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220412t20222022nyua fob 001 0 eng d |
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|a STBDS
|b eng
|e rda
|e pn
|c STBDS
|d YDX
|d OCLCF
|d IUL
|d OCLCQ
|d OCLCO
|d OCLCL
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| 020 |
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|a 9780197548974
|q electronic book
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|a 0197548970
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|z 9780197548943
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|a (OCoLC)1321044640
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|a s------
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|a ML199.5
|b .W65 2022
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|a HCDD
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| 100 |
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|a Wolkowicz, Vera,
|e author.
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| 245 |
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|a Inca music reimagined :
|b indigenist discourses in Latin American art music, 1910-1930 /
|c Vera Wolkowicz.
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| 264 |
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|a New York, NY :
|b Oxford University Press.,
|c [2022]
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| 264 |
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|c ©2022
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| 300 |
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|a 1 online resource (xvi, 256 pages) :
|b illustrations (black and white, and colour).
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
1 |
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|a Currents in Latin American & Iberian music
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| 500 |
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|a Also issued in print: 2022.
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| 504 |
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|a Includes bibliographical references and index.
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|a "The Latin American centennial celebrations of independence (ca. 1909-1925) constituted a key moment in the consolidation of national symbols and emblems while also producing a renewed focus on transnational affinities that generated a series of discourses about continental unity. At the same time, a boom in archaeological explorations, within a climate of scientific positivism, provided Latin Americans with new information about their "grandiose" former civilizations, such as the Inca and the Aztec, which some argued as tantamount to ancient Greek and Egyptian cultures. These discourses were at first political, before transitioning to the cultural sphere. Artists and particularly musicians thus began to move away from European techniques and themes, to produce a distinctive and self-consciously Latin American art. Inca Music Reimagined explores Inca discourses as a source for the creation of "national" and "continental" art music during the first decades of the twentieth century, with a concentration on opera by composers from Peru, Ecuador, and Argentina. To understand this process, the author analyzes early twentieth-century writings on Inca music and its origins, describing how certain composers transposed "Inca" techniques into their own works, to conclude with how this music was perceived by local audiences. Ultimately, it is argued that, faced with the difficulties of constructing national unity at the time, the turn to Inca culture and music in pursuit of such unity could only succeed within particular intellectual circles, and that the idea that the inspiration of the Inca could produce a "music of America" would remain utopian"--Publisher's description.
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| 521 |
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|a Specialized.
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| 588 |
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|a Description based on online resource; title from home page (Oxford Academic, viewed on March 23, 2023).
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|a Music
|z South America
|y 20th century
|x History and criticism.
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| 650 |
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|a Collective memory in music.
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| 650 |
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|a Ethnicity in music.
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| 650 |
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|a Nationalism in music.
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| 650 |
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|a Incas
|z South America
|x Music
|x Influence.
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| 650 |
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|a Collective memory in music
|2 fast
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| 650 |
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|a Ethnicity in music
|2 fast
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| 650 |
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|a Music
|2 fast
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| 651 |
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|a South America
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJkXBJV9Hk6cKTTG6C3fbd
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| 648 |
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|a 1900-1999
|2 fast
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| 655 |
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|a Criticism, interpretation, etc.
|2 fast
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| 758 |
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|i has work:
|a INCA MUSIC REIMAGINED (Text)
|1 https://id.oclc.org/worldcat/entity/E39PD3HKYgTK3YcJWc69mK7H3P
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
8 |
|i Print version:
|a Wolkowicz, Vera.
|t Inca music reimagined.
|d New York, NY : Oxford University Press, [2022]
|z 9780197548943
|w (DLC) 2022903687
|w (OCoLC)1286957927
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| 830 |
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|a Currents in Latin American & Iberian music.
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| 856 |
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|u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/book/41871
|y Click for online access
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| 903 |
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|a OUP-SOEBA
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| 994 |
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|a 92
|b HCD
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