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00000cam a2200000 i 4500 |
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on1076271999 |
| 003 |
OCoLC |
| 005 |
20240909213021.0 |
| 006 |
m o d |
| 007 |
cr cnu---unuuu |
| 008 |
181126s2019 enk ob 001 0 eng d |
| 040 |
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|a N$T
|b eng
|e rda
|e pn
|c N$T
|d YDX
|d N$T
|d EBLCP
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|d STBDS
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|d OCLCQ
|d JSTOR
|d P@U
|d OCLCQ
|d SFB
|d OCLCQ
|d MM9
|d UKAHL
|d OCLCQ
|d OCLCO
|d OCLCQ
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|d OCLCQ
|d OCLCO
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|d SXB
|d OCLCQ
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| 019 |
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|a 1076225547
|a 1076810195
|a 1083709720
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| 020 |
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|a 9781526129253
|q (electronic bk.)
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| 020 |
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|a 1526129256
|q (electronic bk.)
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| 020 |
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|a 1526141922
|q (electronic book)
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| 020 |
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|a 9781526141927
|q (electronic book)
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| 020 |
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|z 1526129248
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| 020 |
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|z 9781526129246
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| 035 |
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|a (OCoLC)1076271999
|z (OCoLC)1076225547
|z (OCoLC)1076810195
|z (OCoLC)1083709720
|
| 037 |
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|a 22573/ctvn98f3s
|b JSTOR
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| 050 |
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4 |
|a N8557
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| 072 |
|
7 |
|a ART
|x 000000
|2 bisacsh
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| 072 |
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7 |
|a ART
|x 009000
|2 bisacsh
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| 072 |
|
7 |
|a ART
|x 015110
|2 bisacsh
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| 049 |
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|a HCDD
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| 100 |
1 |
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|a Pappas-Kelley, Jared,
|e vauthor.
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| 245 |
1 |
0 |
|a Solvent form :
|b art and destruction /
|c Jared Pappas-Kelley.
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| 264 |
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1 |
|a Manchester :
|b Manchester University Press,
|c 2019.
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| 264 |
|
4 |
|c ©2019
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| 300 |
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|a 1 online resource
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
0 |
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|a Manchester scholarship online
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| 504 |
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|a Includes bibliographical references and index.
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| 520 |
8 |
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|a This book is about the destruction of art, both in terms of objects that have been destroyed - lost in fires, floods or vandalism - and the general concept of art operating through object and form. Through re-examinations of such events as the Momart warehouse fire in 2004 and the activities of art thief Stephane Breitwieser, the book proposes an idea of solvent form hinging on the dual meaning in the words solvent and solvency, whereby art, while attempting to make secure or fixed, simultaneously undoes and destroys through its inception. Ultimately, the book questions what is it that may be perceived in the destruction of art and how we understand it, and further how it might be linked to a more general failure.
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| 588 |
0 |
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|a Print version record.
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| 505 |
0 |
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|a Front matter; Contents; List of figures; Acknowledgments; The destruction of art; Art and permeable moments; Solvent form; The thing that is not a thing; Things lie; Epilogue; Bibliography; Index
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| 650 |
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0 |
|a Art
|x Mutilation, defacement, etc.
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| 650 |
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|a Art and society.
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| 650 |
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|a Lost arts.
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| 650 |
|
7 |
|a PHILOSOPHY
|x Metaphysics.
|2 bisacsh
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| 650 |
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7 |
|a ART
|x General.
|2 bisacsh
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| 650 |
|
7 |
|a ART
|x Criticism & Theory.
|2 bisacsh
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| 650 |
|
7 |
|a Art and society
|2 fast
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| 650 |
|
7 |
|a Art
|x Mutilation, defacement, etc.
|2 fast
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| 650 |
|
7 |
|a Lost arts
|2 fast
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| 758 |
|
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|i has work:
|a Solvent form (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFGcQcGP68hgx8GHD7GXMP
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|a PAPPAS-KELLEY, JARED.
|t SOLVENT FORM.
|d [Place of publication not identified] : MANCHESTER UNIV PRESS, 2018
|z 1526129248
|w (OCoLC)1038469927
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=5601862
|y Click for online access
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| 903 |
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
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