Journeys through galant expositions / L. Poundie Burstein.

"Where would you label the appearance of the transition and secondary theme in the sonata-form exposition cited in Ex. 1.1? This seems like a simple enough question, of the type that might appear on a standard exam for a freshman music theory class. Yet the answer is far from straightforward, f...

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Bibliographic Details
Main Author: Burstein, L. Poundie (Author)
Format: Electronic
Language:English
Published: New York, NY : Oxford University Press, [2020]
Subjects:
Online Access:Click for online access
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035 |a (OCoLC)1147937101 
042 |a pcc 
050 4 |a MT62  |b .B87 2020 
049 |a HCDD 
100 1 |a Burstein, L. Poundie,  |e author. 
245 1 0 |a Journeys through galant expositions /  |c L. Poundie Burstein. 
264 1 |a New York, NY :  |b Oxford University Press,  |c [2020] 
264 4 |c ©2020 
300 |a 1 online resource (viii, 295 pages) :  |b illustrations, music. 
336 |a text  |b txt  |2 rdacontent 
336 |a notated music  |b ntm  |2 rdamedia 
337 |a computer  |b n  |2 rdamedia 
338 |a online resource  |b nc  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction -- THEORIES AND TERMINOLOGY. Formal Punctuations: Perioden and Sätze ; Hauptruhepuncte and Haupttheile ; Eighteenth-Century Approaches to Expositions : Riepel and Koch ; 5: Other Eighteenth-Century Approaches to Expositions : Galeazzi, Kollmann, and Neubauer ; Modern Terminology -- EXPOSITIONS. Standard Punctuation Form ; Two-part Expositions ; Division Following the Home-Key Dominant ; Division Following the New-Key Dominant ; Expositions with Two Half-Cadential Breaks ; Division Following Arrival on Tonic ; Uncommon Divisions -- THE ENTIRE MOVEMENT. The Movement's Second Half ; Analyses. 
520 |a "Where would you label the appearance of the transition and secondary theme in the sonata-form exposition cited in Ex. 1.1? This seems like a simple enough question, of the type that might appear on a standard exam for a freshman music theory class. Yet the answer is far from straightforward, for there appear to be at least two viable possibilities. To be sure, you could probably locate a transition and secondary theme here without much trouble and provide excellent reasons for your choice, along with reasons why any alternate choice would be less satisfactory. But as a thought experiment, could you also think of plausible reasons why someone might choose to label the themes here differently than you do?"--  |c Provided by publisher. 
588 |a Description based on online resource; title from digital title page (viewed on October 19, 2020). 
650 0 |a Sonata form. 
650 0 |a Instrumental music  |y 18th century  |x Analysis, appreciation. 
650 7 |a Instrumental music  |x Analysis, appreciation.  |2 fast  |0 (OCoLC)fst00974415 
650 7 |a Sonata form.  |2 fast  |0 (OCoLC)fst01125800 
648 7 |a 1700-1799  |2 fast 
776 0 8 |i Print version:  |a Burstein, L. Poundie.  |t Journeys through galant expositions  |d New York : Oxford University Press, 2020.  |z 9780190083991  |w (DLC) 2020014378 
856 4 0 |u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/book/33546  |y Click for online access 
903 |a OUP-SOEBA 
994 |a 92  |b HCD