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on1056765148 |
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OCoLC |
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180927p20182003quc070 o vleng d |
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|a DON
|b eng
|e rda
|c DON
|d OCLCO
|d STF
|d UPM
|d OCLCF
|d YUS
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|d DON
|d OCLCQ
|d OCLCO
|d OCLCL
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|a nf-totem2
|b Docuseek2
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|a (OCoLC)1056765148
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|a n-cn-bc
|a e-sw---
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|a E98.T65
|b T681 2018
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|a HCDD
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|a Totem.
|p The return of the G'psgolox pole /
|c National Film Board of Canada presents ; director, Gil Cardinal ; narration script, Gil Cardinal ; producer, Bonnie Thompson, Jerry D. Krepakevich.
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|a Return of the G'psgolox pole
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|a [Montréal, Québec] :
|b [Distributed by] National Film Board of Canada,
|c [2018]
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|c ©2003
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|a 1 streaming video file (70 min.) :
|b sound, color
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|a two-dimensional moving image
|b tdi
|2 rdacontent
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|a video
|b v
|2 rdamedia
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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500 |
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|a Title from title frames.
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|a Editor/associate director, Marke Slipp ; director of cinematography, Daron Donahue ; original music, Clode Hamelin.
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|a Originally produced by: National Film Board of Canada, ©2003; previously released in 2004.
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|a Description based on online resource; title from title frames (Docuseek2, viewed September 26, 2018).
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|a In 1929, the Haisla people of northwestern British Columbia returned from a fishing trip to find a 9-metre-high totem pole, known as the G'psgolox pole, severed at the base and removed from their village. The fate of the 19th-century pole remained unknown to the Haisla for over sixty years. Director Gil Cardinal reveals the Haisla's 1991 discovery of the pole in a Stockholm museum, where it is considered state property by the Swedish government. From the lush rainforest near Kitamaat Village, BC, to the National Museum of Ethnography in Sweden, the documentary traces the fascinating journey of the Haisla to reclaim the traditional mortuary pole. Bringing to light a powerful story of cultural rejuvenation, the film raises provocative questions about the ownership and meaning of Aboriginal objects held in museums. Cardinal skilfully layers compelling interviews, striking imagery and rare footage of master carvers as they create a replica pole. The Haisla have fulfilled a promise to the museum to replace the original totem. Now, having honoured their end of the bargain, they await the return of the G'psgolox pole.
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|a Totem poles
|z British Columbia
|z Kitimat.
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|a Indian sculpture
|z British Columbia
|z Kitimat.
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|a Cultural property
|x Repatriation
|z British Columbia
|z Kitimat.
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|a Cultural property
|x Repatriation
|z Sweden.
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|a Haisla Nation
|x Social life and customs.
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|a Cultural property
|x Repatriation.
|2 fast
|0 (OCoLC)fst00885046
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|a Indian sculpture.
|2 fast
|0 (OCoLC)fst00969206
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|a Manners and customs.
|2 fast
|0 (OCoLC)fst01007815
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|
7 |
|a Totem poles.
|2 fast
|0 (OCoLC)fst01153056
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651 |
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|a British Columbia
|z Kitimat.
|2 fast
|0 (OCoLC)fst01249307
|1 https://id.oclc.org/worldcat/entity/E39PBJgt3TgGJKW7wxvFfQhrbd
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|
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|a Haisla Nation.
|2 fast
|0 (OCoLC)fst01783544
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651 |
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7 |
|a Sweden.
|2 fast
|0 (OCoLC)fst01204537
|1 https://id.oclc.org/worldcat/entity/E39QbtfRmFKpvRPQrQfjc7kBGB
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655 |
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|a Documentary films.
|2 fast
|0 (OCoLC)fst01710390
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655 |
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7 |
|a Feature films.
|2 fast
|0 (OCoLC)fst01710384
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655 |
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7 |
|a Nonfiction films.
|2 fast
|0 (OCoLC)fst01710269
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655 |
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7 |
|a Documentary films.
|2 lcgft
|
655 |
|
7 |
|a Nonfiction films.
|2 lcgft
|
655 |
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7 |
|a Feature films.
|2 lcgft
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655 |
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|a Documentaires.
|2 rvmgf
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|a Films autres que de fiction.
|2 rvmgf
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700 |
1 |
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|a Cardinal, Gil,
|e film director,
|e screenwriter.
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700 |
1 |
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|a Thompson, Bonnie,
|e film producer.
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1 |
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|a Krepakevich, Jerry,
|e film producer.
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2 |
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|a National Film Board of Canada,
|e production company,
|e distributor.
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4 |
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|u https://holycross.idm.oclc.org/login?auth=cas&url=https://docuseek2.com/nf-totem2
|y Click for online access
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|a DUS3-EBA
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|a 92
|b HCD
|