American cinema. 2, The studio system / director & producer, Chris Rodley ; an Illuminations production for BBC Television in co-production with the New York Center for Visual History/KCET.

This program surveys Hollywood's industrial past during the era of contract players and directors, studio police forces, and colorful movie moguls. It also looks at the filmmaking environment of today with studio heads Michael Eisner, Howard Koch, and others. Paramount Pictures, one of the olde...

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Bibliographic Details
Corporate Author: British Broadcasting Corporation. Television Service (sponsoring body.)
Other Authors: Rodley, Chris (Director, Producer), Coyote, Peter (Narrator)
Format: Video
Language:English
Published: District of Columbia : Annenberg Learner, 1995.
Series:Academic Video Online
Subjects:
Online Access:Click for online access

MARC

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520 |a This program surveys Hollywood's industrial past during the era of contract players and directors, studio police forces, and colorful movie moguls. It also looks at the filmmaking environment of today with studio heads Michael Eisner, Howard Koch, and others. Paramount Pictures, one of the oldest and most successful of the Hollywood studios, serves as a case study. About the Series: A video instructional series on film history for college and high school classrooms and adult learners; 10 one-hour and 3 half-hour video programs and coordinated books. Using clips from more than 300 of the greatest movies ever made, this series explores film history and American culture through the eyes of over 150 Hollywood insiders, including Clint Eastwood, Steven Spielberg, and Michael Eisner. In-depth treatments present film as a powerful economic force, potent twentieth-century art form, and viable career option. American Cinema connects subjects such as history, business, and English with other studies. In addition, it is a perfect vehicle for developing visual and media literacy skills and can be used as a springboard for creative-writing endeavors and media production. Produced by the New York Center for Visual History in association with KCET/Los Angeles and the BBC. 1995. 
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