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00000cam a2200000 i 4500 |
| 001 |
on1042082957 |
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OCoLC |
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20240909213021.0 |
| 006 |
m o d |
| 007 |
cr mn||||||||| |
| 008 |
180530s2000 ctua ob 001 0 eng d |
| 040 |
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|a YUS
|b eng
|e rda
|e pn
|c YUS
|d YUS
|d OCLCF
|d OCLCO
|d YUS
|d GZM
|d OCLCO
|d OCLCQ
|d YUS
|d OCLCL
|d YUS
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| 020 |
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|a 9780300238136
|q (electronic bk. ;
|q A&AePortal)
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| 020 |
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|a 0300238134
|q (electronic bk. ;
|q A&AePortal)
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| 020 |
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|z 0300084021
|q (hardcover)
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| 020 |
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|z 9780300084023
|q (hardcover)
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| 024 |
7 |
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|a 10.37862/aaeportal.00125
|2 doi
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| 035 |
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|a (OCoLC)1042082957
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| 050 |
|
4 |
|a ND1482.I6
|b C35 2000eb
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| 049 |
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|a HCDD
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| 100 |
1 |
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|a Callen, Anthea,
|e author.
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| 245 |
1 |
4 |
|a The art of impressionism :
|b painting technique & the making of modernity /
|c Anthea Callen.
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| 246 |
3 |
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|a Art of impressionism :
|b painting technique and the making of modernity
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| 264 |
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1 |
|a New Haven :
|b Yale University Press,
|c [2000]
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| 300 |
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|a 1 online resource (x, 245 pages) :
|b 281 illustrations (some color)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 336 |
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|a still image
|b sti
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 588 |
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|a Description based on print record and online resource (A&AePortal, viewed on May 30, 2018).
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
2 |
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|a Tradition and innovation -- The Blank canvas -- Canvas, texture, and materiality -- Grounds for oil painting -- Ground colours and the paint layer -- Light of reason, shades of meaning -- The matter of impressionism -- Making light modern -- The palette: from tonal to spectral -- 'Artless" simplicity -- The colour of modernity -- Framing the debate.
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| 520 |
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|a "This important book is the first full-scale exploration of Impressionist technique. Focusing on the easel-painted work of Monet, Pissarro, Renoir, Cezanne, Cassatt, Morisot, Caillebotte, Sisley and Degas in the period before 1900, it places their methods and materials in a historical perspective and evaluates their origins, novelty and meanings within the visual formation of urban modernity. Drawing on scientific studies of pigments and materials, artists' treatises, colormens' [sic] archives, and contemporary and modern accounts, Anthea Callen demonstrates how raw materials and paintings are profoundly interdependent. She analyses the material constituents of oil painting and the complex processes of 'making' entailed in all aspects of artistic production, discussing in particular oil painting methods for landscapists and the impact of plein air light on figure painting, studio practice and display"--Publisher's description.
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| 650 |
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0 |
|a Impressionism (Art)
|x Technique.
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| 650 |
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0 |
|a Plein air painting
|x Technique.
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| 650 |
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0 |
|a Painting
|x Technique.
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| 650 |
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7 |
|a Impressionism (Art)
|x Technique
|2 fast
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| 650 |
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7 |
|a Painting
|x Technique
|2 fast
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| 650 |
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7 |
|a Plein air painting
|x Technique
|2 fast
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| 710 |
2 |
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|a Yale University Press,
|e publisher.
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| 758 |
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|i has work:
|a The Art of impressionism (Text)
|1 https://id.oclc.org/worldcat/entity/E39PD36JJWhF86GbRKpPJcjR83
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|a Callen, Anthea.
|t Art of impressionism.
|d New Haven : Yale University Press, ©2000
|w (OCoLC)45438124
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| 856 |
4 |
0 |
|u https://holycross.idm.oclc.org/login?auth=cas&url=https://www.aaeportal.com/?id=-16636
|y Click for online access
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| 903 |
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|a AAEPORTAL
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| 994 |
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|a 92
|b HCD
|