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170403s2017 mau ob 001 0 eng |
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|a 2017016194
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|b eng
|e rda
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|c DLC
|d OCLCO
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|a 9789004342989
|q (electronic bk.)
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|a 9004342982
|q (electronic bk.)
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|z 9789004336971
|q (hardback ;
|q alk. paper)
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|a (OCoLC)981509022
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|a ART
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|a HCDD
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|a Dealing art on both sides of the Atlantic, 1860-1940 /
|c edited by Lynn Catterson.
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|a 1707
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|a Boston :
|b Brill,
|c 2017.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
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|a Studies in the history of collecting & art markets ;
|v Volume 2
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|a Includes bibliographical references and index.
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|a Print version record and CIP data provided by publisher; resource not viewed.
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|a Chapter 1 Introduction; The Artist as Dealer; Chapter 2 The Many Hats of Mary Cassatt: Artist, Advisor, Broker, Tastemaker; Chapter 3 The Misses Williams in Salem and Rome; Dealers Shaping and Influencing Taste; Chapter 4 "A Public-Spirited Merchant" Samuel P. Avery, Art Dealer, Advisor, Philanthropist; Chapter 5 Dealing with Cubism: Daniel-Henry Kahnweiler's Perilous Internationalism; Supply Created by Dealer; Chapter 6 Charles Mather Ffoulke and the Market for Tapestries in Late Nineteenth-Century America
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|a Chapter 7 The Art Dealer and the Devil: Remarks on the Relationship of Elia Volpi and Wilhelm von BodeDemand Created by Dealers; Chapter 8 An Imaginary Italy on the Shores of Florida: Paul Chalfin, Vizcaya and the International Market for Italian Decorative Arts in 1910s; Chapter 9 Selling French Modern Art on the American Market: César de Hauke as Agent of Jacques Seligmann & Co., 1925-1940; The Role of Photographs in the Selling of Art; Chapter 10 Stefano Bardini and C.F. Walker, His London Agent
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|a Chapter 11 Surrogates and Intermediaries: The Informational Role of Photographs in the Art MarketThe Bureaucratic Network; Chapter 12 A Lesson in Loopholes: Stefano Bardini, and the Export of the Botticelli Frescoes from Villa Lemmi; List of Illustrations; List of Contributors; Index
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|a Dealing Art on Both Sides of the Atlantic, 1860-1940 aims to bring the marketplace dynamic into sharper focus with its essays which examine the many functionaries who participate in the art market network, among them, agents, scouts, intermediaries, restorers, fakers, decorators, advisers and experts. All of the essays are rooted in case studies which give voice to the various aspects of supply−from branding to marketing, from inventory to display, from restoration to pastiche to fabrication. Each is incredibly rich in their marshalling of primary sources and archival materials; in sum, they present an impressive array of new research. Contributors are: Fae Brauer, Denise M. Budd, Patrizia Cappellini, Lynn Catterson, Sebastien Chaffour, Laura D. Corey, Flaminia Gennari-Santori, Jacqueline Marie Musacchio, Joanna Smalcerz, Alexandra Provo, AnnaLea Tunesi, and Leanne Zalewski.
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| 650 |
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|a Art
|x Economic aspects
|z Europe
|x History
|y 19th century.
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|a Art
|x Economic aspects
|z United States
|x History
|y 19th century.
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|a Art
|x Economic aspects
|z Europe
|x History
|y 20th century.
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|a Art
|x Economic aspects
|z United States
|x History
|y 20th century.
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|a ART
|x General.
|2 bisacsh
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|a Art
|x Economic aspects
|2 fast
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|a Europe
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|a United States
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|a 1800-1999
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|a History
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|a Catterson, Lynn,
|e editor.
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|i Print version:
|t Dealing art on both sides of the Atlantic, 1860-1940.
|d Boston : Brill, 2017
|z 9789004336971
|w (DLC) 2017015580
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| 856 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=5024383
|y Click for online access
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|a EBC-AC
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|a 92
|b HCD
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