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on1020608466 |
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OCoLC |
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20240623213015.0 |
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m o d |
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180123s2018 enk ob 001 0 eng |
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|a 2018003235
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|a DLC
|b eng
|e rda
|e pn
|c DLC
|d YDX
|d OCLCO
|d EBLCP
|d N$T
|d UAB
|d N$T
|d OCLCF
|d NLE
|d OCLCQ
|d UKAHL
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCO
|d K6U
|d OCLCQ
|d OCLCO
|d OCLCL
|d SXB
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| 019 |
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|a 1020638165
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| 020 |
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|a 9781783481651
|q (electronic bk.)
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| 020 |
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|a 178348165X
|q (electronic bk.)
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| 020 |
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|z 9781783481637
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| 020 |
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|z 1783481633
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| 020 |
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|z 9781783481644
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| 020 |
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|z 1783481641
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| 035 |
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|a (OCoLC)1020608466
|z (OCoLC)1020638165
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| 050 |
1 |
0 |
|a PN1995.9.P6
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| 072 |
|
7 |
|a PER
|x 009000
|2 bisacsh
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| 049 |
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|a HCDD
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| 245 |
0 |
0 |
|a Political theory and film :
|b from Adorno to Žižek /
|c [edited by] Ian Fraser.
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| 264 |
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1 |
|a London :
|b Rowman & Littlefield International,
|c [2018]
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| 264 |
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4 |
|c ©2018
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| 300 |
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|a 1 online resource
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 588 |
0 |
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|a Online resource; title from PDF title page (EBSCO, viewed February 13, 2018)
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| 504 |
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|a Includes bibliographical references and index.
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| 520 |
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|a Critically examines how radical political theory and its application to film analysis can provide insight to the aesthetic self during political upheaval and conflict.
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| 505 |
0 |
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|a Introduction / 1. Theodor Adorno: Charlie Chaplins <span style="font-style:italic;">Monsieur Verdoux / 2. Walter Benjamin: Ken Loachs <span style="font-style:italic;">Land and Freedom / 3. Ernst Bloch: Woody Allens <span style="font-style:italic;">Midnight in Paris / 4. Gilles Deleuze: Kleber Mendona Filhos <span style="font-style:italic;">Neighbouring Sounds / 5. Alain Badiou: Jia Zhangkes <span style="font-style:italic;">A Touch of Sin / 6. Jacques Rancire: Gavin Hoods <span style="font-style:italic;">Rendition / 7. Julia Kristeva: David Finchers <span style="font-style:italic;">Fight Club / 8. Slavoj Žižek: JC Chandor's <span style="font-style:italic;">Margin Call / 9. Cinema and the Aesthetic Self
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| 650 |
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0 |
|a Motion pictures
|x Political aspects.
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| 650 |
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0 |
|a Politics in motion pictures.
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| 650 |
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0 |
|a Aesthetics
|x Political aspects.
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| 650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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| 650 |
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7 |
|a Aesthetics
|x Political aspects
|2 fast
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| 650 |
|
7 |
|a Motion pictures
|x Political aspects
|2 fast
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| 650 |
|
7 |
|a Politics in motion pictures
|2 fast
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| 700 |
1 |
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|a Fraser, Ian,
|d 1962-
|e editor.
|1 https://id.oclc.org/worldcat/entity/E39PBJgXgWJwxYQ7YrmwfYDpfq
|
| 758 |
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|i has work:
|a Political theory and film (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCG6mYC7kPkyP8MKHDKVYdP
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=5231051
|y Click for online access
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| 903 |
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
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