Imago Exegetica : Visual Images As Exegetical Instruments, 1400-1700.

Imago Exegetica : Visual Images As Exegetical Instruments, 1400-1700.

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Bibliographic Details
Main Author: Melion, Walter
Other Authors: Clifton, James, Weemans, Michel
Format: eBook
Language:English
Published: Leiden : BRILL, 2014.
Series:Intersections Ser.
Subjects:
Bible > Hermeneutics > Congresses.
Bible > Criticism, interpretation, etc. > Congresses.
Bible > Illustrations > Congresses.
Bible
Since 500
Christian art and symbolism > Europe > Medieval, 500-1500 > Congresses.
Christian art and symbolism > Europe > Modern period, 1500- > Congresses.
Visual communication > Europe > History > Congresses.
Theology > Europe > History > Congresses.
Hermeneutics > History > Congresses.
BIBLES > General.
RELIGION > Biblical Reference > General.
RELIGION > Biblical Reference > Handbooks.
Christian art and symbolism > Medieval
Christian art and symbolism > Modern period
Hermeneutics
Intellectual life
Theology
Visual communication
Bildersprache
Exegese
Visualisierung
Visuelle Kommunikation
Ikonographie
Hermeneutik
Europe > Religious life and customs > Congresses.
Europe > Intellectual life > Congresses.
Europe
Conference papers and proceedings
Criticism, interpretation, etc.
History
Online Access:Click for online access
Table of Contents:
  • Acknowledgments; Notes on the Editors; Notes on the Contributors; List of Illustrations; Introduction: Visual Exegesis and Pieter Bruegel's Christ and the Woman Taken in Adultery; I. Visual Typologies; Jan van Eyck's Typology of Spiritual Knighthood in the Van der Paele Madonna; Typology at its Limits: Visual Exegesis and Eschatology in the Sistine Chapel; Typology
  • Back with a Vengeance! Texts, Images, and Marginal Glosses in Vorsterman's 1534 Dutch Bible; L'Épitaphe de Jan Michielsen et Maria Maes de Rubens. Rhétorique et exégèse visuelle.
  • A New Interpretation of Vermeer's Allegory of Faith: Vividness and Figural InterpretationII. Visual Analogy as an Exegetical Instrument; Empathy as a Type of Early Netherlandish Visual Wit; Meditative Exegesis and the Trope of Conversion in Dirk Vellert's Calling of Peter and Andrew of 1523; The Preaching of John the Baptist: Herri met de Bles's Visual Exegesis and Expanded Typology; Early Modern Hands: Gesture in the Work of Jan van Hemessen; Becoming Elijah: The Sleep of Elijah by Philippe de Champaigne from the Convent of the Val-de-Grâce; III. Exegetical Imagery of Spiritual Conformation.
  • 'See the Bridegroom Cometh Go Out and Meet Him': On Spiritual Progress and Mystical Union in Early Netherlandish Painting; Rogier van der Weyden and Jan van Ruusbroec: Reading, Rending, and Re-Fashioning the 'Twice-Dyed' Veil of Blood in the Escorial Crucifixion; Helenus and Dorotheus: Marten de Vos and the Desert Fathers; Lectio Divina and Francis de Sales's Picturing of the Interconnection of Divine and Human Hearts; IV. Reading the Bible Through Images.
  • Illumination of Images and Illumination through the Image
  • Functions and Concepts of Gospel Illustrations in the Bible of the Nuremberg Patrician Martin PfinzingClades Judaeae Gentis: Patterns of Destruction; Modes of Scriptural Illustration: The Beatitudes in the Late Sixteenth Century; Framing Devices and Exegetical Strategies in Northern Illustrated Spiritual Literature; 'The Glory of the Last House' (Haggai 2:9): Rembrandt and the Prophets Malachi and Haggai; V. Visual Inflections of Textual Authority.
  • Saints Amidst the Inferno: Humanism in Wittenberg's Pre-Reformation Art: A New Exegesis of Dürer's Martyrdom of the Ten ThousandVisual Exegesis and Social History: Hieronymus Beck von Leopoldsdorf (1525-1596) and His Strategies of Self-Aggrandizement; Gideon, an Old Testament Hero in Action: Burgundian Symbolism and the Visual Language of Protestant Flanders; Maerten van Heemskerck's Heliodorus Driven from the Temple: Translatio and the Interrogative Print.

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