|
|
|
|
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
ocn953456342 |
| 003 |
OCoLC |
| 005 |
20240623213015.0 |
| 006 |
m o d |
| 007 |
cr cnu|||unuuu |
| 008 |
160712t20162016nyu ob 000 0 eng d |
| 040 |
|
|
|a N$T
|b eng
|e rda
|e pn
|c N$T
|d YDXCP
|d N$T
|d OCLCO
|d OCLCF
|d OCLCO
|d EBLCP
|d OCLCA
|d CNCGM
|d OCLCQ
|d K6U
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCL
|d SXB
|d ELBRO
|
| 020 |
|
|
|a 9780190243753
|q (electronic bk.)
|
| 020 |
|
|
|a 0190243759
|q (electronic bk.)
|
| 035 |
|
|
|a (OCoLC)953456342
|
| 050 |
|
4 |
|a ML74.4.M39
|
| 072 |
|
7 |
|a MUS
|x 041000
|2 bisacsh
|
| 049 |
|
|
|a HCDD
|
| 100 |
1 |
|
|a Manzo, V. J.,
|e author.
|
| 245 |
1 |
0 |
|a Max/MSP/Jitter for music :
|b a practical guide to developing interactive music systems for education and more /
|c V.J. Manzo.
|
| 250 |
|
|
|a Second edition.
|
| 264 |
|
1 |
|a New York, NY :
|b Oxford University Press,
|c [2016]
|
| 264 |
|
4 |
|c ©2016
|
| 300 |
|
|
|a 1 online resource
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 504 |
|
|
|a Includes bibliographical references.
|
| 588 |
0 |
|
|a Online resource; title from PDF title page (EBSCO, viewed September 2, 2016).
|
| 505 |
0 |
|
|a Cover ; Max/MSP/Jitter for Music: A Practical Guide to Developing Interactive Music Systems for Education and More; Copyright ; Contents; Foreword; Preface; Why Design Custom Software?; Technology in the Classroom; Book Design; Basic Troubleshooting; Acknowledgments; About the Companion Website; 1: Introduction to Programming ; Introduction to Max ; The Max Window ; Help Patchers ; Arguments ; Separating Items in a Message ; Numbers: Integers and Floating Points ; Aligning ; Commenting ; Inspector ; Key Commands ; New Objects Learned ; Remember ; Additional Tutorials ; On Your Own
|
| 505 |
8 |
|
|a 2: Generating Music The RAT Patch ; MIDI (Musical Instrument Digital Interface) ; Synthesizing MIDI Numbers ; Adding Timing ; Slider Patch ; Rat Patch 2 ; MIDI Input ; Key Commands ; New Objects Learned ; Remember ; Additional Tutorials ; On Your Own ; 3: Math and Music ; Math in Max ; Forming Intervals ; Window Dressing ; Creating Chords ; Presentation Mode ; Further Customization ; Comments ; Key Commands ; New Objects Learned ; Remember ; Additional Tutorials ; Homework ; 4: Scales and Chords ; Scale Maker ; Chord Maker ; Order of Operations ; Setting Values ; New Objects Learned
|
| 505 |
8 |
|
|a Remember Additional Tutorials ; On Your Own ; 5: Interactive Ear Training ; Ear Trainer ; Further Customization ; New Objects Learned ; Remember ; On Your Own ; 6: Data Structures ; Adding External Objects ; Tonality in Max ; Filtering Chromatic Notes to Diatonic Notes ; Random Tonal Music ; Abstractions and Subpatchers ; Working with Pitch Classes ; Alternate Way ; Tables ; New Objects Learned ; Remember ; Additional Tutorials ; External Objects Database Concise Reference List ; On Your Own ; 7: Control Interfaces ; bpatchers ; MIDI Out bpatcher ; Saving Settings ; Control Interfaces
|
| 505 |
8 |
|
|a Chords Storing Presets ; New Objects Learned ; Remember ; Additional Tutorials ; On Your Own ; 8: Control Interfaces Continued ; Arguments for Abstractions ; Using the Mouse ; Using Videogame Controllers ; New Objects Learned ; Remember ; Additional Tutorials ; On Your Own ; 9: Tools for Music Theory Concepts ; Chord Progressions ; Scale Analysis ; Mode Relationships ; Harmonic Direction ; Harmonization ; New Objects Learned ; Additional Tutorials ; On Your Own ; 10: Working with Time ; Sequencing ; Step Sequencers ; The Transport ; Overdrive ; Remember ; New Objects Learned
|
| 505 |
8 |
|
|a Additional Tutorials On Your Own ; 11: Building Standalone Applications ; Preparing the Application ; Building the Application ; Icons ; Styles ; Permission and Cross-platform Building ; Remember ; New Objects Learned ; Additional Tutorials ; On Your Own ; 12: Introduction to Max for Live ; Overview ; Crash Course in Ableton Live ; Live Browser ; Max for Live ; Plug-Ins Device Browser ; Other Menus ; Places ; Adding Book Content ; Working in Live ; Arrangement View ; MIDI and Audio Tracks ; Max for Live ; Writing a MIDI Program ; Simple Math ; Additional Max Functions Controlling Live
|
| 520 |
|
|
|a In Max/MSP/Jitter for Music, author and music technologist V.J. Manzo provides a user-friendly introduction to a powerful programming language that can be used to write custom software for musical interaction. This second edition brings the book fully up-to-date with new applications in integrating Max with Ableton Live and offers source code for a variety of new projects.
|
| 630 |
0 |
0 |
|a Max (Computer file : Cycling '74)
|
| 630 |
0 |
7 |
|a Max (Computer file : Cycling '74)
|2 fast
|
| 650 |
|
0 |
|a Computer music
|x Instruction and study.
|
| 650 |
|
7 |
|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
|
| 650 |
|
7 |
|a Computer music
|x Instruction and study
|2 fast
|
| 758 |
|
|
|i has work:
|a Max/MSP/Jitter for music (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGkmRQ3r6tTqkKD6CBqXv3
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=4704945
|y Click for online access
|
| 903 |
|
|
|a EBC-AC
|
| 994 |
|
|
|a 92
|b HCD
|