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|a 9780190842765
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|a 9780190842789
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|a MUS
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|2 bisacsh
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|a HCDD
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|a Experimentalisms in practice :
|b music perspectives from Latin America /
|c ed ; by Ana R. Alonso-Minutti, Eduardo Herrera, Alejandro L. Madrid.
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|a New York, NY :
|b Oxford University Press,
|c [2018]
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|c ©2018
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Includes bibliographical references and index.
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0 |
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|a Print version record.
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|a Taking a broad approach to a wide variety of Latin@ and Latin American music traditions, Experimentalisms in Practice challenges traditional notions of what has been considered experimental, and provides new points of entry to reevaluate modern and avant-garde music studies.
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505 |
0 |
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|t The practices of experimentalism in Latin@ and Latin American music: an introduction /
|r Ana R. Alonso-Minutti, Eduardo Herrera, and Alejandro L. Madrid --
|t Centers and institutions.
|t "That's not something to show in a concert": experimentation and legitimacy at the Centro Latinoamericano de Altos Estudios Musicales /
|r Eduardo Herrera ;
|t Experimental alternatives: institutionalism, avant-gardism, and popular music at the margins of the Cuban revolution /
|r Susan Thomas --
|t Beyond the limits of hybridity.
|t "I go against the grain of your memory": iconoclastic experiments with traditional sounds in Northeast Brazil /
|r Daniel B. Sharp ;
|t Peruvian cumbia at the theoretical limits of techno-utopian hybridity /
|r Joshua Tucker ;
|t Experimentalism as estrangement: Café Tacvba's Revés/Yosoy /
|r Alejandro L. Madrid and Pepe Rojo --
|t Anticolonial practices.
|t Gatas y vatas: female empowerment and community-oriented experimentalism /
|r Ana R. Alonso-Minutti ;
|t Noise, sonic experimentation, and interior coloniality in Costa Rica /
|r Susan Campos Fonseca --
|t Performance, movements, and scenes.
|t "We began from silence": toward a genealogy of free improvisation in Mexico City: Atrás del Cosmos at Teatro El Galeón, 1975-1977 /
|r Tamar Barzel ;
|t Experimentation and improvisation in Bogotá at the end of the twentieth century /
|r Rodolfo Acosta ;
|t Experimental music and the avant-garde in post-1959 Cuba: revolutionary music for the revolution /
|r Marysol Quevedo ;
|t Performance, resistance, and the sounding of public space: Movimiento Música Más in Buenos Aires, 1969-1973 /
|r Andrew Raffo Dewar --
|g Afterword:
|t Locating hemispheric experimentalisms /
|r Benjamin Piekut.
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650 |
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|a Avant-garde (Music)
|z Latin America
|x History
|y 20th century.
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650 |
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|a Music
|z Latin America
|y 20th century
|x History and criticism.
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650 |
|
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|a MUSIC
|x Genres & Styles
|x Classical.
|2 bisacsh
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|a MUSIC
|x Reference.
|2 bisacsh
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|a Avant-garde (Music)
|2 fast
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|a Music
|2 fast
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|a Latin America
|2 fast
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|a 1900-1999
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a History
|2 fast
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700 |
1 |
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|a Alonso-Minutti, Ana R.,
|d 1976-
|e editor.
|1 https://id.oclc.org/worldcat/entity/E39PCjxqddXTCqWRDpmWR6D4jd
|
700 |
1 |
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|a Herrera, Eduardo,
|d 1977-
|e editor.
|1 https://id.oclc.org/worldcat/entity/E39PCjtbT3XbGYxTQXchPt7rMd
|
700 |
1 |
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|a Madrid, Alejandro L.,
|e editor.
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776 |
0 |
8 |
|i Print version:
|t Experimentalisms in practice.
|d New York, NY : Oxford University Press, [2018]
|z 9780190842741
|w (DLC) 2017034408
|w (OCoLC)994287422
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856 |
4 |
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|u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/book/32628
|y Click for online access
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|a OUP-SOEBA
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|a 92
|b HCD
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