Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language

Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language / Hester Baer.

The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period, looking in particular...

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Bibliographic Details
Main Author: Baer, Hester
Format: eBook
Language:English
Published: New York : Berghahn Books, 2009.
Series:Film Europa ; v. 9.
Subjects:
1900-1999
Motion pictures > Germany > History > 20th century.
Motion pictures > Social aspects > Germany > History > 20th century.
Motion pictures for women > Germany > History > 20th century.
Motion picture audiences > Germany > History > 20th century.
Women in motion pictures > History > 20th century.
ART > Film & Video.
PERFORMING ARTS > Film & Video > Reference.
PERFORMING ARTS > Film & Video > History & Criticism.
Motion picture audiences
Motion pictures
Motion pictures for women
Motion pictures > Social aspects
Women in motion pictures
Film history, theory & criticism.
Gender studies, gender groups.
Germany.
Performing Arts.
Germany
History
Online Access:Click for online access
Table of Contents:
  • Relegitimating cinema: female spectators and the problem of representation
  • How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946)
  • When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948)
  • Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film
  • Unsolved mysteries: race, ethnicity, and gender in Helmut Kätner's Epilogue (1950)
  • Art on film: representing gender and sexuality in popular cinema
  • "Through her eyes": regendering representation in Willi Forst's The sinner (1951)
  • Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955)
  • Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957)
  • Towards the new wave: gender and the critique of popular cinema
  • Pleasurable negotiations: spectatorship and genre in Helmut Kätner's "anti-tearjerker" Engagement in Zurich (1957)
  • Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958)
  • Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film
  • Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture.

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