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20240909213021.0 |
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|a GBC2F1281
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|a 020725387
|2 Uk
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|a 1351463740
|a 1351748657
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|a 9783031119224
|q (electronic bk.)
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|a 3031119223
|q (electronic bk.)
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|z 3031119215
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|z 9783031119217
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|a 10.1007/978-3-031-11922-4
|2 doi
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|a (OCoLC)1353295735
|z (OCoLC)1351463740
|z (OCoLC)1351748657
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| 037 |
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|a 9783031119224
|b Springer Nature
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|a PL733.4
|b .M49 2022eb
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|a HCDD
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|a Mewhinney, Matthew.
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|a Form and feeling in Japanese Literati culture /
|c Matthew Mewhinney.
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|a Cham, Switzerland :
|b Palgrave Macmillan,
|c 2022.
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|c ©2022
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| 300 |
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|a 1 online resource (xix, 252 pages : illustrations)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|t Introduction --
|t Yosa Buson and the Colors of the Literati Mind --
|t "Sense and Sensibility in the Poetry of Ema Saiko" --
|t Representing Life in the Prose Poems of Masaoka Shiki --
|t Anxiety and Grief in the Prose Poems of Natsume Soseki --
|t Coda: Echoes in the Ether --
|t Correction to: Anxiety and grief in the prose poems of Natsume Soseki.
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|a This book explores how two early modern and two modern Japanese writers Yosa Buson (171683), Ema Saiko (17871861), Masaoka Shiki (18671902), and Natsume Soseki (18671916) experimented with the poetic artifice afforded by the East Asian literati (bunjin) tradition, a repertoire of Chinese and Japanese poetry and painting. Their experiments generated a poetics of irony that transformed the lineaments of lyric expression in literati culture and advanced the emergence of modern prose poetry in Japanese literature. Through rigorous close readings, this study changes our understanding of the relationship between lyric form and the representation of self, sense, and feeling in Japanese poetic writing from the late eighteenth through the early twentieth century. The book aims to reach a broad audience, including specialists in East Asian Studies, Anglophone literary studies, and Comparative Literature. Matthew Mewhinney is Assistant Professor of Japanese in the Department of Modern Languages and Linguistics at Florida State University, USA, where he teaches Japanese language, literature, and culture. His research interests include lyric poetry and theory, literati culture, narrative, subjectivity, and translation. His scholarship has appeared in Poetica: An International Journal of LinguisticLiterary Studies, The Wenshan Review of Literature and Culture, and Japanese Language and Literature.
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|a Includes bibliographical references and index.
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|a Print version record.
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1 |
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|a Yosa, Buson,
|d 1716-1784
|x Criticism and interpretation.
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| 600 |
1 |
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|a Saiko, Ema,
|d 1787-1861
|x Criticism and interpretation.
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| 600 |
1 |
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|a Shiki, Masaoka,
|d 1867-1902
|x Criticism and interpretation.
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| 600 |
1 |
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|a Seseki, Natsume,
|d 1867-1916
|x Criticism and interpretation.
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| 600 |
1 |
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|a Yosa, Buson,
|d 1716-1784
|2 fast
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| 650 |
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|a Japanese poetry
|y Edo period, 1600-1868
|x History and criticism.
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| 650 |
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|a Japanese poetry
|y 1868-
|x History and criticism.
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| 650 |
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|a Japanese poetry
|2 fast
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| 650 |
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|a Japanese poetry
|x Edo period
|2 fast
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| 648 |
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|a Since 1600
|2 fast
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| 655 |
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a MEWHINNEY, MATTHEW.
|t FORM AND FEELING IN JAPANESE LITERATI CULTURE.
|d [Place of publication not identified] : PALGRAVE MACMILLAN, 2022
|z 3031119215
|w (OCoLC)1331704395
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| 856 |
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|u https://holycross.idm.oclc.org/login?auth=cas&url=https://link.springer.com/10.1007/978-3-031-11922-4
|y Click for online access
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| 903 |
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|a SPRING-LIT2022
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|a 92
|b HCD
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