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| 001 |
on1007510460 |
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OCoLC |
| 005 |
20240504213016.0 |
| 006 |
m o d |
| 007 |
cr cnu---unuuu |
| 008 |
171018s2018 nyu ob 001 0 eng |
| 010 |
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|a 2017050199
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| 040 |
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|a DLC
|b eng
|e rda
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|c DLC
|d OCLCF
|d OCLCO
|d OCLCQ
|d N$T
|d EBLCP
|d YDX
|d OCLCO
|d STBDS
|d CEF
|d OTZ
|d OCLCQ
|d LVT
|d BRX
|d OCLCQ
|d XQM
|d OCLCQ
|d UKAHL
|d JHP
|d OCLCO
|d SFB
|d OCLCO
|d OCLCQ
|d OCLCO
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| 019 |
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|a 1147786792
|a 1289809199
|a 1298442505
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| 020 |
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|a 9780190633592
|q (electronic book)
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| 020 |
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|a 019063359X
|q (electronic book)
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| 020 |
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|a 9780190633615
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| 020 |
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|a 0190633611
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| 020 |
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|z 9780190633608
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|z 0190633603
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| 020 |
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|z 9780190633585
|q (hardcover)
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|z 0190633581
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| 024 |
8 |
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|a 40028233090
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| 035 |
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|a (OCoLC)1007510460
|z (OCoLC)1147786792
|z (OCoLC)1289809199
|z (OCoLC)1298442505
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| 042 |
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|a pcc
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| 050 |
1 |
4 |
|a ML430.7
|b .G66 2018
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| 072 |
|
7 |
|a MUS
|x 041000
|2 bisacsh
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| 049 |
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|a HCDD
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| 100 |
1 |
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|a Gooley, Dana A.
|q (Dana Andrew),
|d 1969-
|e author.
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| 245 |
1 |
0 |
|a Fantasies of improvisation :
|b free playing in nineteenth-century music /
|c Dana Gooley.
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| 264 |
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1 |
|a New York, NY :
|b Oxford University Press,
|c [2018]
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| 300 |
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|a 1 online resource
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|a Prelude: The virtue of improvisation -- 1. The school of Abbé Vogler : Weber and Meyerbeer -- 2. The Kapellmeister network and the performance of community : Hummel, Moscheles, and Mendelssohn -- 3. Carl Loewe's performative romanticism -- 4. Schumann and the economization of musical labor -- 5. Liszt and the romantic rhetoric of improvisation -- 6. Improvisatoriness : the regime of the improvisation imaginary -- Postlude: Improvisation and utopia.
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| 520 |
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|a The first history of keyboard improvisation in European music from the time of Beethoven through the later nineteenth century, Dana Gooley's Fantasies of Improvisation: Free Playing in Nineteenth-Century Music describes the motives, intentions, and musical styles of the nineteenth century's leading improvisers, and traces the evolution of the performance practice into a glorified ideal.
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| 588 |
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|a Online resource; title from digital title page (viewed on June 05, 2018).
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| 650 |
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0 |
|a Improvisation (Music)
|x History
|y 19th century.
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| 650 |
|
7 |
|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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| 650 |
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7 |
|a Improvisation (Music)
|2 fast
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| 648 |
|
7 |
|a 1800-1899
|2 fast
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| 655 |
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7 |
|a History
|2 fast
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| 758 |
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|i has work:
|a Fantasies of improvisation (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCG3hWKVRtwqPtWKMw7xbMK
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|a Gooley, Dana A. (Dana Andrew), 1969-
|t Fantasies of improvisation.
|d New York, NY : Oxford University Press, [2018]
|z 9780190633585
|w (DLC) 2017048569
|
| 856 |
4 |
0 |
|u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/book/25754
|y Click for online access
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| 903 |
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|a OUP-SOEBA
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| 994 |
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|a 92
|b HCD
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