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ocn953430948 |
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160711s2014 enk ob 001 0 eng d |
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|a YDXCP
|b eng
|e pn
|c YDXCP
|d N$T
|d OCLCO
|d OCLCF
|d OCLCO
|d OCLCQ
|d STBDS
|d EBLCP
|d BUF
|d CEF
|d U3W
|d WYU
|d YOU
|d OCLCQ
|d RDF
|d OCLCO
|d OCLCQ
|d MVS
|d YDX
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCL
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|a 0199375208
|q (electronic bk.)
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|a 9780199375202
|q (electronic bk.)
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|a 9780199375219
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|a 0199375216
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|a (OCoLC)953430948
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|a PS374.N4
|b H47 2014
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|a LIT
|x 004020
|2 bisacsh
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049 |
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|a HCDD
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100 |
1 |
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|a Henderson, Mae.
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245 |
1 |
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|a Speaking in tongues and dancing diaspora :
|b black women writing and performing.
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260 |
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|a Oxford :
|b Oxford University Press,
|c [2014]
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300 |
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|a 1 online resource
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
1 |
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|a Race and American culture
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|a Deploying the trope of 'speaking in tongues' to theorise the multivocality of black women's writing, based on the reconstruction of a fundamentally spiritual practice as critical concept, Mae G. Henderson also enlists a second trope, 'dancing diaspora', to theorise the narrativity of black women's dance, based on the notions of 'performing testimony' and 'critical witnessing'. Together, these tropes are meant to signify a tradition of black women writing and performing, a tradition privileging the pre-eminence of voice and narration, along with the roles of listening and witnessing.
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504 |
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|a Includes bibliographical references and index.
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505 |
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|a Introduction -- Alice Walker's The color purple: revisions and redefinitions -- (W)riting the work and working the rites -- Speaking in tongues: dialectics, dialogics, and the black woman writer's literary tradition -- Toni Morrison's Beloved: re-membering the body as historical text -- The stories of (O)Dessa: stories of complicity and resistance -- "Seen but not heard": a poetics of Afro-American women's writing -- Gayl Jones's White rat: speaking silence/silencing speech -- State of the art: black feminist theory -- What it means to teach the other when the other is the self -- Authors and authorities. Nella Larsen's Passing: passing, performance, and (post)modernism -- Josephine Baker and La revue nègre: from ethnography to performance -- Dancing diaspora: colonial, postcolonial, and diasporic readings of Josephine Baker as dancer and performance artist -- About face, or, what is this "back" in b(l)ack popular culture?: from Venus Hottentot to Video Hottie -- In retrospect. Sherley Anne Williams: "someone sweet angel chile" -- Bebe Moore Campbell: literature as equipment for living.
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650 |
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0 |
|a American fiction
|x African American authors
|x History and criticism.
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650 |
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0 |
|a American fiction
|x Women authors
|x History and criticism.
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650 |
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0 |
|a American fiction
|y 20th century
|x History and criticism.
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650 |
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|a African American women entertainers
|x History
|y 20th century.
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650 |
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0 |
|a African American women
|x Intellectual life
|y 20th century.
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650 |
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0 |
|a African Americans in literature.
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650 |
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0 |
|a African American women in literature.
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650 |
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7 |
|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
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650 |
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7 |
|a African American women entertainers
|2 fast
|
650 |
|
7 |
|a African American women in literature
|2 fast
|
650 |
|
7 |
|a African American women
|x Intellectual life
|2 fast
|
650 |
|
7 |
|a African Americans in literature
|2 fast
|
650 |
|
7 |
|a American fiction
|2 fast
|
650 |
|
7 |
|a American fiction
|x African American authors
|2 fast
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650 |
|
7 |
|a American fiction
|x Women authors
|2 fast
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650 |
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7 |
|a English.
|2 hilcc
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650 |
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|a Languages & Literatures.
|2 hilcc
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650 |
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|a American Literature.
|2 hilcc
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648 |
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7 |
|a 1900-1999
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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655 |
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7 |
|a History
|2 fast
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758 |
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|i has work:
|a Speaking in tongues and dancing diaspora (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFHdBtmbDG9gbyYCPvKR4y
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
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|i Print version :
|z 9780195116595
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830 |
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|a Race and American culture.
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856 |
4 |
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|u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/book/10701
|y Click for online access
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|a OUP-SOEBA
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994 |
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|a 92
|b HCD
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