Stevie Smith and the aphorism : hard language / Noreen Masud.

Explores the literature of Stevie Smith with particular emphasis on the importance of the aphorism: a short, witty saying which expresses a general truth. It argues that the aphorism offers Smith a means of managing emotional statements in her work, enabling her to make, and make light of, sincere o...

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Bibliographic Details
Main Author: Masud, Noreen, 1989- (Author)
Format: eBook
Language:English
Published: Oxford ; New York, NY : Oxford University Press, [2022]
Series:Oxford English monographs.
Subjects:
Online Access:Click for online access

MARC

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100 1 |a Masud, Noreen,  |d 1989-  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PCjDpGTgd3f64HhDcy4gvXm 
245 1 0 |a Stevie Smith and the aphorism :  |b hard language /  |c Noreen Masud. 
264 1 |a Oxford ;  |a New York, NY :  |b Oxford University Press,  |c [2022] 
264 4 |c ©2022 
300 |a 1 online resource (xi, 191 pages) :  |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Oxford English Monographs 
504 |a Includes bibliographical references and index. 
520 |a Explores the literature of Stevie Smith with particular emphasis on the importance of the aphorism: a short, witty saying which expresses a general truth. It argues that the aphorism offers Smith a means of managing emotional statements in her work, enabling her to make, and make light of, sincere or dramatic communications. 
520 |a This monograph draws up a new theory of the aphorism, a form which has received limited critical treatment in literary and philosophical studies. It uses this model of aphorism to frame an original approach to the enigmatic poetry and novels of Stevie Smith (1902-1971). The monograph suggests that aphorism represents a tool for the social management of emotion. Rhetorically corralled into a slick, collectable shape, the aphorism promises arresting and instantaneous epiphany. However, the accomplished elegance which positions the aphorism's message as self-evidently true in fact works to repel further enquiry, and ultimately ensures that it will be forgotten or bypassed in favour of another aphorism: no less eagerly embraced for the earlier disappointment. Aphorism, therefore, is a form in which dangerous ideas and emotions can be safely displayed and, simultaneously, effaced. Because aphorism's style defuses the imperative to act on what is clearly known, writers like Stevie Smith can use the form to stage a withdrawal from the burden of making an impact on the world. The book finds that Smith's use of aphorism and its related forms (proverb, epitaph, caption, and fragment) offers a route into her texts. Drawing on hitherto unpublished archival material, this project argues that Smith's texts resist analysis because, like the aphorisms embedded throughout them, they offer and exemplify a mode of clearly-declared revelation which, at the same time, makes itself unusable. 
588 0 |a Description based on online resource; title from home page (Oxford Academic, viewed April 30, 2024). 
600 1 0 |a Smith, Stevie,  |d 1902-1971  |x Criticism and interpretation. 
600 1 7 |a Smith, Stevie,  |d 1902-1971  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJtxdJHXBRfdtfrVDdj3cP 
650 0 |a Aphorisms and apothegms. 
650 7 |a aphorisms.  |2 aat 
650 7 |a Aphorisms and apothegms  |2 fast 
650 7 |a Literature: history & criticism.  |2 thema 
650 7 |a Literature.  |2 ukslc 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Masud, Noreen  |t Stevie Smith and the Aphorism  |d Oxford : Oxford University Press, Incorporated,c2023  |z 9780192895899 
830 0 |a Oxford English monographs. 
856 4 0 |u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/book/45382  |y Click for online access 
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