Library of African cinema. Faat kine / a project of California Newsreel ; Filmi Doom Reew Dakar-Senegal presente ; filme de Sembene Ousmane ; scénario, dialogues, réalisation, Sembene Ousmane.

Faat Kine joins a number of recent African films which use abusive, patriarchal relationships to symbolize the more general despoiling of Africa by a corrupt and ineffective (male) elite. Sembene may have first suggested this equation when the disgusted wife at the end of Borom Sarret leaves to earn...

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Bibliographic Details
Other Authors: Sembène, Ousmane, 1923-2007 (Director), Mbengue, Wongue (Producer)
Format: Video
Language:French
Wolof
English
Published: San Francisco, CA : California Newsreel, 2001.
Series:Academic Video Online
Subjects:
Online Access:Click for online access

MARC

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245 0 0 |a Library of African cinema.  |p Faat kine /  |c a project of California Newsreel ; Filmi Doom Reew Dakar-Senegal presente ; filme de Sembene Ousmane ; scénario, dialogues, réalisation, Sembene Ousmane. 
264 1 |a San Francisco, CA :  |b California Newsreel,  |c 2001. 
300 |a 1 online resource (120 min.) 
306 |a 020034 
336 |a two-dimensional moving image  |b tdi  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
337 |a video  |b v  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a data file  |2 rda 
380 |a Videorecording 
490 0 |a Academic Video Online 
500 |a Title from resource description page (viewed September 20, 2017). 
508 |a Directeur photo, Dominique Gentil. 
511 1 |a Venus Seye, Mame Ndumbé Diop, Awa Sene Sarr, Tabara Ndiaye. 
520 |a Faat Kine joins a number of recent African films which use abusive, patriarchal relationships to symbolize the more general despoiling of Africa by a corrupt and ineffective (male) elite. Sembene may have first suggested this equation when the disgusted wife at the end of Borom Sarret leaves to earn the dinner money, probably by prostitution. By the time of Xala, El Hadji clearly represents a neo-colonialism scorned by his wives and daughter. In Moussa Sene Absa's Tableau Ferraille Gagnesiri, the faithful, traditional wife sails away from Damm, her vacillating politician husband, representing grassroots Africa finally abandoning its often self-interested leaders to set is own course; one can even imagine her becoming the self-reliant businesswoman, Faat Kine. 
546 |a In French and Wolof with English subtitles. 
586 |a Nominated 2001 Fribourg International Film Festival, Grand Prix Award 
650 0 |a Patriarchy  |z Senegal. 
650 0 |a Single mothers  |z Senegal. 
650 0 |a Women service industries workers  |z Senegal. 
650 0 |a Women  |z Senegal  |x Social conditions  |y 20th century. 
650 0 |a Man-woman relationships  |z Senegal. 
650 7 |a Man-woman relationships.  |2 fast  |0 (OCoLC)fst01007080 
650 7 |a Patriarchy.  |2 fast  |0 (OCoLC)fst01055082 
650 7 |a Single mothers.  |2 fast  |0 (OCoLC)fst01119370 
650 7 |a Women service industries workers.  |2 fast  |0 (OCoLC)fst01178521 
650 7 |a Women  |x Social conditions.  |2 fast  |0 (OCoLC)fst01176947 
651 7 |a Senegal.  |2 fast  |0 (OCoLC)fst01204328  |1 https://id.oclc.org/worldcat/entity/E39PBJgmHR4v66rMV36wrhgMyd 
648 7 |a 1900-1999  |2 fast 
655 7 |a Feature films.  |2 fast  |0 (OCoLC)fst01710384 
655 7 |a Fiction films.  |2 fast  |0 (OCoLC)fst01710264 
655 7 |a Feature films.  |2 lcgft 
655 7 |a Fiction films.  |2 lcgft 
655 7 |a Films de fiction.  |2 rvmgf 
700 1 |a Sembène, Ousmane,  |d 1923-2007,  |e director.  |1 https://id.oclc.org/worldcat/entity/E39PBJgXdbCv78qqbqY3rHTj4q 
700 1 |a Mbengue, Wongue,  |e producer. 
710 2 |a California Newsreel (Firm),  |e production company. 
758 |i has work:  |a Faat kine Library of African cinema (MovingImage)  |1 https://id.oclc.org/worldcat/entity/E39PCGrvHQ3PR97486P4jVKXBd  |4 https://id.oclc.org/worldcat/ontology/hasWork 
856 4 0 |u https://holycross.idm.oclc.org/login?auth=cas&url=http://www.aspresolver.com/aspresolver.asp?MARC;3644053  |y Click for online access 
903 |a ASP-AV 
994 |a 92  |b HCD