Journeys through galant expositions / L. Poundie Burstein.
"Where would you label the appearance of the transition and secondary theme in the sonata-form exposition cited in Ex. 1.1? This seems like a simple enough question, of the type that might appear on a standard exam for a freshman music theory class. Yet the answer is far from straightforward, f...
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Main Author: | |
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Format: | Electronic |
Language: | English |
Published: |
New York, NY :
Oxford University Press,
[2020]
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Subjects: | |
Online Access: | Click for online access |
LEADER | 03510cam a2200541 i 4500 | ||
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001 | on1147937101 | ||
003 | OCoLC | ||
005 | 20231105213017.0 | ||
006 | m o d | ||
007 | cr ||||||||||| | ||
008 | 200325t20202020nyuag ob 001 0 eng | ||
010 | |a 2020014379 | ||
040 | |a DLC |b eng |e rda |e pn |c DLC |d OCLCO |d OCLCQ |d OCLCF |d YDX |d EBLCP |d N$T |d YDX |d IUL |d STBDS |d OCLCO |d OCLCQ |d SFB |d OCLCQ | ||
020 | |a 9780190084035 |q electronic book | ||
020 | |a 0190084030 |q electronic book | ||
020 | |a 9780190084028 |q electronic book | ||
020 | |a 0190084022 |q electronic book | ||
020 | |a 9780190084011 |q electronic book | ||
020 | |a 0190084014 |q electronic book | ||
020 | |a 9780190084004 |q electronic book | ||
020 | |a 0190084006 |q electronic book | ||
020 | |z 9780190083991 |q hardcover | ||
035 | |a (OCoLC)1147937101 | ||
042 | |a pcc | ||
050 | 4 | |a MT62 |b .B87 2020 | |
049 | |a HCDD | ||
100 | 1 | |a Burstein, L. Poundie, |e author. | |
245 | 1 | 0 | |a Journeys through galant expositions / |c L. Poundie Burstein. |
264 | 1 | |a New York, NY : |b Oxford University Press, |c [2020] | |
264 | 4 | |c ©2020 | |
300 | |a 1 online resource (viii, 295 pages) : |b illustrations, music. | ||
336 | |a text |b txt |2 rdacontent | ||
336 | |a notated music |b ntm |2 rdamedia | ||
337 | |a computer |b n |2 rdamedia | ||
338 | |a online resource |b nc |2 rdacarrier | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Introduction -- THEORIES AND TERMINOLOGY. Formal Punctuations: Perioden and Sätze ; Hauptruhepuncte and Haupttheile ; Eighteenth-Century Approaches to Expositions : Riepel and Koch ; 5: Other Eighteenth-Century Approaches to Expositions : Galeazzi, Kollmann, and Neubauer ; Modern Terminology -- EXPOSITIONS. Standard Punctuation Form ; Two-part Expositions ; Division Following the Home-Key Dominant ; Division Following the New-Key Dominant ; Expositions with Two Half-Cadential Breaks ; Division Following Arrival on Tonic ; Uncommon Divisions -- THE ENTIRE MOVEMENT. The Movement's Second Half ; Analyses. | |
520 | |a "Where would you label the appearance of the transition and secondary theme in the sonata-form exposition cited in Ex. 1.1? This seems like a simple enough question, of the type that might appear on a standard exam for a freshman music theory class. Yet the answer is far from straightforward, for there appear to be at least two viable possibilities. To be sure, you could probably locate a transition and secondary theme here without much trouble and provide excellent reasons for your choice, along with reasons why any alternate choice would be less satisfactory. But as a thought experiment, could you also think of plausible reasons why someone might choose to label the themes here differently than you do?"-- |c Provided by publisher. | ||
588 | |a Description based on online resource; title from digital title page (viewed on October 19, 2020). | ||
650 | 0 | |a Sonata form. | |
650 | 0 | |a Instrumental music |y 18th century |x Analysis, appreciation. | |
650 | 7 | |a Instrumental music |x Analysis, appreciation. |2 fast |0 (OCoLC)fst00974415 | |
650 | 7 | |a Sonata form. |2 fast |0 (OCoLC)fst01125800 | |
648 | 7 | |a 1700-1799 |2 fast | |
776 | 0 | 8 | |i Print version: |a Burstein, L. Poundie. |t Journeys through galant expositions |d New York : Oxford University Press, 2020. |z 9780190083991 |w (DLC) 2020014378 |
856 | 4 | 0 | |u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/book/33546 |y Click for online access |
903 | |a OUP-SOEBA | ||
994 | |a 92 |b HCD |