Critical approaches to the production of music and sound

Critical approaches to the production of music and sound / [edited by] Samantha Bennett and Eliot Bates.

Who produces sound and music? And in what spaces, localities, and contexts? As the production of sound and music in the 21st century converges with multimedia, these questions are critically addressed in this new edited collection. This work features 16 brand-new articles by leading thinkers from th...

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Bibliographic Details
Other Authors: Bennett, Samantha (Music professor) (Editor, Contributor), Bates, Eliot (Editor, Contributor)
Format: eBook
Language:English
Published: New York, NY : Bloomsbury Academic, 2018.
Subjects:
Sound recordings > Production and direction.
Popular music > Production and direction.
Music recording & reproduction.
Music industry.
Music.
MUSIC > Instruction & Study > Theory.
Sound recordings > Production and direction
Online Access:Click for online access
Table of Contents:
  • The production of music and sound : a multidisciplinary critique / Eliot Bates and Samantha Bennet
  • I. Situating production : place, space and gender. Field recording and the production of place / Tom Western
  • The poietics of space : the role and co-performance of the spatial environment in popular music production / Damon Minchella
  • "An indestructible sound" : locating gender in genres using different music production approaches / Paula Wolfe
  • II. Beyond representation. Producing tv sries music in Istanbul / Eliot Bates
  • Reclamation and celebration : Kodangu, a Torres Strait islander album of ancestral and contemporary Australian Indigenous music / Karl Neuenfeldt
  • III. Electronic music. "All sounds are created equal" : mediating democracy in acousmatic education / Patrick Valiquet
  • Technologies of play in hip-hop and electronic dance music production and performance / Mike D'Errico
  • IV. Technology and technique. Weapons of mass deception : the invention and reinvention of recording studio mythology / Alan Williams
  • Auto-tune in situ : digital vocal correction and conversational repair / Owen Marshall
  • V. Mediating sound and silence. Listening to or through technology : opaque and transparent mediation / Ragnhild Brovog-Hanssen
  • Six types of silence / Richard Osborne
  • VI. Virtuality and online production. Intermixtuality : case studies in online music (re)production / Samantha Bennett
  • Crowdfunding and alternative modes of production / Mark Thorley.

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