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|a MUS2003
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|a HCDD
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|a Flinn, Caryl.
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|a The new German cinema :
|b music, history, and the matter of style /
|c Caryl Flinn.
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|a Berkeley :
|b University of California Press,
|c ©2004.
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|a 1 online resource (viii, 323 pages)
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|a text
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|a data file
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|a Includes bibliographical references and index.
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|a Introduction: "strategies of remembrance" -- Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity.
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|a Print version record and CIP data provided by publisher; resource not viewed.
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|a When New German cinema directors like R.W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity--national, political, personal, and sexual--music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation.
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|a English.
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650 |
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|a Motion pictures
|z Germany.
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|a Motion picture music
|z Germany
|x History and criticism.
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650 |
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|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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650 |
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7 |
|a PERFORMING ARTS
|x Film & Video
|x General.
|2 bisacsh
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650 |
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|a Motion picture music
|2 fast
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|a Motion pictures
|2 fast
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|a Germany
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|t New German cinema.
|d Berkeley : University of California Press, ©2004
|z 0520228952
|w (DLC) 2003005040
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856 |
4 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=222990
|y Click for online access
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