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20241006213017.0 |
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151008s2015 hu ob 001 0 eng d |
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|z 2015038952
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|a P@U
|b eng
|e pn
|c P@U
|d OCLCO
|d JSTOR
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|d OCLCO
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|d AGLDB
|d ICA
|d OCLCQ
|d IOG
|d SNK
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|d M8D
|d UKSSU
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|d OCLCO
|d OCLCQ
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|d OCLCO
|d OCLCL
|d NUI
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| 019 |
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|a 1167591040
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|a 9789633861219
|q (electronic bk.)
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|a 9633861217
|q (electronic bk.)
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|z 9789633861196
|q (hardbound ;
|q alk. paper)
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|a (OCoLC)953630944
|z (OCoLC)1167591040
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|a 22573/ctt1d4hbwg
|b JSTOR
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|a e-ru---
|a e-un---
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|a PG3501.U4
|b Z34 2015
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|a POL031000
|2 bisacsh
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|a LIT004110
|2 bisacsh
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| 049 |
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|a HCDD
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1 |
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|a Zaharchenko, Tanya.
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| 245 |
1 |
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|a Where currents meet :
|b frontiers of memory in post-Soviet fiction of Kharkiv, Ukraine /
|c Tanya Zaharchenko.
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| 260 |
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|a New York :
|b Central European University Press,
|c 2015.
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| 300 |
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|a 1 online resource
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
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|a Natalie Zemon Davis Annual Lectures
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| 504 |
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Cover ; Title page ; Copyright page ; TABLE OF CONTENTS; Notes on format; Foreword; Introduction; DOUBLETAKE GENERATION AND THE SHIMMER OF FRONTIERS; Time and space; Memory and literature; The shimmer of frontiers; Where currents meet; Chapter One; FRONTIERS OF IDENTITY; Fluid identities; Narratives at war; Sloboda: Roots of fluidity; Chapter Two; FRONTIERS OF EMPTINESS; The last barricade; A story in old drawings; Of monsters and men; Memory and emptiness; The nonmissing variable; Chapter Three; FRONTIERS OF LIFE AND DEATH; The Charon hypothesis; The mourning writer; Chapter Four
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| 505 |
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|a FRONTIERS OF TRAUMAExpressing the unspeakable; Surviving the unspeakable; Traversing the unspeakable; Writing about the unspeakable; Chapter Five; FRONTIERS OF (IN)SANITY; Monologues of madness; Death, movement, place; CONCLUSION; Primary Sources; Bibliography; Index; back cover
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| 520 |
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|a Hybrid Renaissance introduces the idea that the Renaissance in Italy, elsewhere in Europe, and in the world beyond Europe is an example of cultural hybridization.
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| 546 |
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|a English.
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| 650 |
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|a Memory in literature.
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| 650 |
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|a Collective memory in literature.
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| 650 |
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|a Authors, Russian
|z Ukraine.
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| 650 |
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|a Russian fiction
|z Ukraine
|x History and criticism.
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| 650 |
|
7 |
|a POLITICAL SCIENCE
|x Political Ideologies
|x Nationalism & Patriotism.
|2 bisacsh
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| 650 |
|
7 |
|a Authors, Russian
|2 fast
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| 650 |
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7 |
|a Collective memory in literature
|2 fast
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| 650 |
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|a Memory in literature
|2 fast
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| 650 |
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|a Russian fiction
|2 fast
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| 651 |
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7 |
|a Ukraine
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJkMMfGYRhk8WcWRp3xJjC
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| 655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
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| 758 |
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|i has work:
|a Where Currents Meet (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCXBcWqfxGqhykkkqgH39qj
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
8 |
|i Print version:
|a Zaharchenko, Tanya.
|t Where currents meet.
|d New York : Central European University Press, 2015
|w (DLC) 2015038952
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| 830 |
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0 |
|a Natalie Zemon Davis annual lecture series.
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| 856 |
4 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=4543525
|y Click for online access
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| 903 |
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
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