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ocn967876753 |
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OCoLC |
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20240809213013.0 |
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m o d |
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170107s2016 si o 000 0 eng d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d IDB
|d OCLCQ
|d OCLCO
|d MERUC
|d OCLCF
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCL
|d SXB
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|a 9789811021732
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|a 9811021732
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|a (OCoLC)967876753
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|a H1-970.9
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|a HCDD
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1 |
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|a Izharuddin, Alicia.
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|a Gender and Islam in Indonesian Cinema.
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| 260 |
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|a Singapore :
|b Springer Singapore,
|c 2016.
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| 300 |
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|a 1 online resource (215 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
1 |
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|a Gender, Sexualities and Culture in Asia
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|a Print version record.
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|a Acknowledgements; Contents; Glossary of Terms and Abbreviations; List of Figures; Chapter 1: Gender and the Divine Pleasures of the Cinema; Why Representations of Gender in Film?; Commodification of Islam and Gender in Islamic Modernity; Ways of Making Meaning; Notes on the Field Site; Interviewing Indonesiaś Cultural Elite; Positionality; Outline of Chapters; Bibliography; Films Cited (Main Films Only); Chapter 2: Dakwah at the Cinema: Identifying the Generic Parameters of Islamic Films; Between the Purity of Dakwah and Market Forces; Film Islami as a Genre; Making Films the `Islamic ́Way.
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|a Obstacles and CensorshipBibliography; Films Cited (Main Films Only); Chapter 3: Visualising Muslim Women and Men: A Longue Durée; Gender as a Product of State Ideology and Censorship; Stirring Slowly from Passivity: Femininity in Indonesian Cinema; `The Film Industry Is Masculine:́ Masculinities in Indonesian Cinema; Gender Through an Islamic Cinematic Lens; Bibliography; Films Cited (Main Films Only); Chapter 4: Gender, Islam, and the Nation in New Order Islamic Films; The Men in White: Mystics and a Revolutionary Prince; Islamic Masculinity and the Modern Indonesian Nation.
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| 505 |
8 |
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|a Woman as Mother of an Islamic NationA Woman Driven to Apostasy: Female Emancipation as Political Emancipation; Bibliography; Films Cited (Main Films Only); Chapter 5: Empowered Muslim Femininities? Representations of Women in Post-New Order Film Islami; Domestic Struggle as Spiritual Struggle; Subverting Agency in Mata Tertutup; Women Who Need Salvation: The Gender Politics of Interfaith Romance and Religious Conversion in Film Islami; The Rise of the Islamic Film Star; Bibliography; Films Cited (Main Films Only).
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| 505 |
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|a Chapter 6: Poor, Polygamous, But Deeply Pious: Muslim Masculinities in Post-New Order Film IslamiThe Polygamous Muslim Man Who Meets His Comeuppance; Rich Man, Poor Man: Islamic Commentary on Socioeconomic Class and Masculinity; Martyrdom Mythologies? The Radical Muslim Man Versus the Moderate Muslim in 3 Doa 3 Cinta; Bibliography; Films Cited (Main Films Only); Chapter 7: Afterword; Islam and Gender in Indonesian Cinema: Beyond Veils and Turbans?; Bibliography; Bibliography; Films Cited (Main Films Only); Index.
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| 650 |
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|a Islam in mass media.
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| 650 |
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|a Islam in motion pictures.
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| 650 |
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|a Gender.
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| 650 |
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7 |
|a Islam in mass media
|2 fast
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| 650 |
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|a Islam in motion pictures
|2 fast
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| 758 |
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|i has work:
|a Gender and Islam in Indonesian cinema (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFT43VppXfJjqVXMjVYbgq
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
8 |
|i Print version:
|a Izharuddin, Alicia.
|t Gender and Islam in Indonesian Cinema.
|d Singapore : Springer Singapore, ©2016
|z 9789811021725
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| 830 |
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0 |
|a Gender, sexualities and culture in Asia.
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| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=4774157
|y Click for online access
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| 903 |
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
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