|
|
|
|
LEADER |
00000cgm a2200000Mi 4500 |
001 |
on1009111815 |
003 |
OCoLC |
005 |
20240809213013.0 |
006 |
m o c |
007 |
cr |n||||||||a |
007 |
vz |za|z| |
008 |
170920s2001 cau120 e o vufre d |
040 |
|
|
|a ALSTP
|b eng
|e rda
|e pn
|c ALSTP
|d OCLCO
|d OCLCF
|d OCLCQ
|d OCLCA
|d WYU
|d S9I
|d CAUOI
|d OCLCO
|d OCLCL
|d NUI
|
019 |
|
|
|a 1373469003
|a 1430823582
|
035 |
|
|
|a (OCoLC)1009111815
|z (OCoLC)1373469003
|z (OCoLC)1430823582
|
041 |
0 |
|
|a fre
|a wol
|j eng
|
043 |
|
|
|a f-sg---
|
049 |
|
|
|a HCDD
|
245 |
0 |
0 |
|a Library of African cinema.
|p Faat kine /
|c a project of California Newsreel ; Filmi Doom Reew Dakar-Senegal presente ; filme de Sembene Ousmane ; scénario, dialogues, réalisation, Sembene Ousmane.
|
264 |
|
1 |
|a San Francisco, CA :
|b California Newsreel,
|c 2001.
|
300 |
|
|
|a 1 online resource (120 min.)
|
306 |
|
|
|a 020034
|
336 |
|
|
|a two-dimensional moving image
|b tdi
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
337 |
|
|
|a video
|b v
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
347 |
|
|
|a data file
|2 rda
|
380 |
|
|
|a Videorecording
|
490 |
0 |
|
|a Academic Video Online
|
500 |
|
|
|a Title from resource description page (viewed September 20, 2017).
|
508 |
|
|
|a Directeur photo, Dominique Gentil.
|
511 |
1 |
|
|a Venus Seye, Mame Ndumbé Diop, Awa Sene Sarr, Tabara Ndiaye.
|
520 |
|
|
|a Faat Kine joins a number of recent African films which use abusive, patriarchal relationships to symbolize the more general despoiling of Africa by a corrupt and ineffective (male) elite. Sembene may have first suggested this equation when the disgusted wife at the end of Borom Sarret leaves to earn the dinner money, probably by prostitution. By the time of Xala, El Hadji clearly represents a neo-colonialism scorned by his wives and daughter. In Moussa Sene Absa's Tableau Ferraille Gagnesiri, the faithful, traditional wife sails away from Damm, her vacillating politician husband, representing grassroots Africa finally abandoning its often self-interested leaders to set is own course; one can even imagine her becoming the self-reliant businesswoman, Faat Kine.
|
546 |
|
|
|a In French and Wolof with English subtitles.
|
586 |
|
|
|a Nominated 2001 Fribourg International Film Festival, Grand Prix Award
|
650 |
|
0 |
|a Patriarchy
|z Senegal.
|
650 |
|
0 |
|a Single mothers
|z Senegal.
|
650 |
|
0 |
|a Women service industries workers
|z Senegal.
|
650 |
|
0 |
|a Women
|z Senegal
|x Social conditions
|y 20th century.
|
650 |
|
0 |
|a Man-woman relationships
|z Senegal.
|
650 |
|
7 |
|a Man-woman relationships.
|2 fast
|0 (OCoLC)fst01007080
|
650 |
|
7 |
|a Patriarchy.
|2 fast
|0 (OCoLC)fst01055082
|
650 |
|
7 |
|a Single mothers.
|2 fast
|0 (OCoLC)fst01119370
|
650 |
|
7 |
|a Women service industries workers.
|2 fast
|0 (OCoLC)fst01178521
|
650 |
|
7 |
|a Women
|x Social conditions.
|2 fast
|0 (OCoLC)fst01176947
|
651 |
|
7 |
|a Senegal.
|2 fast
|0 (OCoLC)fst01204328
|1 https://id.oclc.org/worldcat/entity/E39PBJgmHR4v66rMV36wrhgMyd
|
648 |
|
7 |
|a 1900-1999
|2 fast
|
655 |
|
7 |
|a Feature films.
|2 fast
|0 (OCoLC)fst01710384
|
655 |
|
7 |
|a Fiction films.
|2 fast
|0 (OCoLC)fst01710264
|
655 |
|
7 |
|a Feature films.
|2 lcgft
|
655 |
|
7 |
|a Fiction films.
|2 lcgft
|
655 |
|
7 |
|a Films de fiction.
|2 rvmgf
|
700 |
1 |
|
|a Sembène, Ousmane,
|d 1923-2007,
|e director.
|1 https://id.oclc.org/worldcat/entity/E39PBJgXdbCv78qqbqY3rHTj4q
|
700 |
1 |
|
|a Mbengue, Wongue,
|e producer.
|
710 |
2 |
|
|a California Newsreel (Firm),
|e production company.
|
758 |
|
|
|i has work:
|a Faat kine Library of African cinema (MovingImage)
|1 https://id.oclc.org/worldcat/entity/E39PCGrvHQ3PR97486P4jVKXBd
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
856 |
4 |
0 |
|u https://holycross.idm.oclc.org/login?auth=cas&url=http://www.aspresolver.com/aspresolver.asp?MARC;3644053
|y Click for online access
|
903 |
|
|
|a ASP-AV
|
994 |
|
|
|a 92
|b HCD
|