Words, music, and the popular : global perspectives on intermedial relations / Thomas Gurke, Susan Winnett, editors.

Words, Music, and the Popular: Global Perspectives on Intermedial Relations opens up the notion of the popular, drawing useful links between wide-ranging aspects of popular culture, through the lens of the interaction between words and music. This collection of essays explores the relation of words...

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Bibliographic Details
Other Authors: Gurke, Thomas (Editor), Winnett, Susan (Editor)
Format: eBook
Language:English
Published: Cham, Switzerland : Palgrave Macmillan, [2021]
Series:Palgrave studies in music and literature.
Subjects:
Online Access:Click for online access
Table of Contents:
  • 1: Words, Music, and the Popular
  • 2: Of Silent Notation and Historiographic Relationality: Words, Music, and Notions of the Popular
  • 3: Experiencing Dylan: The Effect of Formal Structure and Performance on the Popularity and Interpretation of Two Dylan Songs
  • 4: Freewheelin with Adorno Down Highway 61:Bob Dylans Transformative Electric Turn
  • 5: Which Side is this Ex-Beatle on? A Reassessment of the 1970s Rock Press Framing, Interpretation, and Consideration of Paul McCartney and Wings
  • 6: PJ Harvey as a Modern War Poet: How Let England Shake Challenges English England Through the Pastoral
  • 7: Transmedia Performance in Scandinavian Singalong Shows: On the Transmediation of Liveness and Participation in Community Singing
  • 8: A Melopoetic Struggle Between East and West:Mickiewicz and the Popular Idiom
  • 9: Post-Sovietness of the Popular: the West, the post-Soviet Ukrainian Audience, and the Major Ukrainian Pop Star (1990s)
  • 10: Cafe-Concert Parodies of Lohengrin (Wagner) and Othello (Verdi) in the Context of Popularisation Efforts of the Opera de Paris in the 1890s
  • 11: "the world wanted to bleed all the sass out my name : Interrogating the Popularity of Words and Music in Tyehimba Jesss Olio
  • 12: William H. Gass and the (Un)popularity of Words as Music.