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ocn971893234 |
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20240909213021.0 |
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170207s2017 nyu ob 001 0 eng |
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|a 2017006161
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|a DLC
|b eng
|e rda
|e pn
|c DLC
|d OCLCO
|d OCLCQ
|d OCLCF
|d N$T
|d YDX
|d EBLCP
|d UBY
|d CSAIL
|d STBDS
|d U3W
|d CEF
|d KSU
|d OTZ
|d BRX
|d OCLCQ
|d WYU
|d OCLCQ
|d UKAHL
|d K6U
|d OCLCO
|d OCLCQ
|d SFB
|d OCLCQ
|d OCLCO
|d OCLCL
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|a 992345988
|a 1066691953
|a 1153298441
|a 1153635741
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|a 9780190238261
|q (electronic bk.)
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|a 0190238267
|q (electronic bk.)
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|a 9780190238278
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|a 0190238275
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|z 9780190656393
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|z 0190656395
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|z 9780190238247
|q (hardback)
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|z 0190238240
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|z 9780190238254
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|z 0190238259
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|a (OCoLC)971893234
|z (OCoLC)992345988
|z (OCoLC)1066691953
|z (OCoLC)1153298441
|z (OCoLC)1153635741
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|a pcc
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1 |
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|a PN1995.9.E96
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072 |
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7 |
|a PER
|x 009000
|2 bisacsh
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049 |
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|a HCDD
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100 |
1 |
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|a Rascaroli, Laura,
|e author.
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|a How the essay film thinks /
|c Laura Rascaroli.
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263 |
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|a 1705
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264 |
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|a New York :
|b Oxford University Press,
|c 2017.
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300 |
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b n
|2 rdamedia
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|a online resource
|b nc
|2 rdacarrier
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|a "This book offers a novel understanding of the epistemological strategies that are mobilized by the essay film, and of where and how such strategies operate. Against the backdrop of Theodor W. Adorno's discussion of the essay form's anachronistic, anti-systematic and disjunctive mode of resistance, and capitalizing on the centrality of the interstice in Gilles Deleuze's understanding of the cinema as image of thought, the book discusses the essay film as future philosophy-as a contrarian, political cinema whose argumentation engages with us in a space beyond the verbal. A diverse range of case studies discloses how the essay film can be a medium of thought on the basis of its dialectic use of audiovisual interstitiality. The book shows how the essay film's disjunctive method comes to be realized at the level of medium, montage, genre, temporality, sound, narration, and framing-all of these emerging as interstitial spaces of intelligence that illustrate how essayistic meaning can be sustained, often in contexts of political, historical or cultural extremity. The essayistic urge is not to be identified with a fixed generic form, but is rather situated within processes of filmic thinking that thrive in gaps."--
|c Provided by publisher.
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|a Print version record and CIP data provided by publisher; resource not viewed.
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|a Cover; How the Essay Film Thinks; Copyright; Contents; Acknowledgments; Introduction-Openings: Thinking Cinema; 1. Medium: Liquid Image, Fluid Cinema; 2. Montage: Essayistic Thinking at the Juncture of Images; 3. Genre: The Speck of Irony and the Ethnolandscape in Ruins; 4. Temporality: The Palimpsestic Road and Diachronic Thinking; 5. Sound: The Politics of the Sonic Interstice and the Dissonance of the Neutral; 6. Narration: Epistolarity and Lyricism as Argumentation; 7. Framing: Looking for an Object, or The Essay Film as Theoretical Practice; Conclusion-Reframing; Bibliography; Index
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|a Includes bibliographical references (pages 191-199) and index.
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650 |
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|a Experimental films
|x History and criticism.
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650 |
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|a Documentary films
|x History and criticism.
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|a Motion pictures
|x Aesthetics.
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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650 |
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7 |
|a PERFORMING ARTS
|x Film & Video
|x Screenwriting.
|2 bisacsh
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650 |
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|a ART
|x Film & Video.
|2 bisacsh
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650 |
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a Documentary films
|2 fast
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650 |
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|a Experimental films
|2 fast
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|a Motion pictures
|x Aesthetics
|2 fast
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|a Electronic books.
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|a Criticism, interpretation, etc.
|2 fast
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|i has work:
|a How the essay film thinks (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGdggGBFqgVMypJh4RKq8K
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
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|i Print version:
|a Rascaroli, Laura author.
|t How the essay film thinks.
|d New York : Oxford University Press, 2017
|z 9780190238247
|w (DLC) 2016044879
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856 |
4 |
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|u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/book/1766
|y Click for online access
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|a OUP-SOEBA
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|a 92
|b HCD
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