François-Xavier Roth conducts Franck and Mahler - with Les Siècles : Mahler's reconstructed "Titan" performed on period instruments / Gingerlemon, Euromedia, Les Siècles present ; David Daurier, director.

Mahler's beloved First Symphony, known as the Titan, premiered in its best-known form in 1896-but that premiere followed many long years of revision and reconception, following the work's beginning as a "symphonic poem in two parts" in 1889. Four years later, a "tone poem in...

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Bibliographic Details
Corporate Author: Siècles (Musical group) (Performer)
Other Authors: Roth, François-Xavier (Performer), Franck, César, 1822-1890, Mahler, Gustav, 1860-1911
Format: Video
Language:English
Published: [Paris] : Gingerlemon : Euromedia : Les Siècles, 2018.
Subjects:
Online Access:Click for online access

MARC

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245 0 0 |a François-Xavier Roth conducts Franck and Mahler - with Les Siècles :  |b Mahler's reconstructed "Titan" performed on period instruments /  |c Gingerlemon, Euromedia, Les Siècles present ; David Daurier, director. 
246 1 |i Title from screen:  |a Symphonie en ré ;  |b Titan : poème symphonique en 5 mouvements et 2 parties 
246 3 |a Titan : poème symphonique en 5 mouvements et 2 parties 
257 |a France  |2 naf 
264 1 |a [Paris] :  |b Gingerlemon :  |b Euromedia :  |b Les Siècles,  |c 2018. 
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505 0 0 |t Symphony in D Minor /  |r César Franck --  |t Titan: Symphonic Poem in Five Moments and Two Parts /  |r Gustav Mahler. 
511 0 |a Les Siècles ; conductor, François-Xavier Roth. 
520 |a Mahler's beloved First Symphony, known as the Titan, premiered in its best-known form in 1896-but that premiere followed many long years of revision and reconception, following the work's beginning as a "symphonic poem in two parts" in 1889. Four years later, a "tone poem in symphonic form" comprising five movements-one of which, the lilting Blumine, would be cut from the version most modern audiences know-was performed in Hamburg, and it is this version that François-Xavier Roth and Les Siècles perform in this 2018 gem from Paris, using turn-of-the-century Viennese and German instruments to recreate the original experience as closely as possible. Les Siècles' careful attention to detail and impeccable artistry open a window to the past, with their "beautifully atmospheric playing" offering us a "real insight into the evolution of Mahler's symphonic thinking, and the sheer refinement of his orchestral writing" (The Guardian). The ensemble also dazzles in Franck's unjustly neglected and deceptively radical Symphony in D Minor, "an ambitious fusion of French and German musical traditions at a time when to do so was politically and aesthetically controversial.". 
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