Experimentalisms in practice : music perspectives from Latin America / ed ; by Ana R. Alonso-Minutti, Eduardo Herrera, Alejandro L. Madrid.

Taking a broad approach to a wide variety of Latin@ and Latin American music traditions, Experimentalisms in Practice challenges traditional notions of what has been considered experimental, and provides new points of entry to reevaluate modern and avant-garde music studies.

Saved in:
Bibliographic Details
Other Authors: Alonso-Minutti, Ana R., 1976- (Editor), Herrera, Eduardo, 1977- (Editor), Madrid, Alejandro L. (Editor)
Format: eBook
Language:English
Published: New York, NY : Oxford University Press, [2018]
Subjects:
Online Access:Click for online access

MARC

LEADER 00000cam a2200000 i 4500
001 on1017738247
003 OCoLC
005 20240623213015.0
006 m o d
007 cr cnu---unuuu
008 180103t20182018nyu ob 001 0 eng d
040 |a N$T  |b eng  |e rda  |e pn  |c N$T  |d YDX  |d EBLCP  |d STF  |d OCL  |d CUS  |d STBDS  |d CEF  |d KSU  |d OTZ  |d WYU  |d LVT  |d BRX  |d OCLCQ  |d UKAHL  |d OCLCO  |d OCLCQ  |d OCLCO  |d OCLCL 
019 |a 1029618474  |a 1029700840  |a 1030232047  |a 1057344940  |a 1066164480  |a 1117591453 
020 |a 9780190842765  |q (electronic bk.) 
020 |a 0190842768  |q (electronic bk.) 
020 |a 9780190842789  |q (oxford scholarly online) 
020 |a 0190842784  |q (oxford scholarly online) 
020 |z 9780190842741 
020 |z 0190842741 
020 |z 9780190842758 
020 |z 019084275X 
020 |z 9780190864699  |q (companion website) 
035 |a (OCoLC)1017738247  |z (OCoLC)1029618474  |z (OCoLC)1029700840  |z (OCoLC)1030232047  |z (OCoLC)1057344940  |z (OCoLC)1066164480  |z (OCoLC)1117591453 
043 |a cl----- 
050 4 |a ML199.5  |b .E96 2018eb 
072 7 |a MUS  |x 006000  |2 bisacsh 
072 7 |a MUS  |x 033000  |2 bisacsh 
049 |a HCDD 
245 0 0 |a Experimentalisms in practice :  |b music perspectives from Latin America /  |c ed ; by Ana R. Alonso-Minutti, Eduardo Herrera, Alejandro L. Madrid. 
264 1 |a New York, NY :  |b Oxford University Press,  |c [2018] 
264 4 |c ©2018 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
520 |a Taking a broad approach to a wide variety of Latin@ and Latin American music traditions, Experimentalisms in Practice challenges traditional notions of what has been considered experimental, and provides new points of entry to reevaluate modern and avant-garde music studies. 
505 0 0 |t The practices of experimentalism in Latin@ and Latin American music: an introduction /  |r Ana R. Alonso-Minutti, Eduardo Herrera, and Alejandro L. Madrid --  |t Centers and institutions.  |t "That's not something to show in a concert": experimentation and legitimacy at the Centro Latinoamericano de Altos Estudios Musicales /  |r Eduardo Herrera ;  |t Experimental alternatives: institutionalism, avant-gardism, and popular music at the margins of the Cuban revolution /  |r Susan Thomas --  |t Beyond the limits of hybridity.  |t "I go against the grain of your memory": iconoclastic experiments with traditional sounds in Northeast Brazil /  |r Daniel B. Sharp ;  |t Peruvian cumbia at the theoretical limits of techno-utopian hybridity /  |r Joshua Tucker ;  |t Experimentalism as estrangement: Café Tacvba's Revés/Yosoy /  |r Alejandro L. Madrid and Pepe Rojo --  |t Anticolonial practices.  |t Gatas y vatas: female empowerment and community-oriented experimentalism /  |r Ana R. Alonso-Minutti ;  |t Noise, sonic experimentation, and interior coloniality in Costa Rica /  |r Susan Campos Fonseca --  |t Performance, movements, and scenes.  |t "We began from silence": toward a genealogy of free improvisation in Mexico City: Atrás del Cosmos at Teatro El Galeón, 1975-1977 /  |r Tamar Barzel ;  |t Experimentation and improvisation in Bogotá at the end of the twentieth century /  |r Rodolfo Acosta ;  |t Experimental music and the avant-garde in post-1959 Cuba: revolutionary music for the revolution /  |r Marysol Quevedo ;  |t Performance, resistance, and the sounding of public space: Movimiento Música Más in Buenos Aires, 1969-1973 /  |r Andrew Raffo Dewar --  |g Afterword:  |t Locating hemispheric experimentalisms /  |r Benjamin Piekut. 
650 0 |a Avant-garde (Music)  |z Latin America  |x History  |y 20th century. 
650 0 |a Music  |z Latin America  |y 20th century  |x History and criticism. 
650 7 |a MUSIC  |x Genres & Styles  |x Classical.  |2 bisacsh 
650 7 |a MUSIC  |x Reference.  |2 bisacsh 
650 7 |a Avant-garde (Music)  |2 fast 
650 7 |a Music  |2 fast 
651 7 |a Latin America  |2 fast 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
700 1 |a Alonso-Minutti, Ana R.,  |d 1976-  |e editor.  |1 https://id.oclc.org/worldcat/entity/E39PCjxqddXTCqWRDpmWR6D4jd 
700 1 |a Herrera, Eduardo,  |d 1977-  |e editor.  |1 https://id.oclc.org/worldcat/entity/E39PCjtbT3XbGYxTQXchPt7rMd 
700 1 |a Madrid, Alejandro L.,  |e editor. 
776 0 8 |i Print version:  |t Experimentalisms in practice.  |d New York, NY : Oxford University Press, [2018]  |z 9780190842741  |w (DLC) 2017034408  |w (OCoLC)994287422 
856 4 0 |u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/book/32628  |y Click for online access 
903 |a OUP-SOEBA 
994 |a 92  |b HCD