Almost nothing : observations on precarious practices in contemporary art / Anna Dezeuze.

Presents a short history of artworks at risk of passing unnoticed because they look like trash, or are little more than commonplace objects and fleeting gestures that disappear into the fabric of everyday life.

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Bibliographic Details
Main Author: Dezeuze, Anna (Author)
Format: eBook
Language:English
Published: Manchester : Manchester University Press, 2017.
Series:Rethinking art's histories.
Subjects:
Online Access:Click for online access

MARC

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100 1 |a Dezeuze, Anna,  |e author. 
245 1 0 |a Almost nothing :  |b observations on precarious practices in contemporary art /  |c Anna Dezeuze. 
264 1 |a Manchester :  |b Manchester University Press,  |c 2017. 
300 |a 1 online resource (xiii, 330 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 1 |a Rethinking art's histories 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Cover; Almost nothing; Contents; List of figures; Acknowledgements; Introduction: almost nothing; Part I: 'Dharma bums', 1958-71; 1 Junk aesthetics in a throwaway age; 2 'At the point of imperceptibility'; 3 'Good-for-nothing'; Part II: The light years, 1991-2009; 4 Joins in the age of 'liquid modernity'; 5 Futility and precarity; Postscript: on the humanism of precarious works; Select bibliography; Index 
520 |a Presents a short history of artworks at risk of passing unnoticed because they look like trash, or are little more than commonplace objects and fleeting gestures that disappear into the fabric of everyday life. 
650 0 |a Art, Modern. 
650 7 |a ART  |x Performance.  |2 bisacsh 
650 7 |a ART  |x Reference.  |2 bisacsh 
650 7 |a ART  |x History  |x Contemporary (1945- )  |2 bisacsh 
650 7 |a Art, Modern  |2 fast 
650 7 |a Kunst  |2 gnd 
650 7 |a Unsicherheit  |2 gnd 
776 0 8 |i Print version:  |a Dezeuze, Anna.  |t Almost nothing.  |d Manchester : Manchester University Press, 2017  |z 9780719088575  |w (OCoLC)950450447 
830 0 |a Rethinking art's histories. 
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