Shooting women : behind the camera, around the world

Shooting women : behind the camera, around the world / Harriet Margolis, Alexis Krasilovsky, and Julia Stein.

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Bibliographic Details
Main Authors: Margolis, Harriet Elaine (Author), Krasilovsky, Alexis (Author), Stein, Julia (Author)
Format: eBook
Language:English
Published: Bristol, UK ; Chicago, IL, USA : Intellect Ltd., 2015.
Subjects:
Women cinematographers.
Women in the motion picture industry.
PERFORMING ARTS > Reference.
HISTORY / Women
Women cinematographers
Women in the motion picture industry
Online Access:Click for online access
Table of Contents:
  • Cover
  • Half Title
  • Title
  • Copyright
  • Table of Contents
  • Acknowledgments
  • Prefaces
  • From Alexis Krasilovsky
  • From Harriet Margolis
  • List of Abbreviations
  • Job Titles and Some Useful Definitions
  • Chapter 1: How do Women become Camerawomen?
  • Learning on the Job
  • Still Photography
  • Film School
  • Training Programs
  • Two Examples of Feminist Groups: Women in Film and Behind the Lens
  • Women-Supportive Workshops and Production Groups
  • Filming in the Service of Social Activism: Video SEWA and Aina
  • Collectives
  • Rental HousesChapter 2: How Hard can it be?
  • Gender Discrimination
  • Unions and Guilds
  • When Cameras were Heavy
  • Helpful Men
  • Ssh! (Secret Sexual Harassment)
  • Sabotage
  • Getting Paid Jobs
  • Breaking Out of Isolation
  • Rising Through the Ranks
  • Budgets and Glass Ceilings
  • Chapter 3: Documentary: A Good and Satisfying Career Choice that is Statistically Friendlier to Women than Feature Fiction Filmmaking
  • Filming History being Made in China
  • Documentary: Historical and Personal
  • ""Chapter 4: Hollywood, Bollywood, Independents, and Short Forms""""Hollywood""; ""Indian Cinema""; ""The Freedom of Independent Films""; ""Music Videos""; ""Commercials and Such""; ""Experimental/Avant-Garde Films and Videos""; ""Art Films and Videos""; ""Shooting Special Material: Birth""; ""Chapter 5: Special Skills and Creativity""; ""Handheld Camerawork""; ""Cranes""; ""Underwater""; ""Helicopters""; ""Special Effects""; ""Lighting as a Cinematographerâ#x80;#x99;s Dream Job""; ""Digital Technology""; ""Style""; ""Chapter 6: Shooting Around the World""; ""Erika Addis on Beginning her Career""
  • ""Arlene Burns on Filming in the Kuril Islands""""Young-Joo Byun on Filming Comfort Women in Korea""; ""Nancy Durham on Filming the Balkan War""; ""Jolanta Dylewska on Filming in Kazakhstan""; ""Sabeena Gadihoke on Filming Three Women and a Camera""; ""Rozette Ghadery on Filming in Kurdistan""; ""Sue Gibson on Filming in Jordan""; ""Joan Giummo on Filming Homeless Women in New York""; ""AgnÃs̈ Godard Pays Homage to Beauty""; ""Marina Goldovskaya on Filming History being Made in Russia""; ""Ellen Kuras on Pivotal Moments in Shooting""; ""Heather Mackenzie on Filming Romanian Orphans""
  • ""Sandi Sissel on Filming Salaam Bombay!""""AgnÃs̈ Varda on Filming the Human Body""; ""Liz Ziegler on Filming Eyes Wide Shut (1999) for Stanley Kubrick""; ""Chapter 7: Can Camerawomen also be Women?""; ""Parents""; ""Fathers""; ""Mothers""; ""Friends and Extended Family""; ""Husbands""; ""A Happy Marriage""; ""Pregnancy""; ""Children and Childcare""; ""Daughters""; ""Chapter 8: Whatâ#x80;#x99;s it Really Like?""; ""A Typical Day""; ""Where do Camerawomen Go?""; ""What do Camerawomen Wear?""; ""Working with the Crew""; ""Working with Directors and Producers""; ""Acting Like Men to Fit in""

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