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00000cam a2200000 i 4500 |
| 001 |
on1107152841 |
| 003 |
OCoLC |
| 005 |
20241006213017.0 |
| 006 |
m o d |
| 007 |
cr ||||||||||| |
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190409s2020 mnua ob 001 0 eng |
| 010 |
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|a 2019981198
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| 040 |
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|a DLC
|b eng
|e rda
|e pn
|c DLC
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|d OCLCF
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|d JSTOR
|d EBLCP
|d P@U
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|d N$T
|d AU@
|d OCLCQ
|d MM9
|d OCLCQ
|d OCLCO
|d K6U
|d OCLCQ
|d SFB
|d OCLCQ
|d YWS
|d OCLCQ
|d OCLCO
|d DXU
|d OCLCQ
|d OCLCO
|d UEJ
|d OCLCQ
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| 019 |
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|a 1145940584
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| 020 |
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|a 1452962480
|q (electronic book)
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| 020 |
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|a 9781452962481
|q (electronic bk.)
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| 020 |
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|z 9781517900533
|q (paperback
|q alkaline paper)
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| 020 |
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|z 9781517900526
|q (hardcover
|q alkaline paper)
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| 035 |
|
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|a (OCoLC)1107152841
|z (OCoLC)1145940584
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| 037 |
|
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|a 22573/ctvxtq898
|b JSTOR
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| 042 |
|
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|a pcc
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| 050 |
0 |
4 |
|a GV1588.7
|b .B46 2020
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| 072 |
|
7 |
|a SOC
|x 052000
|2 bisacsh
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| 072 |
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7 |
|a PER
|x 003100
|2 bisacsh
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| 072 |
|
7 |
|a PER
|x 003040
|2 bisacsh
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| 049 |
|
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|a HCDD
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| 100 |
1 |
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|a Bench, Harmony,
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PCjtBtJyrG88BtqCBJfHtDm
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| 245 |
1 |
0 |
|a Perpetual motion :
|b dance, digital cultures, and the common /
|c Harmony Bench.
|
| 264 |
|
1 |
|a Minneapolis :
|b University of Minnesota Press,
|c [2020]
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| 300 |
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|a 1 online resource (x, 228 pages).
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| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
1 |
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|a Electronic mediations ;
|v 59
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| 504 |
|
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|a Interactivity and agency : making-common and the limits of difference -- Dance in public : of common spaces -- A world from a crowd : composing the common -- Screen sharing : dance as gift of the common.
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| 588 |
0 |
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|a Online resource; title from digital title page (viewed on March 31, 2020).
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| 520 |
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|a A new exploration of how digital media assert the relevance of dance in a wired world How has the Internet changed dance? Dance performances can now be seen anywhere, can be looped endlessly at user whim, and can integrate crowds in unprecedented ways. Dance practices are evolving to explore these new possibilities. In Perpetual Motion, Harmony Bench argues that dance is a vital part of civil society and a means for building participation and community. She looks at how, after 9/11, it became a crucial way of recuperating the common character of public spaces. She explores how crowdsourcing dance contributes to the project of performing a common world, as well as the social relationships forged when we look at dance as a gift in the era of globalization. Throughout, she asks how dance brings people together in digital spaces and what dance's digital travels might mean for how we experience and express community. From original research on dance today to political economies of digital media to the philosophy of dance, Perpetual Motion provides an ambitious, invigorating look at a commonly shared practice.
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| 650 |
|
0 |
|a Dance and the Internet.
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| 650 |
|
0 |
|a Dance and technology.
|
| 650 |
|
0 |
|a Dance
|x Social aspects.
|
| 650 |
|
0 |
|a Interactive multimedia
|x Social aspects.
|
| 650 |
|
7 |
|a SOCIAL SCIENCE
|x Media Studies.
|2 bisacsh
|
| 650 |
|
7 |
|a Dance and technology
|2 fast
|
| 650 |
|
7 |
|a Dance and the Internet
|2 fast
|
| 650 |
|
7 |
|a Dance
|x Social aspects
|2 fast
|
| 650 |
|
7 |
|a Interactive multimedia
|x Social aspects
|2 fast
|
| 830 |
|
0 |
|a Electronic mediations ;
|v v. 59.
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=6129708
|y Click for online access
|
| 856 |
4 |
0 |
|u https://muse.jhu.edu/book/73662
|y Click for online access
|
| 903 |
|
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|a EBC-AC
|
| 903 |
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|a MUSE-OAEBOOKS
|
| 994 |
|
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|a 92
|b HCD
|