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|a Rabey, David Ian,
|d 1958-
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PCjr3q94jqCrr7xpGDQwvxP
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|a Theatre, time and temporality :
|b melting clocks and snapped elastics /
|c David Ian Rabey.
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| 264 |
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|a Bristol, UK :
|b Intellect,
|c 2016.
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| 300 |
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|a 1 online resource (xi, 264 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a data file
|2 rda
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| 366 |
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|b 20161115
|c IP
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| 490 |
1 |
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|a Theatre & consciousness,
|x 1753-3058
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| 504 |
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|a Includes bibliographical references and index.
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| 521 |
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|a Specialized.
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|a Print version record.
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|a Cover; Half Title; Title; Copyright; Contents; Acknowledgements; Introduction; Part I: Theatre in Time; Chapter 1: Whose Time Is It?; What Fundamental Things Apply?; Time Is Ticking (Clock of The Heart); Temporality: What Is 'The Time'?; Intensifying Combinations: Theatrical Time; Melting Clocks and Snapped Elastics; Wild Mercury; Points of Departure; Creative Tension; Stretch and Flow; Cause and Effect; Slaves To The Rhythm; Morality and Money; (Un)Doing The Maths; Beating The Bounds; Chapter 2: Theatre in Time; Starting The Day; Interlude: Ways of Speed; Starting The Night.
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|a Chronos and KairosBachelard and The Dialectic of Duration; Prigogine and Theatre As Dissipative Structure; Theatre As Diffusive Resonance: Green's Random; Theatre As Dissipative Structure: Wesker's The Kitchen; Theatre As Chaotic Map: Beckett's Krapp's Last Tape; Barbara Adam and Quantum Theatrics; Chronos V. Kairos: Thomas's Flowers of The Dead Red Sea:'The Whole Fucking Shit Palace Falls on Our Heads'; Theatrical Timescapes; Interval: A Hole in The Night; Part Ii: Time in Theatre; Chapter 3: Shapes of Time; Everything Must Change; Distinctions in Time; Models of Theatrical Time: A Survey.
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|a Temporal 'Thickness' in Morality PlaysDr Faustus: 'The Double Motion of The Planets'; Shakespeare: Too Long for A Play; Dislocations in Dreamtime; Wilder: Stygian Perspectives on The Passing World; Priestley: Hinges in Time; Wesker: Disillusion and Dynamism; Comical-Historical-Tragical; Interlude 1: 'Why Don't You All Just F-F-Fade Away'?: Further Thoughts on Staging Ageing; Chapter 4: Principles of Uncertainty; Beckett: Marking Time/Shoring Up The Debris; Pinter: in Search of Lost Time; Barker: 'The Sheer Suspension of Not Knowing'; Complicating Shadows.
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|a Ed Thomas: Memory, Desire and The Parts You Throw AwayButterworth: Time Past and Time Present; Breaking The Loop: Mcdowall's Radical Uncertainty; Interlude 2: The Clock in The Forest: Jerusalem Unenclosed: A Case History; Chapter 5: Time Out of Joint; Timebends and Countermyths; Bond: Time as Blood Money; Neilson's The Wonderful World of Dissocia: 'Inside-Between The Carvings of The Clock'; Once Upon A Time: Churchill's Traumatic Dystopias; The Time that Does Not Heal; Rudkin: The Once and Future; Rifkin: Searching for the New 'Time Rebels'
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|a Reverse Engineering: The Radicalization of Bradley ManningInconclusion: Repent, Harlequin & Stolen Moments; Envoi: Give Me Just a Little More Time; References; Index.
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| 650 |
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|a Drama
|x History and criticism.
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|a Time in literature.
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|a Theater
|x History.
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|a PERFORMING ARTS
|x Theater
|x General.
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|a DRAMA / General
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|a Drama
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|a Theater
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|a Time in literature
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|a Theater
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|a Aufführung
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|a Zeit
|g Motiv
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|a Criticism, interpretation, etc.
|2 fast
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|a History
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|i has work:
|a Theatre, time and temporality (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFF7jywgtWpkkWtrXdqMCP
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|z 9781783207220
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| 830 |
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|a Theatre and consciousness.
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| 856 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=4729450
|y Click for online access
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|b HCD
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