The aesthetics of argument / Martin Warner.

Argument and imagination are often interdependent. Martin Warner explores how this relationship bears on argument's concern with truth, not just persuasion. He argues that the rationality of argument is not only a matter of deductive validity, but can be assessed in terms of criteria drawn from...

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Bibliographic Details
Main Author: Warner, Martin (Author)
Format: eBook
Language:English
Published: Oxford : Oxford University Press, 2016.
Edition:First edition.
Subjects:
Online Access:Click for online access

MARC

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245 1 4 |a The aesthetics of argument /  |c Martin Warner. 
250 |a First edition. 
264 1 |a Oxford :  |b Oxford University Press,  |c 2016. 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
520 8 |a Argument and imagination are often interdependent. Martin Warner explores how this relationship bears on argument's concern with truth, not just persuasion. He argues that the rationality of argument is not only a matter of deductive validity, but can be assessed in terms of criteria drawn from the study of imaginative literature. 
588 0 |a Online resource; title from home page (viewed on January 27, 2016). 
505 0 |a Cover; The Aesthetics of Argument; Copyright; Dedication; Contents; Preface: Dialectic, Rhetoric, and Poetics; Acknowledgements; 1: From Analogy to Narrative; 1. A Parabolic Transition; 2. Modes of Analogical Argument; 2.1 Inductive modes; 2.2 A priori modes; 2.3 The metaphorical projection; 3. The Resort to Narrative; 4. Parabolic Finesse; 2: From Self-Involvement to Judgement: The Potentialities of Plato's Phaedrus; 1. The Language of the Cave; 2. The Rhetoric of the Phaedrus; 3. The Question of Judgement; 3: Dialectical Drama: The Dynamics of Plato's Symposium; 1. Drama as Dialectic 
505 8 |a 2. Rhetoric and Sensibility3. The Dynamics of the Dialogue; 4. Dialectic and Sensibility; 4: Philosophical Autobiography: St. Augustine and John Stuart Mill; 1. Underlying Concepts; 1.1 Philosophical; 1.2 Autobiography; 1.3 Philosophical autobiography; 2. The Confessions of St. Augustine; 3. The Autobiography of John Stuart Mill; 4. Story and Theory; 5: The Fourth Gospel's Art of Rational Persuasion; 1. Purpose; 2. Criticism; 3. Narrative; 4. Judgement; 5. Signs; 6. Transformation; 6: Philosophical Poetry: The Case of Four Quartets; 1. Poetry and Belief; 2. 'Burnt Norton' 
505 8 |a 3. The Later Quartets4. Understanding; 7: The "Logic" of Imagery I: The Poetic Image; 1. Imagination, Concept, and Argument; 2. The "Romantic Image"; 3. Image and Symbol; 4. Imagery and "Movement"; 8: The "Logic" of Imagery II: Logic, Argument, and Imagery; 1. Exploring the Logical Analogy; 2. Poetry and Argument; 3. Beyond Poetry; Afterword; 1. Language, Truth, and Logic; 2. From Narrative to Image; Bibliography; Index 
650 0 |a Reasoning. 
650 0 |a Logic. 
650 0 |a Imagination. 
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650 7 |a Logic  |2 fast 
650 7 |a Reasoning  |2 fast 
650 7 |a Argumentation  |2 gnd 
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776 0 8 |i Print version :  |z 9780198737117 
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