Glass beads from early medieval Ireland : classification, dating, social performance / Mags Mannion.

This is a comprehensive study of glass beads from early medieval Ireland, presenting the national classification, typology, dating, symbology and social performance of glass beads.

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Bibliographic Details
Main Author: Mannion, Mags (Author)
Format: eBook
Language:English
Published: Oxford : Archaeopress Publishing Ltd, [2015]
Series:Archaeopress archaeology.
Subjects:
Online Access:Click for online access
Table of Contents:
  • Cover
  • Title page
  • Copyright page
  • Abstract
  • Acknowledgments
  • Author's note
  • Table of Contents
  • List of Figures
  • Chapter 1: Introduction
  • The Irish bead corpus 'no strings attached'
  • The study corpus
  • The approach adopted in this study
  • Classifying and dating the beads
  • Development and structure of the research
  • The social performance of beads
  • Figure 1: A typical single find
  • Figure 2: The number of coeval beads available from a single string or necklace from just one burial (from Brugmann 2004, fig. 76 beads from Grave 72 Linton Heath Cambridgeshire). 1
  • Figure 3: The widely recognised religious affiliation associated with rosary beads means the viewer is easily able to place it within a context.
  • Chapter 2: The History of Glass Bead Studies
  • Antiquarian Studies
  • Museum Collections
  • William Knowles
  • Twentieth-Century Studies
  • Gustavus Eisen
  • Horace Beck
  • Margaret Guido
  • The modern approach
  • Anglo-Saxon grave studies
  • Scandinavian settlement studies
  • Glass workshops
  • Glass working on Irish sites
  • Figure 4: Watercolours of the beads (from Knowles 1879-81, plate 2).
  • Figure 5: A typical class 9 bead (from.http://www.kaupang 2001/fig 4.7)
  • Figure 6: Rods of glass used in glass working were among the many finds from San Vincenzo (from Hodges 2009, numbers SV5-01)
  • Figure 7: A rod of glass used in glass working found during excavations on Iona (Barber 1981, Plate 24)
  • Figure 8: The class 10A bead (10A.1) from Deer Park Farms
  • Figure 9: The similarity in the composition and colours used in this glass rod from Ballydoo and the bead from Deer Park Farms illustrated in Figure 8 is very striking
  • Chapter 3: Aims and Methodology
  • Methodology
  • The study corpus
  • Lighting
  • Photography
  • Recording consistency
  • Database
  • Munsell codes
  • Nomenclature.
  • The philosophy of the classification
  • Table 1: Location of sites and number of bead from each site
  • Figure 10: The form and features are more visible on a Class 3 bead of a lighter shade of glass.
  • Figure 11: The features are not as clear on a class 3 bead of a dark shade of glass.
  • Figure 12: Glass beads and rods made by the writer.
  • Figure 13: The artisan has created a very individual and visually striking bead through the skilful use of opaque and translucent glass in contrasting colours.
  • Chapter 4: The Classification
  • Class 1 Segmented beads
  • Class 2 Cable beads
  • Class 2A
  • Class 3 Toggle beads
  • Class 4 Interlace decorated beads
  • Class 5 Embellished Tripartite beads
  • Class 6 Lattice decorated beads
  • Class 7 Spiral marvered decorated yellow beads
  • Class 10 Herringbone decorated beads
  • Class 10A Marvered inlaid thread beads
  • Class 8 Spiral marvered decorated dark beads
  • Class 9 Spiral unmarvered decorated beads
  • Class 11 Ribbed beads
  • Class 12 Mulberry beads
  • Class 13 Spiral form beads
  • Class 14 Mixed colour bead
  • Class 15 Globular beads
  • 15A Miniature globular beads
  • Class 16 Annular beads
  • Class 17 Translucent annular beads
  • Class 18 Spherical beads
  • The Imported Beads
  • Brugmann Constricted Segmented beads
  • Guido Schedule 2 xi beads and 8 xi beads
  • Guido Schedule 2v (a) beads
  • Guido Schedule 6viii beads
  • Koch Type 20 yellow
  • Andrae Type 0772
  • Frankish Type beads
  • Guido Schedule 5iia beads
  • Koch Type 49/50
  • Siegmund Type 35.20 or 35.24
  • Figure 14: A typical class 1 bead (cat. numbers 1.3)
  • Figure 15: The paste between the groves is clearly visible on this specimen (cat. numbers 2.1)
  • Figure 16: Bead (cat. numbers 2A.2), showing the single twist composition
  • Figure 17: An example in pale opaque blue glass (cat .no. 3.3).
  • Figure 18: A class 3 bead (cat. numbers 3.2), composed of translucent glass
  • Figure 19: A typical class 4 bead (cat. numbers 4.2), showing the marvered interlace decoration
  • Figure 20: (cat. numbers 5.1), The combination of motifs which could be used to embellish the beads
  • Figure 21: A specimen with monochrome collars and raised dots (cat. numbers 5.6)
  • Figure 22: A specimen (cat. numbers 5.8), with raised dots and collars of twisted glass (after Lynn and McDowell, 2011 Pl. 18.2).
  • Figure 23: The bead from Carrigatogher in Co Clare
  • Figure 24: Close up of the depression in which a decorative motif would be placed
  • Figure 25: This specimen also has monochrome collars (cat. numbers 5.3)
  • Figure 26: This specimen (cat. numbers 6.4), has a dark glass core
  • Figure 27: The bead from Lagore (cat. numbers 6.1)
  • Figure 28: The bead from Newtownbalregan found in association with objects of sixth to seventh century date (Roycroft 2010, 22).
  • Figure 29: Class 7 bead from Garryduff (cat. numbers 7.3)
  • Figure 30: A typical Class 8 bead (cat. numbers 8.1)
  • Figure 31: The core of this bead has a blue tinge (cat. numbers 9.1)
  • Figure 32 In this example the glass is of a caramel shade and the collars are intact (cat. numbers 9.4).tif
  • Figure 33 An example in yellow and green glass (cat. numbers 10.21).tif
  • Figure 34 Some examples display less skill in the execution of the decoration (cat. numbers 10.11).tif
  • Figure 35: This bead displays a more complex design (cat. numbers10.1)
  • Figure 36: An example of the type in a lighter colour class (cat. numbers 10.10)
  • Figure 37: (cat. numbers 10A 2), displays the dimensional depth created by the use of rods of twisted glass similar to those found at Ballydoo
  • Figure 38: This example is embellished with a twisted cable (cat. numbers11.4)
  • Figure 39: An example of the type in clear translucent glass (cat. numbers 12.1).
  • Figure 40: The class 13 bead from Lagore (cat. numbers 13.1)
  • Figure 41: Lagore bead (cat. numbers 14.1)
  • Figure 42: This bead displays a more haphazard composition (cat. numbers 14.2)
  • Figure 43: A typical example of a class 15 bead composed of opaque glass of a white shade
  • Figure 44: A typical class 15 bead of semi-translucent dark blue glass
  • Figure 45: The bead while of small dimension displays the same workmanship seen on the larger globular beads (cat. numbers 15A .2)
  • Figure 46: A class 16 bead showing the proportional perforation and the smooth and rounded edges typical of this class
  • Figure 47: A typical class 17 bead
  • Figure 48: A typical spherical bead
  • Table 2: Classification Table
  • Figure 49: While the body of the beads can be composed in a variety of colours they all display similar randomly placed and sized inserts in a range of colours as seen on this specimen (cat. numbers Gui S8xii. 1)
  • Figure 50: The jagged perforation edge at the lower end may indicate that the beads may originally have had more than two segments (cat. numbers Bru. CS.2)
  • Figure 51: (cat. numbers Bru. CS.1)
  • Figure 52: (cat. numbers Gui. M. 1)
  • Figure 53: This bead displays the very distinctive decoration that characterises this type (cat. numbers Gui. S2v. (a))
  • Figure 54: (cat. numbers Koch. 20Y.1), (after Hughes 1980)
  • Figure 55: (cat. numbers Koch 49/50.1), (after Hughes 1980)
  • Figure 56: (cat. numbers Gui. S5iia.1)
  • Figure 57: (cat. numbers And. 0772.1)
  • Figure 58: (cat. numbers Sieg 35.20/35.24 .2)
  • Figure 59: (cat. numbers Sieg. 35.20/35.24.1)
  • Figure 60: (cat. numbers Fra. Type .1 and Fra. Type.2)
  • Figure 78: The possible composition of necklace (after Lynn and McDowell 2011, Pl. 18.1).
  • Figure 79: A typical class 16 bead of blue glass embellishes a bronze pinches
  • Figure 80: Close up of the head of the glass toped pin from Drummiller Rocks, Dromore.
  • Table 3: Imported beads
  • Chapter 5: Context and Dating of the Classes
  • Deer Park Farms ringfort, Company Antrim.
  • The chronology and dating of the site
  • The excavation nomenclature
  • The Beads
  • Phase 2 bead
  • Phase 3 beads
  • Phase 4 beads
  • Phases 2-5 bead
  • Phases 3-5 bead
  • The Rath Period Beads, Phases 2-6
  • Phase 6 beads
  • Phase 6a beads
  • Phases 4-5 beads
  • Phases 5
  • Phase 6b beads
  • The Raised Rath Period Phases 7-13
  • Phase 7 beads
  • Phase 8 beads
  • Phases 8-10 beads
  • Phase 10 beads
  • Phase 9 beads
  • Phases 8-12 beads
  • Phases 9-10 beads
  • Phase 11 beads
  • Phase 12 beads
  • Phase 13 beads
  • Souterrain Period beads
  • Summary of the dating evidence
  • Unstratified beads
  • Lagore Crannóg Company Meath
  • The structure of the site
  • Chronology of the site
  • Dating of the site
  • Re-interpretation of the chronology
  • The association of finds to Periods
  • The Excavation Record
  • Limitations of the excavation report
  • The Beads
  • Period I bead
  • Period Ia beads
  • Period Ib beads
  • Period II beads
  • Period III beads
  • The unstratified beads
  • The 'old finds'
  • Summary of the dating evidence
  • Clonmacnoise Ecclesiastical Centre Company Offaly
  • The Beads
  • Summary of dating evidence
  • Caherlehillian Ecclesiastical Settlement Company Kerry
  • The Beads
  • Summary of the dating evidence
  • Garranes ringfort Company Cork
  • The excavation record
  • The Beads
  • The site D beads
  • The 1991/92 excavation beads
  • The site A beads
  • The site C beads
  • Summary of the dating evidence
  • Two Ring-Forts at Garryduff Company Cork.
  • Limitations of the excavation report
  • The beads
  • Period I beads
  • Period II beads
  • Old find
  • Ballinderry Crannóg No. 2 Company Offaly.
  • Limitations of the excavation report
  • Chronology and dating of the site
  • Summary of dating evidence
  • The Beads
  • Summary of the dating evidence.