|
|
|
|
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
on1311408264 |
| 003 |
OCoLC |
| 005 |
20241006213017.0 |
| 006 |
m o d |
| 007 |
cr cnu---unuuu |
| 008 |
211222s2022 maua ob 001 0 eng |
| 010 |
|
|
|a 2021062388
|
| 040 |
|
|
|a DLC
|b eng
|e rda
|c DLC
|d OCLCO
|d OCLCF
|d MITPR
|d YDX
|d N$T
|d OCLCQ
|d ZCU
|d OCLCQ
|d SFB
|d OCLCO
|
| 020 |
|
|
|a 0262372215
|q electronic book
|
| 020 |
|
|
|a 9780262372206
|q electronic book
|
| 020 |
|
|
|a 0262372207
|q electronic book
|
| 020 |
|
|
|a 9780262372213
|q (electronic bk.)
|
| 020 |
|
|
|z 9780262544634
|q paperback
|
| 035 |
|
|
|a (OCoLC)1311408264
|
| 037 |
|
|
|a 14220
|b MIT Press
|
| 037 |
|
|
|a 9780262372206
|b MIT Press
|
| 042 |
|
|
|a pcc
|
| 050 |
0 |
4 |
|a ML3838
|b .J38 2022
|
| 049 |
|
|
|a HCDD
|
| 100 |
1 |
|
|a Jensenius, Alexander Refsum,
|e author.
|
| 245 |
1 |
0 |
|a Sound actions :
|b conceptualizing musical instruments /
|c Alexander Refsum Jensenius.
|
| 264 |
|
1 |
|a Cambridge, Massachusetts :
|b The MIT Press,
|c [2022]
|
| 300 |
|
|
|a 1 online resource :
|b illustrations
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 504 |
|
|
|a Includes bibliographical references and index.
|
| 520 |
|
|
|a "This is a theoretical music technology book, influenced by new research in embodied music cognition. The main focus is on musical instruments and how they shape our experiences of music"--
|c Provided by publisher.
|
| 588 |
|
|
|a Description based on online resource; title from digital title page (viewed on December 16, 2022).
|
| 505 |
0 |
|
|a Acknowledgments ix -- Prelude xi -- Part I Musicking -- 1 Music as an Active Process 3 -- 2 Music as an Embodied Process 23 -- 3 Musical Instruments 39 -- Part II Embodiment -- 4 Music-Related Body Motion 53 -- 5 Functional Aspects 71 -- 6 Representations of Sound Actions 85 -- Part III Interaction -- 7 Action-Sound Couplings 99 -- 8 Action-Sound Mappings 123 -- 9 Spatiotemporality 159 -- Part IV Affection -- 10 From Ivory to Silicone 177 -- Acknowledgments ix -- Prelude xi -- Part I Musicking -- 1 Music as an Active Process 3 -- 2 Music as an Embodied Process 23 -- 3 Musical Instruments 39 -- Part II Embodiment -- 4 Music-Related Body Motion 53 -- 5 Functional Aspects 71 -- 6 Representations of Sound Actions 85 -- Part III Interaction -- 7 Action-Sound Couplings 99 -- 8 Action-Sound Mappings 123 -- 9 Spatiotemporality 159 -- Part IV Affection -- 10 From Ivory to Silicone 177.
|
| 650 |
|
0 |
|a Music
|x Performance
|x Psychological aspects.
|
| 650 |
|
0 |
|a Music
|x Psychological aspects.
|
| 650 |
|
0 |
|a Musical instruments.
|
| 650 |
|
0 |
|a Musical perception.
|
| 650 |
|
7 |
|a Music
|x Performance
|x Psychological aspects
|2 fast
|
| 650 |
|
7 |
|a Music
|x Psychological aspects
|2 fast
|
| 650 |
|
7 |
|a Musical instruments
|2 fast
|
| 650 |
|
7 |
|a Musical perception
|2 fast
|
| 776 |
0 |
8 |
|i Print version:
|a Jensenius, Alexander Refsum.
|t Sound actions
|d Cambridge : The MIT Press, 2022
|z 9780262544634
|w (DLC) 2021062387
|
| 856 |
4 |
0 |
|u https://doi.org/10.7551/mitpress/14220.001.0001
|y Click for online access
|
| 903 |
|
|
|a MIT-D2O-2022
|
| 994 |
|
|
|a 92
|b HCD
|