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160827s2016 enk o 000 0 eng d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d IDB
|d OCLCO
|d OCLCF
|d UAB
|d OCLCQ
|d YDX
|d UKMGB
|d OCLCQ
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|d K6U
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|a 967369424
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|a 9781472580160
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|a (OCoLC)956277513
|z (OCoLC)967369424
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|a PN1635
|b .M677 2016eb
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|a HCDD
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| 100 |
1 |
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|a Morra, Irene.
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|a Verse Drama in England, 1900-2015 :
|b Art, Modernity and the National Stage.
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| 260 |
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|a London :
|b Bloomsbury Publishing,
|c 2016.
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| 300 |
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|a 1 online resource (305 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
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|a Critical Companions
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|a Print version record.
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|a Cover page ; Halftitle page ; Series page ; Title page ; Copyright page ; Dedication ; CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION MODERN VERSE DRAMA IN ENGLAND: THE FORGOTTEN TRADITION; The origins of modern verse drama; Culture of reform; Into oblivion; National Theatre as English theatre; CHAPTER 1 NINETEENTH-CENTURY LEGACIES: SPECTACLE, SONORITY AND ROMANTIC REFORM IN THE THEATRE OF STEPHEN PHILLIPS AND JAMES ELROY FLECKER; Romantics and Victorians: the Shakespearean ideal; Stephen Phillips; James Elroy Flecker's Hassan.
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|a CHAPTER 2 THE NEW DRAMA: SOCIAL CHALLENGE AND POETIC THEATRE FROM W.B. YEATS TO TERENCE GRAYVerse drama and the theatre of reform at the beginning of the century; Amateur drama; Counter-revolution: the fight against social realism; Celtic Twilight and Yeats; Towards an English Theatre of Beauty; Total art: Terence Gray and the Cambridge Festival Theatre; CHAPTER 3 GEORGIAN REVOLT: JOHN MASEFIELD, SHAKESPEARE AND GORDON BOTTOMLEY'S KING LEAR'S WIFE; Georgian revolt: Laurence Binyon, John Drinkwater, John Masefield and Lascelles Abercrombie; The Shakespearean spectre.
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|a Gordon Bottomley's King Lear's WifeCHAPTER 4 RELIGIOUS DRAMA: THEATRICAL EXPERIMENTATION AND SPIRITUAL RENEWAL BETWEEN THE WARS; John Masefield's The Coming of Christ; Zeal in the House: Charles Williams and Dorothy L. Sayers; CHAPTER 5 MUSIC, POLITICS AND THE MODERN POET: T.S. ELIOT AND W.H. AUDEN IN THE 1930s; Group Theatre: Politics and collaborative art in the 1930s; Eliot: rhythm, chorus, aria; From page to stage; Murder in the Cathedral: the anxiety of intermediality; Auden: from Brecht to Britten; Dance of Death: collaboration and collectivity; Wistful Poetics: The Ascent of F6.
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|a A new poetry: Auden and operaCHAPTER 6 RENAISSANCE AND FALSE DAWN: MAINSTREAM SUCCESS ON THE POSTWAR STAGE; Mercury rising: The Old Man of the Mountains and The Shadow Factory; Ronald Duncan: intermedial instincts after the war; This Way to the Tomb; The Cocktail Party; Christopher Fry; Post-war Elizabethan comedy: The Lady's Not for Burning; CHAPTER 7 ANGER AND AFTERMATH: ROYAL COURT, NATIONAL THEATRE AND VERSE DRAMA AFTER 1956; The modern English stage; Aftermath and legacies; Poetic radicalism and the people: John Arden and Margaretta D'Arcy.
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|a A new stage: Michael Tippett and English verse dramaCHAPTER 8 TRADITION AND TRAJECTORY: VERSE AND DRAMATIC HERITAGE IN CARYL CHURCHILL, STEVEN BERKOFF AND TONY HARRISON; Serious Money: Caryl Churchill's city comedy in verse; Steven Berkoff, Greek drama and the modern Elizabethan aria; Contemporary trends in modern English verse drama; Tony Harrison and the return of the poet; CONCLUSION THE RETURN OF THE KING: KING CHARLES III AND SHAKESPEAREAN POWER AND PASTICHE; King Charles III; NOTES; BIBLIOGRAPHY; INDEX.
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| 650 |
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|a Verse drama
|x History and criticism.
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| 650 |
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0 |
|a Drama
|y 20th century
|x History and criticism.
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| 650 |
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7 |
|a Drama
|2 fast
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| 650 |
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7 |
|a Verse drama
|2 fast
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| 648 |
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|a 1900-1999
|2 fast
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| 655 |
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|a Criticism, interpretation, etc.
|2 fast
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| 700 |
1 |
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|a Wetmore, Jr., Kevin J.
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| 700 |
1 |
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|a Lonergan, Patrick.
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| 776 |
0 |
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|i Print version:
|a Morra, Irene.
|t Verse Drama in England, 1900-2015 : Art, Modernity and the National Stage.
|d London : Bloomsbury Publishing, ©2016
|z 9781472580139
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| 830 |
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|a Critical Companions.
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| 856 |
4 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=4614745
|y Click for online access
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| 903 |
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
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