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1 |
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|a Toohey, Peter,
|d 1951-
|1 https://id.oclc.org/worldcat/entity/E39PCjxcJJ4CyVpmpb9DVBB8fq
|
| 245 |
1 |
0 |
|a Melancholy, love, and time :
|b boundaries of the self in ancient literature /
|c Peter Toohey.
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| 264 |
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1 |
|a Ann Arbor :
|b University of Michigan Press,
|c ©2004.
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| 300 |
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|a 1 online resource
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 347 |
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|a data file
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|a Includes bibliographical references (pages 353-374) and index.
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|a Print version record.
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|a Sorrow without cause: periodizing melancholia and depression -- Medea's lovesickness: Eros and melancholia -- Seasickness: boredom, nausia, and the self -- Acedia: madness and the epidemiology of individuality -- The myth of suicide: volitional independence and problematized control in the first century c.e -- Time's passing: catastrophes, Trimalchio, and melancholy -- Passing time: hunting, poetry, and leisure -- The mirror stage hostius quadra and the alienated self -- Giorgio de Chirico, time, Odysseus, melancholy, and intestinal disorder / with Kathleen Toohey.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a "Ancient literature features many powerful narratives of madness, depression, melancholy, lovesickness, simple boredom, and the effects of such psychological states upon individual sufferers. Peter Toohey turns his attention to representations of these emotional states in the classical, Hellenistic, and especially the Roman imperial periods in a study that illuminates the cultural and aesthetic significance of this emotionally charged literature. Toohey also examines some of the ways that the "self" was (or was not) formulated in ancient literature, looking at conditions that could be said to endanger the fragile stability of "self" and how the "self," in ancient experience, was reestablished. Ancient representations of suicide, the perception of time, and the formulation of leisure, Toohey argues, challenge the widespread orthodoxy that melancholic emotions were somehow "discovered" during the European Enlightenment. Blending ancient literature, ancient art, modern psychological theory, and modern literature into his interpretive matrix, Toohey concludes that, paradoxically, difficult emotional registers represent key modes for buttressing an individual's sense of self in both the ancient and modern world. Melancholy, Love, and Time makes an important contribution to classical studies, comparative literature, cultural studies, the history of psychology and medicine, as well as to the burgeoning field of the history of emotions."
|
| 533 |
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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| 538 |
|
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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| 546 |
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|a English.
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| 583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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| 650 |
|
0 |
|a Classical literature
|x History and criticism.
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| 650 |
|
0 |
|a Psychology in literature.
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| 650 |
|
0 |
|a Alienation (Social psychology) in literature.
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| 650 |
|
0 |
|a Mythology, Classical, in literature.
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| 650 |
|
0 |
|a Depression, Mental, in literature.
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| 650 |
|
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|a Melancholy in literature.
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| 650 |
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|a Love in literature.
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| 650 |
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|a Time in literature.
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| 650 |
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|a Self in literature.
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| 650 |
|
7 |
|a LITERARY CRITICISM
|x Ancient & Classical.
|2 bisacsh
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| 650 |
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7 |
|a ART
|x General.
|2 bisacsh
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| 650 |
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7 |
|a Alienation (Social psychology) in literature
|2 fast
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| 650 |
|
7 |
|a Classical literature
|2 fast
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| 650 |
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7 |
|a Depression, Mental, in literature
|2 fast
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| 650 |
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7 |
|a Love in literature
|2 fast
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| 650 |
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7 |
|a Melancholy in literature
|2 fast
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| 650 |
|
7 |
|a Mythology, Classical, in literature
|2 fast
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| 650 |
|
7 |
|a Psychology in literature
|2 fast
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| 650 |
|
7 |
|a Self in literature
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| 650 |
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|a Time in literature
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|a Literatur
|2 gnd
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|a Gefühl
|g Motiv
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| 650 |
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|a Selbstdarstellung
|g Motiv
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|a Antike
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|a Emoties.
|2 gtt
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|a Zelfbewustzijn.
|2 gtt
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|a Letterkunde.
|2 gtt
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|a Klassieke talen.
|2 gtt
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|a Klassieke oudheid.
|2 gtt
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|a Geschichte 1-200.
|2 swd
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| 651 |
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|a Latein.
|2 swd
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| 651 |
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|a Griechisch.
|2 swd
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| 655 |
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|a Criticism, interpretation, etc.
|2 fast
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| 776 |
0 |
8 |
|i Print version:
|t Melancholy, love, and time.
|d Ann Arbor : University of Michigan Press, ©2004
|z 047211302X
|w (DLC) 2003016901
|
| 830 |
|
0 |
|a Book collections on Project MUSE.
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=3414763
|y Click for online access
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| 903 |
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|a EBC-AC
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| 994 |
|
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|a 92
|b HCD
|