|
|
|
|
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
on1159604471 |
| 003 |
OCoLC |
| 005 |
20240909213021.0 |
| 006 |
m o d |
| 007 |
cr |n||||||||| |
| 008 |
200618t20212021nyu o 000 0 eng |
| 010 |
|
|
|a 2020027191
|
| 040 |
|
|
|a DLC
|b eng
|e rda
|c DLC
|d OCLCF
|d OCLCO
|d YDX
|d EBLCP
|d OCLCO
|d UIU
|d N$T
|d S9M
|d ER0
|d CNO
|d OCLCO
|d YDX
|d OCLCQ
|d SFB
|d OCLCO
|d UKAHL
|d NOC
|d LUN
|d LDP
|d QGK
|d CUS
|d OCLCL
|d SXB
|
| 019 |
|
|
|a 1247851281
|a 1256671424
|a 1372401639
|
| 020 |
|
|
|a 0190072237
|q electronic book
|
| 020 |
|
|
|a 9780190072247
|q electronic book
|
| 020 |
|
|
|a 9780190072230
|q electronic book
|
| 020 |
|
|
|z 9780190072216
|q hardcover
|
| 020 |
|
|
|a 0190072245
|q electronic book
|
| 020 |
|
|
|z 0190072210
|
| 020 |
|
|
|a 9780190072223
|q (e-book)
|
| 020 |
|
|
|a 0190072229
|q (e-book)
|
| 035 |
|
|
|a (OCoLC)1159604471
|z (OCoLC)1247851281
|z (OCoLC)1256671424
|z (OCoLC)1372401639
|
| 042 |
|
|
|a pcc
|
| 050 |
0 |
0 |
|a P90
|b .O94 2021
|
| 049 |
|
|
|a HCDD
|
| 245 |
0 |
4 |
|a The Oxford handbook of entertainment theory /
|c edited by Peter Vorderer & Christoph Klimmt.
|
| 264 |
|
1 |
|a Oxford ;
|a New York :
|b Oxford University Press,
|c 2021.
|
| 264 |
|
4 |
|c ©2021
|
| 300 |
|
|
|a 1 online resource (xix, 869 pages) :
|b illustrations
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 490 |
1 |
|
|a Oxford handbooks
|
| 504 |
|
|
|a Includes bibliographical references and index.
|
| 520 |
|
|
|a "This chapter offers some historical and conceptual orientation to readers of the Oxford Handbook of Entertainment Theory. Departing from a brief review of ancient roots and 20th century pioneer works, we elaborate on the state and challenges of contemporary entertainment theory and research. This includes the need to develop a more explicit understanding of interrelationships among similar terms and concepts (e.g., presence and transportation), the need to reflect more explicitly on epistemological foundations of entertaiment theories (e.g., neo-behaviorism), and the need to reach back to past, even historical reasoning in communication that may be just as informative as the consideration of recent theoretical innovations from neigboring fields such as social psychology. Finally, we offer some reflections on programmatic perspectives for future entertainment theory, which should try to harmonize views from the social sciences and critical thinking, span cultural differences in entertainment processes, and keep track of the rapid technological progress of entertainment media"--
|c Provided by publisher.
|
| 588 |
0 |
|
|a Description based upon online resource; title from PDF title page (viewed July 18th, 2022).
|
| 505 |
0 |
0 |
|t A Brief Analysis of The State of Entertainment Theory: Historical Achievements, Contemporary Challenges, and Future Possibilities /
|r Peter Vorderer, Christoph Klimmt, Jennings Bryant --
|t Selection of Entertainment Media: From Mood Management Theory to the SESAM model /
|r Kate T. Luong, Silvia Knobloch-Westerwick --
|t Binge-Watching as Case of Escapistic Entertainment Use /
|r Annabell Halfmann, Leonard Reinecke --
|t Media Entertainment as Guilty Pleasure? The Appraisal of Media Use, Self-Control, and Entertainment (AMUSE) Model /
|r Leonard Reinecke, Adrian Meier --
|t Advances in Research on the Model of Intuitive Morality and Exemplars (MIME) /
|r Allison Eden, Ron Tamborini, Melinda Aley, Henry Goble --
|t Stories Enlarge the Experience of Self: Evidence for the Temporarily Expanded Boundaries of the Self (TEBOTS) Model /
|r Benjamin K. Johnson, Michael D. Slater, Nathaniel A. Silver, David R. Ewoldsen --
|t Stepping in and out of Media Characters: Identification and Dynamic Shifts in Users' Positioning towards Entertainment Messages /
|r Jonathan Cohen, Christoph Klimmt --
|t Involvement with Media Personae and Entertainment Experiences /
|r William J. Brown --
|t Only Project: A Psychological Principle Explored in a Novel /
|r Keith Oatley --
|t The Role of Narrative Cues in Shaping ADT: What Makes Audiences Think that Good Things Happen to Good People? /
|r Ron Tamborini, Matthew Grizzard, Lindsay Hahn, Kevin Kryston, Ezgi Ulusoy --
|t Media Entertainment, Flow Experiences, and the Synchronization of Audiences /
|r Jacob T. Fisher, Chelsea Lonergan, Frederic R. Hopp, RenÃ#x83;¢e Weber --
|t Entertainment is a Journey, Not Just a Destination. Process Perspectives in Entertainment Theories /
|r Andreas Fahr, Hannah FrÃ#x83;¨uh --
|t Transcending Eudaimonic Entertainment: A Review and Expansion of Meaningful Entertainment /
|r Sophie H. Janicke-Bowles, Anne Bartsch, Mary Beth Oliver, Arthur A. Raney --
|t Biographic Resonance Theory of Eudaimonic Media Entertainment /
|r Christoph Klimmt, Diana Rieger --
|t Kama Muta As An Eudaimonic Entertainment Experience /
|r Sophie H. Janicke-Bowles, Thomas Schubert, Johanna K. Blomster --
|t Entertained by Amazement and Wonder: The Role of the Emotion Awe in Media Reception /
|r Daniel Possler, Arthur A. Raney --
|t Humor and Comedy /
|r Jeffrey Goldstein --
|t Portrayals of Human Sexuality as Entertainment /
|r Francesca R. Dillman Carpentier, Farnosh Mazandarani --
|t Cooling Down or Charging Up? Engagement with Aggressive Entertainment Contents as an Emotion Regulation Strategy of Boredom and Anger /
|r Heidi Vandebosch, Karolien Poels --
|t Sports as (Digital) Media Entertainment /
|r Nicky Lewis --
|t News as Entertainment Format: Applying Affective Disposition Theory and the Affective News Extended Model /
|r Melissa J. Robinson, Silvia Knobloch-Westerwick --
|t An Extended Dual-Process Model of Entertainment Effects on Political Information Processing and Engagement /
|r Frank M. Schneider, Anne Bartsch, Larissa Leonhard --
|t The Narrative Enjoyment and Appreciation Rationale /
|r Ron Tamborini, Sara M. Grady, Joshua Baldwin, Nikki McClaran, Robert Lewis --
|t Cinematic Entertainment: Contemporary Adolescents' Uses-And-Gratifications of Going to the Movies /
|r Maite Soto-Sanfiel --
|t How Do People Evaluate Movies? Insights from the Associative-Propositional Evaluation Model /
|r Frank M. Schneider, Ines C. Vogel, Uli Gleich, Anne Bartsch --
|t TV Series Fandom as Eudaimonic Consumption /
|r JosÃ#x83;¢e Antonio MuÃ#x83;¤niz-VelÃ#x83;¢azquez, Javier Lozano Delmar --
|t A Synergistic Multi-Process Model of Video Game Entertainment /
|r Christoph Klimmt, Daniel Possler --
|t Interactivity as Demand: Implications for Interactive Media Entertainment /
|r Nicholas David Bowman --
|t Players' Moral Decisions in Virtual Worlds: Morality in Video Games /
|r AndrÃ#x83;¢e Melzer, Elisabeth Holl --
|t Player-Avatar Identification, Relationships, and Interaction: Entertainment through Asocial, Parasocial, and Fully Social Processes /
|r Nicholas David Bowman, Jaime Banks --
|t Entertainment in Virtual Reality and Beyond: The Influence of Embodiment, Co-Location, and Cognitive Distancing on Users' Entertainment Experience /
|r Tilo Hartmann, Jesse Fox --
|t Retrospective Imaginative Involvement and Entertainment Narratives: Initial Forays /
|r David R. Ewoldsen, Rick Busselle, Neha Sethi, Michael D. Slater --
|t Media Entertainment as a Self-Regulatory Resource: The Recovery and Resilience in Entertaining Media Use (R p2 (BEM) Model /
|r Leonard Reinecke, Diana Rieger --
|t Life-Span Developmental Changes in Media Entertainment Experiences /
|r Marie-Louise Mares, James Alex Bonus --
|t Entertainment Media and Social Consciousness /
|r Meghan S. Sanders, Chun Yang, Anthony Ciaramella, Rachel Italiano, Stephanie L. Whitenack, Hope M. Hickerson --
|t Entertainment Theories and Media Addiction /
|r Felix Reer, Robin Janzik, Lars-Ole Wehden, Thorsten Quandt --
|t Theorizing Entertainment-Education: A Complementary Perspective to the Development of Entertainment Theory /
|r Hua Wang, Arvind Singhal --
|t A Systematic Gender Perspective on Entertainment Theory /
|r Sabine Reich --
|t How Universal is Entertainment, Really? On the Enriching Potential of Cross-Cultural Approaches for Existing Entertainment Scholarship /
|r Ã#x83;¨Ozen OdaÄ#x9F; --
|t Entertainment and Resonance /
|r Peter Vorderer --
|t Finding Elusive Resonance Across Culture and Time /
|r Gerald C. Cupchik, Despina Stamatopoulou, Siying Duan.
|
| 650 |
|
0 |
|a Mass media
|x Philosophy.
|
| 650 |
|
0 |
|a Amusements
|x Philosophy.
|
| 650 |
|
7 |
|a Amusements
|x Philosophy
|2 fast
|
| 650 |
|
7 |
|a Mass media
|x Philosophy
|2 fast
|
| 700 |
1 |
|
|a Vorderer, Peter,
|e editor.
|
| 700 |
1 |
|
|a Klimmt, Christoph,
|e editor.
|
| 758 |
|
|
|i has work:
|a The Oxford handbook of entertainment theory (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGrrccyCVVc6gCffx9V4md
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|t Oxford handbook of entertainment theory.
|d New York, NY : Oxford University Press, [2021]
|z 9780190072216
|w (DLC) 2020027190
|w (OCoLC)1159604156
|
| 830 |
|
0 |
|a Oxford handbooks.
|
| 856 |
4 |
0 |
|u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/edited-volume/34268
|y Click for online access
|
| 903 |
|
|
|a OUP-HBLIT2021
|
| 994 |
|
|
|a 92
|b HCD
|