|
|
|
|
| LEADER |
00000cam a2200000 a 4500 |
| 001 |
on1154518457 |
| 003 |
OCoLC |
| 005 |
20240504213016.0 |
| 006 |
m o d |
| 007 |
cr un|---aucuu |
| 008 |
200523s2020 si ob 000 0 eng d |
| 040 |
|
|
|a EBLCP
|b eng
|e pn
|c EBLCP
|d GW5XE
|d EBLCP
|d LQU
|d OCLCF
|d ORU
|d UKAHL
|d NLW
|d N$T
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCL
|d OCLCQ
|d OCLCL
|d OCLCQ
|d OCLCO
|d OCLCQ
|
| 019 |
|
|
|a 1155878464
|a 1156757426
|a 1157554821
|a 1158377651
|
| 020 |
|
|
|a 9789811527432
|q (electronic bk.)
|
| 020 |
|
|
|a 9811527431
|q (electronic bk.)
|
| 020 |
|
|
|z 9789811527425
|q (print)
|
| 024 |
8 |
|
|a 10.1007/978-981-15-2
|
| 035 |
|
|
|a (OCoLC)1154518457
|z (OCoLC)1155878464
|z (OCoLC)1156757426
|z (OCoLC)1157554821
|z (OCoLC)1158377651
|
| 043 |
|
|
|a a-cc---
|
| 050 |
|
4 |
|a DS779.23
|
| 049 |
|
|
|a HCDD
|
| 245 |
0 |
0 |
|a Chinese culture in the 21st century and its global dimensions :
|b comparative and interdisciplinary perspectives /
|c Kelly Kar Yue Chan, Chi Sum Garfield Lau, editors.
|
| 260 |
|
|
|a Singapore :
|b Springer,
|c 2020.
|
| 300 |
|
|
|a 1 online resource (226 pages)
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 490 |
1 |
|
|a Chinese Culture ;
|v v. 2
|
| 588 |
0 |
|
|a Print version record.
|
| 505 |
0 |
|
|a Intro -- Foreword -- Preface -- Acknowledgment -- Contents -- Contributors -- Part I: Modern Literature and Chinese Images -- Chapter 1: The Evolution of Chinese Women: From Confucian Obligations to Modern Resistance -- 1.1 Introduction: The Resistance of Women's Autonomy -- 1.2 The Evolution of Social Ideology -- 1.3 Misogynistic Treatment of Daughters -- 1.4 Silence and Chastity -- 1.5 The Women Strike Back -- 1.6 Summary -- References -- Chapter 2: A Comparative Study of Stream of Consciousness: Fei Ming and Virginia Woolf -- References
|
| 505 |
8 |
|
|a Chapter 3: A Contrasting Image of China in Opera Libretti: An Analytical Reading of Turandot and Nixon in China -- 3.1 Introduction -- 3.2 Turandot -- 3.3 Nixon in China -- 3.4 Conclusion -- References -- Chapter 4: Modern Overseas Chinese Image in Thai Literature and Soap Opera -- 4.1 Introduction -- 4.2 The Popular Thai-Chinese Novels and Soap-Opera: Letters from Thailand, Through the Pattern of the Dragon, and in Family We Trust -- 4.3 The Thai-Chinese Narrative: Assimilated in Thai Society, Chinese Culture, "Good Chinese", and the Role of Sino-Thai Women
|
| 505 |
8 |
|
|a 4.4 Overseas Chinese Image in Thai Society: The Ignorance of Reality -- 4.5 Conclusion -- References -- Part II: Contemporary Perceptions of Chinese Films and Performing Arts -- Chapter 5: Remaking China: The Canonization of Fei Mu's Cinema -- 5.1 Introduction -- 5.2 Remaking an Old Classic in Contemporary Chinese Cinema -- 5.3 Experimenting Film and Theatre -- 5.4 Emotion, Memory, Ruin -- 5.5 Reflections: Restoring Chinese Cinema -- References -- Chapter 6: From Comics to Animation: A Media Study of Hong Kong's Creative Industry -- 6.1 An Introduction to Hong Kong Comics and Animation
|
| 505 |
8 |
|
|a 6.1.1 Purpose of Study -- 6.1.2 Significance of Study -- 6.1.3 Research Methods -- 6.2 The Literature of Comics and Animation -- 6.2.1 A Brief History of Hong Kong Comic Book Industry -- 6.2.2 Hong Kong Comics-to-Animation Adaptations -- 6.3 Theory and Methodology -- 6.3.1 Media Dynamics of Comics and Animation -- 6.3.2 Transmedia Storytelling Theory -- 6.3.3 Methodology -- 6.4 Case Studies of Hong Kong Comics and Their Animated Adaptations -- 6.4.1 Case I: Storm Rider -- Clash of Evils -- 6.4.2 Case II: My Life as McDull -- 6.4.3 Case III: Astro Boy -- 6.4.4 Case IV: Local Indie Productions
|
| 505 |
8 |
|
|a 6.5 Difficulties in Comics-to-Animation Adaptations -- 6.5.1 Lack of Coherent Planning -- 6.5.2 Lack of Collaborations Between Stakeholders -- 6.6 Research Findings and Recommendations -- 6.6.1 Coherent Story World -- 6.6.2 Reasonable Division of Labour -- 6.6.3 Character-Centric Strategy -- 6.7 Conclusion -- References -- Chapter 7: Chinese Musical Culture in the Global Context -- Modernization and Internationalization of Traditional Chinese Music in Twenty-First Century -- 7.1 Introduction -- 7.2 The Development of the Modern Chinese Orchestra -- 7.2.1 The Layout of the Modern Chinese Orchestra
|
| 500 |
|
|
|a 7.2.2 Datong Music Society
|
| 504 |
|
|
|a Includes bibliographical references.
|
| 520 |
|
|
|a This book investigates the internationalization of Chinese culture in recent decades and the global dimensions of Chinese culture from comparative and interdisciplinary perspectives. It covers a variety of topics concerning the contemporary significance of Chinese culture in its philosophical, literary and artistic manifestations, including literature, film, performing arts, creative media, linguistics, translations and philosophical ideas. The book explores the reception of Chinese culture in different geographic locations and how the global reception of Chinese culture contrasts with the local Chinese community. The chapters collectively cover gender studies and patriarchal domination in Chinese literature in comparison to the world literature, explorations on translation of Chinese culture in the West, Chinese studies as an academic discipline in the West, and Chinese and Hong Kong films and performances in the global context. The book is an excellent resource for both scholars and students interested in the development of Chinese culture on the global stage in the 21st Century.
|
| 651 |
|
0 |
|a China
|x Cultural policy.
|
| 651 |
|
0 |
|a China
|x Social life and customs.
|
| 650 |
|
7 |
|a Cultural studies.
|2 bicssc
|
| 650 |
|
7 |
|a Non-Western philosophy.
|2 bicssc
|
| 650 |
|
7 |
|a Language: reference & general.
|2 bicssc
|
| 650 |
|
7 |
|a Film theory & criticism.
|2 bicssc
|
| 650 |
|
7 |
|a Literature: history & criticism.
|2 bicssc
|
| 650 |
|
7 |
|a Social Science
|x General.
|2 bisacsh
|
| 650 |
|
7 |
|a Philosophy
|x Eastern.
|2 bisacsh
|
| 650 |
|
7 |
|a Foreign Language Study
|x Chinese.
|2 bisacsh
|
| 650 |
|
7 |
|a Performing Arts
|x Film & Video
|x General.
|2 bisacsh
|
| 650 |
|
7 |
|a Literary Criticism
|x Asian
|x General.
|2 bisacsh
|
| 650 |
|
7 |
|a Cultural policy
|2 fast
|
| 650 |
|
7 |
|a Manners and customs
|2 fast
|
| 651 |
|
7 |
|a China
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3
|
| 655 |
|
0 |
|a Electronic books.
|
| 700 |
1 |
|
|a Chan, Kelly Kar Yue.
|
| 700 |
1 |
|
|a Lau, Chi Sum Garfield.
|
| 758 |
|
|
|i has work:
|a Chinese culture in the 21st century and its global dimensions (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGWM9Q4Pd7Vg8d6pqJ9PXq
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|a Chan, Kelly Kar Yue.
|t Chinese Culture in the 21st Century and Its Global Dimensions : Comparative and Interdisciplinary Perspectives.
|d Singapore : Springer, ©2020
|z 9789811527425
|
| 830 |
|
0 |
|a Chinese culture (Springer (Firm)) ;
|v v. 2.
|
| 856 |
4 |
0 |
|u https://holycross.idm.oclc.org/login?auth=cas&url=https://link.springer.com/10.1007/978-981-15-2743-2
|y Click for online access
|
| 903 |
|
|
|a SPRING-LIT2020
|
| 994 |
|
|
|a 92
|b HCD
|