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|a 019950269
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|a 9783030380656
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|a 3030380653
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|z 9783030380649 (hbk.)
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|a 10.1007/978-3-030-38065-6
|2 doi
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|a (OCoLC)1231225312
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|a 9783030380656
|b Springer Nature
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|a f-gh---
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|a HE8700.9.J25
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|a SOC052000
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|a HCDD
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|a Gordon, Deborah Hickling,
|e author.
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|a Cultural economy and television in Jamaica and Ghana :
|b #decolonization2point0 /
|c Deborah Hickling Gordon.
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|a Basingstoke :
|b Palgrave Pivot,
|c [2020]
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| 300 |
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|a 1 online resource :
|b illustrations
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| 336 |
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|a text
|b txt
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|a computer
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|2 rdamedia
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|a online resource
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|a Includes index.
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|a This book proposes contemporary decolonization as an approach to developing cultural economies in the Global South. It presents the account of the transformation of television in Jamaica and Ghana to audiovisual subsectors; from cultural institutions to cultural industries and then subsectors of emerging cultural economies as representative case studies. Glocal changes are presented within five organizing phenomena: philosophical, ideological, and economic change, and their impact on governance and the operational transformation of the television sectors of Jamaica and Ghana. This book represents the first critical examination and comparison of cultural and creative industries (CCI) and economy concepts in the Caribbean and Africa. It is an original contribution to the development of strategies that influence processes, structures, and policies related to the cultural economy concept and those required to improve television industries. This process of describing culturally specific characteristics of CCI is designed to be applicable to the CCI of developing countries including those in Africa and the Caribbean, where interpretations and implementation suited for advanced industrial nations have been insufficiently questioned and challenged.
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|a Intro -- "Livication" -- Acknowledgments -- Contents -- Acronyms -- List of Figures -- List of Tables -- Chapter 1: Introduction: Time Changes -- TV Sign On! -- Creative Zeitgeist -- Reflexive Liberalization -- Why Ghana? -- Rethinking "Rethinking Development" -- Spans of Subordination -- Politics of Polarization -- Africanness and Jamaicanness -- Tradition and Modernity -- Liberalization Without Preparation -- New Zeitgeist, New Approaches -- #decolonization2point0 -- References -- In-Depth Interviews Conducted for the Ghanaian Case Study -- Music, Films -- Chapter 2: Sankofa's Song
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|a TV and the Dialectics of Decolonization -- 1989 -- Zeitgeist Signpost -- Shifting Sands -- The Economy of Television -- Changing Cultures -- Cable, Copyright and Commerce -- Imposed-Choice of Structural Adjustment -- Media Divestment and Privatization -- Hybrid or Mutant? -- Regulation of Cable TV -- 1997 -- The Libertine Lure -- Whirlwind of Change -- The Ethical Revolution -- References -- In-Depth Interviews Conducted for the Case Studies -- Chapter 3: From TV to AV in Jamaica: Commerce, Copyright, Convergence and Conduits -- Commerce -- Changing Paradigms -- Corporate Movements
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|a Subscriber Cable Television -- Partnerships and Mergers -- Combative Competition -- Profit-Driven Television -- Markets or Audiences? -- Liberalization Without Preparation -- Media, Policy and Change -- Animation Added -- Business Forward -- Measuring the Sector -- Copyright: Intellectual Property Revolution -- Convergence and Conduits -- Technological Convergence -- Converging Business and Production -- Fragmented Convergence: Policy and Legislation -- Fragmented AV Focus -- References -- In-Depth Interviews and Correspondence Conducted for the Case Studies
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|a Chapter 4: From TV to AV in Jamaica: Creative Work, Content and Consumption -- Creative Work -- Creative Contract Work -- New Game. New Rules. New Issues -- Independents and Own-Account Workers -- Bandooloo and the Hustler Culture -- Culture Shock and Paradigm Shifts -- Changing Skill Sets and Attitudes -- Stratification -- The Film Group -- The Television Group -- New Independents -- Service Providers -- Cultural Economics and Cooperation -- Professional Organizations -- Content and Consumption -- Modernity Versus Tradition -- Market-Driven Models -- Overseas Content
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8 |
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|a Public Service Broadcasting Revisited -- The News Product -- TV, Transparency and Freedom -- Content Regulation and Standards -- References -- Policy Documents, Legislation, Reports, Newspaper Articles and Websites -- Music, Films, Audio Visual Interviews, Audio Visual Programmes and Internet Based -- In-Depth Interviews and Correspondence Conducted for the Jamaican Case Study -- Chapter 5: From TV to AV in Ghana: Commerce, Copyright, Convergence and Conduits -- Commerce and Copyright -- Broadcast Hybrid -- New Institutional Players -- Partnerships and Mergers -- Competition
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|a Description based on CIP data; resource not viewed.
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|a Television broadcasting
|z Jamaica.
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|a Television broadcasting
|z Ghana.
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|a Decolonization
|z Jamaica.
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|a Decolonization
|z Ghana.
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|a Cultural industries
|z Jamaica.
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|a Cultural industries
|z Ghana.
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|a Cultural industries
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|a Decolonization
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|a Television broadcasting
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|a Ghana
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|1 https://id.oclc.org/worldcat/entity/E39PBJrwWdFrtwYQThrFvRGJXd
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|a Jamaica
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|1 https://id.oclc.org/worldcat/entity/E39PBJgMFVHwFVBfgHmXtgptrq
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|i Print version:
|z 9783030380649
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|u https://holycross.idm.oclc.org/login?auth=cas&url=https://link.springer.com/10.1007/978-3-030-38065-6
|y Click for online access
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|a SPRING-LIT2020
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|a 92
|b HCD
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