Contemporary Russian cinema : symbols of a new era / Vlad Strukov.

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Bibliographic Details
Main Author:	Strukov, Vlad, 1973- (Author)
Format:	eBook
Language:	English
Published:	Edinburgh : Edinburgh University Press, [2016]
Subjects:	Bibel > Philemonbrief 2000-2099 Motion pictures > Russia (Federation) > History > 21st century. Motion pictures > Russia (Federation) > History and criticism. Motion pictures > Production and direction > Russia (Federation) Symbolism in motion pictures. PERFORMING ARTS > Film & Video > Reference. Motion pictures Motion pictures > Production and direction Symbolism in motion pictures Russia (Federation) Russland Electronic books. Criticism, interpretation, etc. History
Online Access:	Click for online access

Table of Contents:

Introduction. Conceptualising the period ; Overview of the contemporary Russian film ; Critical review of scholarship on contemporary Russian film ; Contextualising the present study ; Theorising contemporary Russian cinema
1. Abstracted subjectivity and knowledge-worlds : Aleksandr Sokurov's Taurus (2001)
2. The lacking sense of cinema : Aleksandr Proshkin's The miracle (2009)
3. Gatekeepers of (non- )knowledge : Aleksei Balabanov's Morphine (2008)
4. Symbolic folds and flattened discourse : Andrei Zviagintsev's Elena (2010)
5. Non-knowledge and the symbolic mode : Nikolai Khomeriki's A tale about darkness (2009)
6. The world and the event : Kirill Serebrennikov's St. George's Day (2008)
7. A plea for the dead (self) : Renata Litvinova's Goddess : how I fell in love (2004)
8. Body in crisis and posthumous subjectivity : Igor' Voloshin's Nirvana (2008)
9. The difficulty of being dead : Aleksandr Veledinskii's Alive (2006)
10. Intentionality and modelled subjectivities : Aleksei Fedorchenko's Silent souls (2010)
11. Abandoned being : Mikhail Kalatozishvili's The wild field (2008)
12. Amplifications of subjectivity : Aleksandr Zel'dovich's The target (2010)
Conclusions.

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