|
|
|
|
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
on1048660563 |
| 003 |
OCoLC |
| 005 |
20240808213014.0 |
| 006 |
m o d |
| 007 |
cr cnu---unuuu |
| 008 |
180807s2019 nyu ob 001 0 eng |
| 010 |
|
|
|a 2018038097
|
| 040 |
|
|
|a DLC
|b eng
|e rda
|e pn
|c DLC
|d OCLCO
|d OCLCQ
|d N$T
|d EBLCP
|d STBDS
|d YOU
|d YDX
|d OCLCO
|d UBY
|d STF
|d OCLCQ
|d OH#
|d OCLCQ
|d UKAHL
|d OCLCO
|d OCLCQ
|d SFB
|d OCLCQ
|d OCLCL
|
| 019 |
|
|
|a 1048947702
|a 1082256919
|a 1289844260
|
| 020 |
|
|
|a 019061210X
|
| 020 |
|
|
|a 9780190612115
|q (electronic book)
|
| 020 |
|
|
|a 0190612118
|q (electronic book)
|
| 020 |
|
|
|a 9780190612122
|q (electronic book)
|
| 020 |
|
|
|a 0190612126
|q (electronic book)
|
| 020 |
|
|
|a 9780190612108
|q (electronic book)
|
| 020 |
|
|
|z 9780190612092
|q (hardcover ;
|q alkaline paper)
|
| 020 |
|
|
|z 0190612096
|
| 035 |
|
|
|a (OCoLC)1048660563
|z (OCoLC)1048947702
|z (OCoLC)1082256919
|z (OCoLC)1289844260
|
| 042 |
|
|
|a pcc
|
| 050 |
1 |
4 |
|a ML169
|b .D67 2019
|
| 072 |
|
7 |
|a MUS
|x 006000
|2 bisacsh
|
| 072 |
|
7 |
|a MUS
|x 033000
|2 bisacsh
|
| 049 |
|
|
|a HCDD
|
| 100 |
1 |
|
|a Dorf, Samuel N.,
|e author.
|
| 245 |
1 |
0 |
|a Performing antiquity :
|b ancient Greek music and dance from Paris to Delphi, 1890-1930 /
|c Samuel N. Dorf.
|
| 264 |
|
1 |
|a New York, NY :
|b Oxford University Press,
|c [2019]
|
| 300 |
|
|
|a 1 online resource
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 504 |
|
|
|a Includes bibliographical references and index.
|
| 505 |
0 |
|
|a Cover; Performing Antiquity; Copyright; Contents; List of Figures; List of Music Examples; Acknowledgments; 1 Musicology, Archaeology, Performance: Models and Methods; 2 Gabriel Fauré and Théodore Reinach: Hidden Pianos and L'Hymne à Apollon; 3 Performing Sappho's Fractured Archive, or Listening for the Queer Sounds in the Life and Works of Natalie Clifford Barney; 4 Performing Scholarship for the Paris Opéra: Maurice Emmanuel's Salamine (1929); 5 "To Give Greece Back to the Greeks": Archaeology, Ethnography, and Eva Palmer Sikelianos's Prometheus Bound; 6 Scholars and Their Objects of Study
|
| 505 |
8 |
|
|a Or, Loving Your SubjectNotes; Bibliography; Index
|
| 520 |
|
|
|a Performing Antiquity tells the captivating story about some of the most intriguing Belle Époque personalities -archaeologists, philologists, classicists, and musicologists - and the dancers, composers, choreographers and musicians who brought their research to life at the birth of Modernism.
|
| 588 |
0 |
|
|a Online resource; title from digital title page (viewed on January 14, 2019).
|
| 650 |
|
0 |
|a Music, Greek and Roman
|x Performance.
|
| 650 |
|
7 |
|a MUSIC
|x Genres & Styles
|x Classical.
|2 bisacsh
|
| 650 |
|
7 |
|a MUSIC
|x Reference.
|2 bisacsh
|
| 758 |
|
|
|i has work:
|a Performing antiquity (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGBb8fWyPyBdV78c74jdw3
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|a Dorf, Samuel N.
|t Performing antiquity.
|d New York : Oxford University Press, [2018]
|z 9780190612092
|w (DLC) 2018016172
|
| 856 |
4 |
0 |
|u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/book/25457
|y Click for online access
|
| 903 |
|
|
|a OUP-SOEBA
|
| 994 |
|
|
|a 92
|b HCD
|