The Oxford handbook of music making and leisure

The Oxford handbook of music making and leisure / edited by Roger Mantie and Gareth Dylan Smith.

"Music has been a vital part of leisure activity across time and cultures. Contemporary commodification, commercialization, and consumerism, however, have created a chasm between conceptualizations of music making and numerous realities in our world. From a broad range of perspectives and appro...

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Bibliographic Details
Other Authors: Mantie, Roger (Editor), Smith, Gareth Dylan (Editor)
Format: eBook
Language:English
Published: New York, NY : Oxford University Press, [2017]
Series:Oxford handbooks.
Subjects:
Music as recreation.
Music > Social aspects.
Music as recreation
Music > Social aspects
Online Access:Click for online access

MARC

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245 0 4 |a The Oxford handbook of music making and leisure /  |c edited by Roger Mantie and Gareth Dylan Smith. 
246 3 0 |a Music making and leisure 
264 1 |a New York, NY :  |b Oxford University Press,  |c [2017] 
264 4 |c ©2017 
300 |a 1 online resource (xviii, 672 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 1 |a [Oxford handbooks] 
500 |a Series statement from book jacket. 
504 |a Includes bibliographical references and index. 
520 |a "Music has been a vital part of leisure activity across time and cultures. Contemporary commodification, commercialization, and consumerism, however, have created a chasm between conceptualizations of music making and numerous realities in our world. From a broad range of perspectives and approaches, this handbook explores avocational involvement with music as an integral part of the human condition. The chapters in The Oxford Handbook of Music Making and Leisure present myriad ways for reconsidering and refocusing attention back on the rich, exciting, and emotionally charged ways in which people of all ages make time for making music. The contexts discussed are broadly Western, including an eclectic variety of voices from scholars across fields and disciplines, framing complex and multifaceted phenomena that may be helpfully, enlighteningly, and perhaps provocatively framed as music making and leisure. This volume may be viewed as an attempt to reclaim music making and leisure as a serious concern for, amongst others, policy makers, scholars, and educators who perhaps risk eliding some or even most of the ways in which music - a vital part of human existence - is integrated into the everyday lives of people. As such, this handbook looks beyond the obvious, asking readers to consider anew, "What might we see when we think of music making as leisure?""--Publisher's website. 
588 0 |a Print version record. 
505 0 0 |t Grasping the Jellyfish of Music Making and Leisure /  |r Roger Mantie and Gareth Dylan Smith --  |t Creating a Framework for Music Making and Leisure: Max Kaplan Leads the Way /  |r Marie McCarthy --  |t Well-Being And Music Leisure Activities Through The Lifespan: A Psychological Perspective /  |r Susan Hallam, Andrea Creech, and Maria Varvarigou --  |t Aspiring to Music Making as Leisure through the Musical Futures Classroom /  |r Abigail D'Amore and Gareth Dylan Smith --  |t D.I.Y. Recreational Recording as Music Making /  |r Adam Patrick Bell --  |t Contemplating Compilations: An Invitation to ... /  |r Joseph Pate and Brian Kumm --  |t "While My Guitar Gently Weeps": Music Education and Guitar as Leisure /  |r David Lines --  |t Playing Music and Identity Development in Middle Adulthood: A Theoretical and Autoethnographic Account /  |r Kevin Rathunde and Russell Isabella --  |t (Un)popular Music Making and Eudaimonism /  |r Gareth Dylan Smith --  |t "The Violin in the Attic": Investigating the Long-Term Value of Lapsed Musical Participation /  |r Stephanie Pitts --  |t Leisure-time Music Activities from the Perspective of Musical Agency: The Breaking Down of a Dichotomy /  |r Sidsel Karlsen --  |t The Musical Lives of Self-confessed Non-musicians /  |r Jennie Henley --  |t Popular Music Making and Young People: Leisure, Education and Industry /  |r Zack Moir --  |t "Perilous Blessing of Leisure": Music and Leisure in the United States, 1890-1945 /  |r Andy Krikun --  |t A Consumer Behavior-Influenced Multi-Disciplinary Transcendent Model of Motivation for Music Making /  |r Valerie L. Vaccaro --  |t Developing a Cultural Theory of Music Making and Leisure: Baudrillard, the simulacra and music consumption /  |r Karl Spracklen --  |t Feeling Part of the Scene: Affective Experiences of Music Making Practices and Performances within Leeds' Extreme Metal Scene /  |r Gabby Riches --  |t Motivational and Social Network Dynamics of Ensemble Music Making: A Longitudinal Investigation of a Collegiate Marching Band /  |r Serena Weren, Olga Kornienko, Gary W. Hill, and Claire Yee --  |t Leisure Music Production: Its Spaces and Places /  |r Robert A. Stebbins --  |t Amateur and Professional Music-Making at Dartington International Summer School /  |r Hermione Ruck Keene and Lucy Green --  |t "What's Your Name, Where Are You From and What Have You Had?" Utopian memories of Leeds' Acid House culture in Two Acts /  |r Ronnie Richards --  |t Red Light Jams: A Place Outside of All Others /  |r Joseph Michael Pignato --  |t The Beat of a Different Drummer: Music Making as Leisure Research /  |r Brett Lashua --  |t "FX, Drugs and Rock 'n' Roll": Engineering the Emotional Space of the Recording Studio /  |r Jenna Ward and Allan Watson --  |t Music Making on YouTube /  |r Christopher Cayari --  |t Italian Amateur Pop-Rock Musicians on Facebook: Mixed Methods and New Findings in Music Making Research /  |r Alberto Trobia and Fabio M. Lo Verde --  |t Entering Into An Indigenous Cypher: Indigenous Music-Dance Making Sings to Western Leisure /  |r Karen Fox --  |t Sonic Participatory Cultures within, through, and around Video Games /  |r Jared O'Leary and Evan Tobias --  |t "Singer's Music": Considering Sacred Harp Singing as Musical Leisure and Lived Harmony /  |r Thomas Malone --  |t "DJ Hit That Button": Amateur Laptop Musicians in Contemporary Music and Society /  |r Shara Rambarran --  |t Community Music Practice: Intervention Through Facilitation /  |r Gillian Howell, Lee Higgins, and Brydie-Leigh Bartleet --  |t Leisure Grooves: An Open Letter to Charles Keil /  |r Roger Mantie. 
650 0 |a Music as recreation. 
650 0 |a Music  |x Social aspects. 
650 7 |a Music as recreation  |2 fast 
650 7 |a Music  |x Social aspects  |2 fast 
700 1 |a Mantie, Roger,  |e editor. 
700 1 |a Smith, Gareth Dylan,  |e editor. 
758 |i has work:  |a The Oxford handbook of music making and leisure (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCFPq9DpQVgckB66F7V6btX  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |t Oxford handbook of music making and leisure.  |d New York, NY : Oxford University Press, [2017]  |z 9780190244705  |z 0190244704  |w (DLC) 2016010227  |w (OCoLC)944014281 
830 0 |a Oxford handbooks. 
856 4 0 |u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/edited-volume/27952  |y Click for online access 
903 |a OUP-HBMUSIC2017 
994 |a 92  |b HCD 

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