Russian cinema / edited by Birgit Beumers.

'A Companion to Russian Cinema' provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies.

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Bibliographic Details
Other Authors: Beumers, Birgit (Editor)
Format: eBook
Language:English
Published: Chichester, West Sussex, UK ; Malden, MA, USA : John Wiley & Sons, Inc., 2016.
Series:Wiley Blackwell companions to national cinemas
Subjects:
Online Access:Click for online access

MARC

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245 0 2 |a A companion to Russian cinema /  |c edited by Birgit Beumers. 
264 1 |a Chichester, West Sussex, UK ;  |a Malden, MA, USA :  |b John Wiley & Sons, Inc.,  |c 2016. 
264 4 |c ©2016 
300 |a 1 online resource (xiv, 656 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 0 |a Wiley Blackwell companions to national cinemas 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction -- Structures of production, formation and exhibition. The film palaces of Nevsky prospect: a history of St. Petersburg's cinemas, 1900-1910 / Anna Kovalova -- (V)gik and the history of film education in the Soviet Union, 1920s-1930s / Masha Salazkina -- Lenfilm: the birth and death of an institutional aesthetic / Robert Bird -- The adventures of the kulturfilm in Soviet Russia / Oksana Sarkisova -- Soiuzdetfilm: the birth of Soviet children's film and the child actor / Jeremy Hicks -- For the state or for the audience? auteurism, genre and global markets. The Stalinist musical: socialist realism and revolutionary romanticism / Richard Taylor -- Soviet film comedy of the 1950s and 1960s: innovation and restoration / Seth Graham -- Auteur cinema during the thaw and stagnation / Eugenie Zvonkine -- The "blokbaster": how Russian cinema learned to love Hollywood / Dawn Seckler (with Stephen M. Norris) -- The global and the national in post-Soviet Russian cinema (2004-2012) / Maria Bezenkova, Xenia Leontyeva -- Sound, image, text. The literary scenario and the Soviet screenwriting tradition / Maria Belodubrovskaya -- Ideology, technology, aesthetics: early experiments in Soviet color film, 1931-45 / Phil Cavendish -- Learning to speak Soviet: Soviet cinema and the coming of sound / Lilya Kaganovsky -- Cinema and the art of being: towards a history of early Soviet set design / Emma Widdis -- Stars on screen and red carpet / Djurdja Bartlett -- Revenge of the cameramen: Soviet cinematographers in the director's chair / Peter Rollberg -- Time and space, history and place. Soldiers, sailors, and commissars: the revolutionary hero in Soviet cinema of the 1930s / Denise J. Youngblood -- Defending the motherland: the Soviet and Russian war film / Stephen M. Norris -- Shooting location: Riga / Kevin M. Platt -- Capital images: Moscow on screen / Birgit Beumers -- Director's portraits. Boris Barnet: this doubly accursed cinema / Julian Graffy -- Lulii Raizman: private lives and intimacy under communism / Jamie Miller -- The man who made them laugh: Leonid Gaidai, the king of Soviet comedy / Elena Prokhorova -- Aleksei Gherman: reimagining Soviet history, recreating Soviet cinema -- Knowledge (imperfective): Andrei Zviagintsev and contemporary cinema / Nancy Condee. 
588 0 |a Print version record and CIP data provided by publisher. 
520 8 |a 'A Companion to Russian Cinema' provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies.  |b A Companion to Russian Cinemaprovides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies. The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected. 
650 0 |a Motion pictures  |z Soviet Union  |x History and criticism. 
650 0 |a Motion pictures  |z Russia (Federation)  |x History and criticism. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a Motion pictures  |2 fast 
651 7 |a Russia (Federation)  |2 fast 
651 7 |a Soviet Union  |2 fast 
650 7 |a 20th century, c 1900 to c 1999.  |2 thema 
650 7 |a Cinema, TV & Radio industries.  |2 thema 
650 7 |a Film history, theory & criticism.  |2 thema 
650 7 |a Films, cinema.  |2 thema 
650 7 |a Russia.  |2 thema 
650 7 |a Performing Arts.  |2 ukslc 
655 7 |a Criticism, interpretation, etc.  |2 fast 
700 1 |a Beumers, Birgit,  |e editor. 
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776 0 8 |i Print version:  |t Companion to Russian cinema.  |d Chichester, West Sussex, UK ; Malden, MA, USA : John Wiley & Sons, Inc., 2016  |z 9781118412763  |w (DLC) 2016002848  |w (OCoLC)936433135 
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