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|a 10.1007/978-3-030-70210-6
|2 doi
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|b Springer
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|a CMMR (Symposium)
|n (14th :
|d 2019 :
|c Marseille, France)
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245 |
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|a Perception, representations, image, sound, music :
|b 14th International Symposium, CMMR 2019, Marseille, France, October 14-18, 2019, revised selected papers /
|c Richard Kronland-Martinet, Sølvi Ystad, Mitsuko Aramaki (eds.).
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264 |
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1 |
|a Cham, Switzerland :
|b Springer,
|c 2021.
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300 |
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
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|2 rdacarrier
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|a text file
|b PDF
|2 rda
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0 |
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|a Information Systems and Applications, incl. Internet/Web, and HCI ;
|v 12631
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490 |
1 |
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|a Lecture notes in computer science,
|x 0302-9743 ;
|v 12631
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504 |
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|a Includes bibliographical references and index.
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500 |
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|a "The 14th edition of the International Symposium on Computer Music Multidisciplinary Research CMMR2019 "Perception, Representations, Image, Sound, Music" took place in Marseilles on 14th-18th October 2019"--Preface
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|a Music Information Retrieval -- Music, Emotion and Representation -- Computational Musicology -- Audio Signal Processing -- Music Structure, Analysis, Synthesis and Composition Tools -- Notation and Instruments Distributed on Mobile Devices -- Auditory Perception and Cognition -- From the Ear to the Body -- The Process of Sound Design -- Sonic Interaction for Immersive Media -- Virtual and Augmented Reality -- Musical Interaction: Embodiment, Improvisation, Collaboration -- Jean-Claude Risset and Beyond.
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|a This book constitutes the refereed proceedings of the 14th International Symposium on Perception, Representations, Image, Sound, Music, CMMR 2019, held in Marseille, France, in October 2019. The 46 full papers presented were selected from 105 submissions. The papers are grouped in 9 sections. The first three sections are related to music information retrieval, computational musicology and composition tools, followed by a section on notations and instruments distributed on mobile devices. The fifth section concerns auditory perception and cognition, while the three following sections are related to sound design and sonic and musical interactions. The last section contains contributions that relate to Jean-Claude Risset's research.
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650 |
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|a Computer music
|v Congresses.
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650 |
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|a Musical analysis
|x Data processing
|v Congresses.
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|a Information storage and retrieval systems
|x Music
|v Congresses.
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650 |
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|a Computer networks.
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650 |
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|a Artificial intelligence.
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650 |
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|a User interfaces (Computer systems)
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|a Optical data processing.
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|a Software engineering.
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|a Education
|x Data processing.
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|
7 |
|a artificial intelligence.
|2 aat
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|a Artificial intelligence
|2 fast
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7 |
|a Computer networks
|2 fast
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7 |
|a Education
|x Data processing
|2 fast
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7 |
|a Optical data processing
|2 fast
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|
7 |
|a Software engineering
|2 fast
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650 |
|
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|a User interfaces (Computer systems)
|2 fast
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655 |
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|a proceedings (reports)
|2 aat
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|a Conference papers and proceedings
|2 fast
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|a Conference papers and proceedings.
|2 lcgft
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|
7 |
|a Actes de congrès.
|2 rvmgf
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700 |
1 |
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|a Kronland-Martinet, Richard,
|e editor.
|1 https://orcid.org/0000-0002-7325-4920.
|
700 |
1 |
|
|a Ystad, Sølvi,
|e editor.
|1 https://orcid.org/0000-0001-9022-9690.
|
700 |
1 |
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|a Aramaki, Mitsuko,
|e editor.
|1 https://orcid.org/0000-0001-6518-374X.
|
758 |
|
|
|i has work:
|a Perception, representations, image, sound, music (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCG7mJ3FGMWQDHVFqfpVjqP
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Printed edition:
|z 9783030702090
|
776 |
0 |
8 |
|i Printed edition:
|z 9783030702113
|
830 |
|
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|a LNCS sublibrary.
|n SL 3,
|p Information systems and applications, incl. Internet/Web, and HCI ;
|v 12631.
|
856 |
4 |
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|u https://holycross.idm.oclc.org/login?auth=cas&url=https://link.springer.com/10.1007/978-3-030-70210-6
|y Click for online access
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|a SPRING-COMP2021
|
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|a 92
|b HCD
|