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ocn967566839 |
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OCoLC |
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20241006213017.0 |
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m o d |
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161231s2016 enk o 000 0 eng d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d LOA
|d OCLCF
|d OCLCO
|d K6U
|d OCLCQ
|d OCLCO
|d OCLCL
|d NUI
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|a 9781786720641
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|a 1786720647
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|a (OCoLC)967566839
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|a a-cc---
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|a PN1993.5.C4
|b .R534 2017
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|a HCDD
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|a Richards, Jeffrey.
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|a China and the Chinese in Popular Film :
|b From Fu Manchu to Charlie Chan.
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|a London :
|b I.B. Tauris,
|c 2016.
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|a 1 online resource (192 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Print version record.
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|a Half Title; Endorsement; Title Page; Copyright Page; Contents; List of Illustrations; Acknowledgements and Note on Chinese Names; 1 Western Attitudes to China and the Chinese; 2 'The Yellow Peril Incarnate in One Man': The Literary Fu Manchu; 3 The Devil Doctors: Cinematic Fu Manchu; 4 Fu Manchu's Daughter: The Unique Career of Anna May Wong; 5 Chinatown Nights; 6 The 'Real' China; 7 Miscegenation Melodramas; 8 Allies and Enemies; 9 The Oriental Detectives: Charlie Chan, James Lee Wong and Mr Moto; Notes; Chapter 1: Western Attitudes to China and the Chinese.
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|a Chapter 2: 'The Yellow Peril Incarnate in One Man': The Literary Fu ManchuChapter 3: The Devil Doctors: Cinematic Fu Manchu; Chapter 4: Fu Manchu's Daughter: The Unique Career of Anna May Wong; Chapter 5: Chinatown Nights; Chapter 6: The 'Real' China; Chapter 7: Miscegenation Melodramas; Chapter 8: Allies and Enemies; Chapter 9: The Oriental Detectives: Charlie Chan, James Lee Wong and Mr Moto; Series Information.
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|a There's a folk memory of China in which numberless yellow hordes pour out of the 'mysterious East' to overwhelm the vulnerable West, accompanied by a stereotype of the Chinese as cruel, cunning and depraved. Hollywood films played their part in perpetuating these myths and stereotypes that constituted 'The Yellow Peril'. Jeffrey Richards examines in detail how and why they did it. He shows how the negative image was embodied in recurrent cinematic depictions of opium dens, tong wars, sadistic dragon ladies and corrupt warlords and how, in the 1930s and 1940s, a countervailing positive image involved the heroic peasants of The Good Earth and Dragon Seed fighting against Japanese invasion in wartime tributes to the West's ally, Nationalist China. The cinema's split level response is also traced through the images of the ultimate Oriental villain, the sinister Dr. Fu Manchu and the timeless Chinese hero, the intelligent and benevolent detective Charlie Chan. Filling a longstanding gap in Cinema and Cultural History, the book is founded in fresh research into Hollywood's shifting representations of China and its people.
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|a Chinese in motion pictures.
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|a Motion pictures
|x History.
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|a China
|x In motion pictures.
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|a Chinese in motion pictures
|2 fast
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|a Motion pictures
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|a China
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|1 https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3
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| 655 |
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|a History
|2 fast
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|i has work:
|a China and the Chinese in popular film (Text)
|1 https://id.oclc.org/worldcat/entity/E39PD3PTDDdVK83JvF98yqmQVP
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
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|i Print version:
|a Richards, Jeffrey.
|t China and the Chinese in Popular Film : From Fu Manchu to Charlie Chan.
|d London : I.B. Tauris, ©2016
|z 9781784537203
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| 856 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=4772575
|y Click for online access
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| 903 |
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|a EBC-AC
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|a 92
|b HCD
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