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|a 1147717989
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|a 9780300234343
|q (electronic bk. ;
|q A&AePortal)
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|a 0300234341
|q (electronic bk. ;
|q A&AePortal)
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|z 0300082118
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|a 10.37862/aaeportal.00020
|2 doi
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|a (OCoLC)1042079269
|z (OCoLC)1147717989
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|a cl-----
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|a N6502
|b .C735 2002eb
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|a HCDD
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|a Craven, David,
|d 1951-2012,
|e author.
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|a Art and revolution in Latin America, 1910-1990 /
|c David Craven.
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| 264 |
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|a New Haven :
|b Yale University Press,
|c [2002]
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| 300 |
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|a 1 online resource (x, 228 pages) :
|b 193 illustrations (some color)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 336 |
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|a still image
|b sti
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 588 |
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|a Description based on print record and online resource (A&AePortal, viewed on May 8, 2018).
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
2 |
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|a Introduction: Revolving Definitions of the Word 'Revolution' -- A history of the word "revolution" -- Representations of the modern body politic -- Revolutionary forms of democracy -- The Mexican Revolution (1910-1940). The institutionalization of the revolution in the 1920s ; The Ministry of Education murals (1923-1928) and the new mass politics ; Orozco's murals in the Escuela Nacional Preparatoria (1926-1927) ; Chapingo (1926) and the Palacio Nacional (1929-1935) ; The Taller de Gráfica Popular and Estampas de la Revolución ; Critique: the "socialization of art" -- a future challenge -- The Cuban Revolution (1959-1989). Cultural policy, public institutions, and dialogical art ; Cultural democracy and popular engagement with art ; Autogestion and the socialization of art ; Popular culture versus populism ; From Cuban pop art through volumen uno (1959-1989) ; Critique: successes and shortcomings on the thirtieth anniversary -- The Nicaraguan Revolution (1979-1990). Protorevolutionary developments prior to 1979 ; Cultural policy in Nicaragua during the 1980s ; Particular artworks exemplary of the 1980s ; New form of patronage and attendant debates in the 1980s ; Contradictions in the 1980s within the revolution -- Appendices. A. Diego Rivera, 1929: "New plan of study, Escuela Nacional de Artes Plásticas of Mexico" ; B. Gerardo Mosquera, 1985: "The social function of art in Cuba since the Revolution of 1959" ; C. Ernesto Cardenal, 1980: "The Nicaraguan Revolution of 1979: a culture that is revolutionary, popular, national, and anti-imperialist" ; D. Interview with Ernesto Cardenal, 1983 ; E. Interview with Gioconda Bell of the FSLN, 1990 ; F. Interview with Nicaraguan artists in the UNAP, 1990.
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| 520 |
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|a "In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. The three great upheavals-- in Mexico (1910-1940), in Cuba (1959-1989), and in Nicaragua (1979-1990)-- were defining moments in twentieth-century life in the Americas. Craven discusses the structural logic of each movement's artistic project -- by whom, how, and for whom artworks were produced-- and assesses their legacies. In each case, he demonstrates how the consequences of the revolution reverberated in the arts and cultures far beyond national borders. The book examines not only specific artworks originating from each revolution's attempt to deal with the challenge of 'socializing the arts,' but also the engagement of the working classes in Mexico, Cuba, and Nicaragua with a tradition of the fine arts made newly accessible through social transformation. Craven considers how each revolution dealt with the pressing problem of creating a 'dialogical art'-- one that reconfigures the existing artistic resource rather than one that just reproduces a populist art to keep things as they were. In addition, the author charts the impact on the revolutionary processes of theories of art and education, articulated by such thinkers as John Dewey and Paulo Freire. The book provides a fascinating new view of the Latin American revolutionaries-- from artists to political leaders-- who defined art as a fundamental force for the transformation of society"--Publisher's description.
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| 650 |
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|a Art, Latin American
|y 20th century.
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| 650 |
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|a Art
|x Political aspects
|z Latin America.
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| 650 |
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|a Art and revolutions
|z Latin America.
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| 650 |
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|a Art and revolutions
|2 fast
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| 650 |
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|a Art, Latin American
|2 fast
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| 650 |
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|a Art
|x Political aspects
|2 fast
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| 651 |
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|a Latin America
|2 fast
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| 648 |
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|a 1900-1999
|2 fast
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| 710 |
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|a Yale University Press,
|e publisher.
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| 758 |
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|i has work:
|a Art and revolution in Latin America, 1910-1990 (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGtDDC4DvrCxyR3RC7TxH3
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
8 |
|i Print version:
|a Craven, David, 1951-2012.
|t Art and revolution in Latin America.
|d New Haven : Yale University Press, ©2002
|w (OCoLC)48383327
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| 856 |
4 |
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|u https://holycross.idm.oclc.org/login?auth=cas&url=https://www.aaeportal.com/?id=-15771
|y Click for online access
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| 903 |
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|a AAEPORTAL
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|a 92
|b HCD
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