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20240809213013.0 |
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m o d |
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cr cnu|||unuuu |
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201019s2020 enka ob 001 0 eng d |
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|a 1200027643
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|a 9781789383133
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|a 1789383137
|q (electronic bk.)
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|q (PDF ebook)
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|z (OCoLC)1200027643
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|b Ingram Content Group
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|b JSTOR
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|a HCDD
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|a Post-specimen encounters between art, science and curating :
|b rethinking art practice and objecthood through scientific collections /
|c edited by Edward Juler & Alistair Robinson.
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|a Bristol, UK :
|b Intellect,
|c 2020.
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| 300 |
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|a 1 online resource :
|b illustrations
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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|a Online resource; title from PDF title page (EBSCO, viewed October 20, 2020).
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|a Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- Acknowledgements -- Introduction -- Notes -- References -- 1 Narratives of the 'Fetish' -- Acknowledgements -- Notes -- References -- 2 Curating Interobjectively in Museums -- 'A Scientific Encounter': Envisaging the Myth of the Museum -- The Museum's Omniscience -- Presenting Objects in the Academy: The Poetics of Academic Space -- Towards an Interobjective Curatorial Practice: Exercises in Diplomacy -- The Collection as Collectivity-'How to Redefine the Collectives?' -- Three Scenes from an Exhibition
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|a Object Encounter #1: Kelly Richardson and Annibale Carracci -- Object Encounter #2: Murray Ballard and Anon. -- Object Encounter #3: Daniel Brown and Jan Breughel -- Notes -- 3 'A Readiness to Find What Surrounds Us Strange and Odd': Objects in the Alternative Curiosity Museum -- Museums: Laboratories of the Marvellous? -- Cabinets of Curiosities: 'Boudoirs Earmarked for Experts'? -- Museum of Jurassic Technology: A Detective Challenge -- Museum der Unerhörten Dinge: 'A Literary Wunderkammer' -- Wonder in the Face of Abundance or Wonder in the Face of Rarity?
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|a The Alternative Curiosity Museum as 'Wild Museum' -- Musée de la Chasse et de la Nature: Wonder and Critical Awareness -- Château d'Oiron: Curiosity and Multisensory Engagement -- Curiosity as a Way of Seeing, Thinking and Caring -- Notes -- References -- 4 Art, Science and the Mutant Object -- The Live Specimen -- Mutant Objects -- Neither Animal, Nor Vegetable Nor Mineral -- Notes -- References -- 5 Blind Summit/Models of Subjectivity: Surrealism, Physics and Psychoanalysis -- Notes -- References -- 6 Glimpsed Phantoms of Sensation
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|a Or, a Psychogeographical Investigation of Various Anatomical Specimens with Reference to Christine Borland's Cet être-là, c'est à toi de le créer! -- Notes -- References -- 7 ... as far back as I will remember -- Jardin des Plantes, Montpellier, South of France -- Call Me by My Name -- From Alexandria to Carthage -- Life's Rich Pageant -- Better Living through Chemistry -- Pansexuality -- I, post-specimen -- I, superspecies -- Living in the Homogecene -- Acknowledgements -- Notes -- References -- 8 Poetry and the Pathology Museum: A Model of Difference -- Notes -- References
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|a 9 The Scientist and the Magician -- Introduction -- A Compendium of Vignettes, or, Imagining-and Imaging-'Energy' -- Deus ex machina: From the Magic Lantern to the Layden Jar -- #1: A First Experiment-Imagining Electricity -- Reflecting upon the Presence of Magic in Artwork, and Artistry of Magic and Science: Some Inconclusive Conclusions -- Notes -- References -- 10 Choosing, Unpicking and Connecting: On Drawing Museum Objects -- Choosing -- Unpicking -- Connecting -- Notes -- References
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|a Examines how scientific objects in museums and other collections act as inspiration to contemporary art practice, its histories, curating and aesthetics. Cross-disciplinary essays from leading arts professionals explore how scientific encounters in museums provoke new modes of creative thinking about art, science and curating. 84 col. illus.
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| 650 |
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|a Art and science.
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| 650 |
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|a Art museums.
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|a Museum techniques.
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|a museology.
|2 aat
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|a ART / History / General
|2 bisacsh
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| 650 |
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|a Art and science
|2 fast
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| 650 |
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|a Art museums
|2 fast
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| 650 |
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|a Museum techniques
|2 fast
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| 700 |
1 |
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|a Juler, Edward,
|e editor.
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| 700 |
1 |
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|a Robinson, Alistair,
|e editor.
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| 758 |
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|i has work:
|a Post-specimen encounters between art, science and curating (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCG7636JrqRm4ktr7kxMMKb
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
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|i Print version:
|z 9781789383119
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| 856 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=6369051
|y Click for online access
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
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