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on1154564304 |
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OCoLC |
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20240809213013.0 |
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m d |
| 007 |
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| 008 |
200516s2020 xx o ||| 0 eng d |
| 040 |
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|a EBLCP
|b eng
|c EBLCP
|d REDDC
|d OCLCO
|d OCLCL
|d NUI
|d UEJ
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| 020 |
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|a 9781000073126
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| 020 |
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|a 1000073122
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| 035 |
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|a (OCoLC)1154564304
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| 050 |
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4 |
|a PR2880.A1
|b .P539 2020
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| 049 |
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|a HCDD
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| 100 |
1 |
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|a Gerzic, Marina.
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| 245 |
1 |
0 |
|a Playfulness in Shakespearean Adaptations
|h [electronic resource].
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| 260 |
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|a Milton :
|b Taylor & Francis Group,
|c 2020.
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| 300 |
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|a 1 online resource (271 p.).
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| 490 |
1 |
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|a Routledge Studies in Shakespeare Ser.
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| 500 |
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|a Description based upon print version of record.
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| 505 |
0 |
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|a Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- List of Figures -- 5.1 A Scene From Neil Gaiman's The Sandman Issue 19, "A Midsummer Night's Dream." Image Courtesy of Dc Comics -- 7.1 Shakespeare Republic Season One Cast (L-R): Ben Steel, Michala Banas, Alan Fletcher, Rowena Hutson, Sally Mclean, and Billy Smedley. Photo By Yanni Dellaportas. Copyright © Incognita Enterprises 2016 -- 7.2 Michala Banas as "Phebe" in Season One of Shakespeare Republic. Photo By James Dene. Copyright © Incognita Enterprises 2016 -- 7.3 Nadine Garner as "Viola" in Season Two of Shakespeare Republic. Photo By Shaun Herbertson. Copyright © Incognita Enterprises 2016 -- 7.4 Christopher Kirby as "Sir Thomas More" in Season Two of Shakespeare Republic. Photo By Shaun Herbertson. Copyright © Incognita Enterprises 2016 -- 7.5 Billy Smedley as "Henry V" in Season Two of Shakespeare Republic. Photo By Shaun Herbertson. Copyright © Incognita Enterprises 2016 -- 7.6 Speaking Daggers Cast: Jaron Natoli, Christopher Kirby, Nadine Garner, Sally Mclean, Scott Major, Faran Martin, Billy Smedley, and Michala Banas. Photo By Christoph Ziegenhardt. Copyright © Incognita Enterprises 2016 -- 8.1 Suit of Armour at the Battle of Bosworth Re-Enactment, August 2017. Photo: Kaite O'Reilly -- 8.2 Sara Beer in Richard III Redux, on Location at Cilgerran Castle Near Cardigan (West Wales) for the Atmospheric Video Shoot (With Paul Whittaker, Videographer) that Opens the Performance. Photo: Kaite O'Reilly -- 8.3 Sara Beer as The 'National Treasure' Researching 'Her' R/Richard as a Six-Foot Four Non-Disabled Rugby Player -- 8.4 Sara Beer... Unable to 'Disappear' Into a Role -- 9.1 Mathew Baynton as William Shakespeare in Horrible Histories (Left) and as Bill Shakespeare in Bill. Images Courtesy of the BBC and BBC Films.
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|a 9.2 From Left to Right, Top to Bottom: Joseph Fiennes (Shakespeare) and Rupert Everett (Marlowe) in Shakespeare in Love -- Jim Howick (Marlowe) and Mathew Baynton (Shakespeare) in Bill. Images Courtesy of Miramax and BBC Films -- 10.1 Elizabeth I (Judi Dench) Tells Lord Wessex (Colin Firth) that Viola has "Been Plucked... and Not By You" in Shakespeare in Love. Image Courtesy of Miramax -- 10.2 Elizabeth I (Emma Thompson) Thanks Will Shakespeare (David Mitchell) for the Gift of Poetry, Which has Evidently Moved Her. Image from Upstart Crow Courtesy of the BBC -- List of Contributors -- Acknowledgements -- 1 "Did Shakespeare Really Write This Racy Stuff?": Playfulness in Shakespearean Adaptations -- Section I: Page to Stage/Stage to Page -- 2 "This Great Stage of Fools": Anachronisms and Mockery in Three Victorian Burlesques of King Lear -- 3 "Covering the Main Points": Playing with The Tempest in Margaret Atwood's Hag-Seed -- 4 "I Wish the Bastards Dead": Adapting Richard III in Children's Literature -- 5 Playing with Genre and Form: The 'Magic Art' of Graphic Novel Adaptation in Shakespeare -- 6 When Fictions Collide: Shakespearean Inspiration and Adaptation in Terry Pratchett'S Wyrd Sisters -- Section II: Practising Shakespeare On Stage and Screen -- 7 Byte-Size Shakespeare: The Irreverent Play of Shakespeare Republic -- 8 An Irreverent Richard III Redux: [Re]Cripping the Crip -- Section III: Adapting the Man -- 9 Bill Begins: The Rise of the Contemporary Shakespeare 'Origin Story' -- 10 William Shakespeare and Elizabeth I: The Special Relationship? -- Section IV: Adapting the Plays -- 11 Hamlet 2, Shakespeare, and Cruel Optimism -- 12 Sport, Meritocracy, and Shakespeare -- 13 "What'S in a Gnome?": Gender, Intertextuality, and Irreverence in Gnomeo and Juliet -- Index.
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| 600 |
1 |
0 |
|a Shakespeare, William,
|d 1564-1616
|v Adaptations
|x History and criticism.
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| 650 |
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0 |
|a Play in literature.
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| 700 |
1 |
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|a Norrie, Aidan.
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| 758 |
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|i has work:
|a Playfulness in Shakespearean adaptations (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGPW6bb4yKd8FKTdqxRYRq
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
8 |
|i Print version:
|a Gerzic, Marina
|t Playfulness in Shakespearean Adaptations
|d Milton : Taylor & Francis Group,c2020
|z 9780367256463
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| 830 |
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0 |
|a Routledge Studies in Shakespeare Ser.
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| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=6192167
|y Click for online access
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| 903 |
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
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