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|a Holmes, Diana,
|d 1949-
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PCjyyBGjmBH8bGccKGCcvDy
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|a Middlebrow matters :
|b women's reading and the literary canon in France since the Belle Époque /
|c Diana Holmes.
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|a Liverpool :
|b Liverpool University Press,
|c 2018.
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|c ©2018
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|a 1 online resource (viii, 244 pages)
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|a text
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|a Contemporary French and francophone cultures ;
|v 57
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|a Includes bibliographical references (pages 223-237) and index.
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|a Introduction -- Reclaiming the middlebrow -- The birth of French middlebrow -- Colette : the middlebrow modernist -- Interwar France : the case of the missing middlebrow -- The 'little world' of Françoise Sagan -- Literary prizes, women and the middlebrow -- Realism, romance and self-reflexivity : twenty-first-century middlebrow -- Conclusion : Marie NDiaye's femme puissante : a double reading.
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|a Middlebrow is a derogatory word that connotes blandness, mediocrity and a failed aspiration to 'high' culture. However, when appropriated as a positive term to denote that wide swathe of literature between the challenging experimentalism of the high and the formulaic drive of the popular, it enables a rethinking of the literary canon from the point of view of what most readers actually read, a criterion curiously absent from dominant definitions of literary value. Since women have long formed a majority of the nation's reading public, this perspective immediately feminises what has always been a very male canon. Opening with a theorisation of the concept of middlebrow that mounts a defence of some literary qualities disdained by modernism, the book then focuses on a series of case studies of periods (the Belle Epoque, inter-war, early twenty-first century), authors (including Colette, Irene Nemirovsky, Francoise Sagan, Anna Gavalda) and the middlebrow nature of literary prizes.
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|f This work is licensed by Knowledge Unlatched under a Creative Commons license
|u https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
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|f This work is licensed under a Creative Commons license
|u https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
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|a Print version record.
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|a Feminism in literature.
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|a French fiction
|x Women authors
|x History and criticism.
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|a French fiction
|y 20th century
|x History and criticism.
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|a Social classes in literature.
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|a Women and literature
|z France
|x History
|y 20th century.
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|a Women
|z France
|x Social conditions
|y 20th century.
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|a Literary studies: fiction, novelists & prose writers.
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|a LITERARY CRITICISM
|x European
|x French.
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|a Feminism in literature
|2 fast
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|a French fiction
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|a French fiction
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|a Social classes in literature
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|a Women and literature
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|a Women
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|a France
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|1 https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP
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|a Literature.
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|a 1900-1999
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|i has work:
|a Middlebrow matters (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCH9rYFQYM6pbqtrGydvrMd
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Holmes, Diana, 1949-
|t Middlebrow matters.
|d Liverpool Liverpool University Press 2018
|z 1786941562
|w (OCoLC)1033530958
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|a Contemporary French and francophone cultures.
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|u https://muse.jhu.edu/book/72680
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