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on1354207529 |
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OCoLC |
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20241006213017.0 |
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221210t20222022enka ob 001 0 eng d |
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|a EBLCP
|b eng
|e rda
|e pn
|c EBLCP
|d N$T
|d OH1
|d YDX
|d UIU
|d STBDS
|d OCLCF
|d UKAHL
|d OCLCQ
|d OCLCO
|d OCLCL
|d IUL
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|a 9780192649249
|q electronic book
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|a 0192649248
|q electronic book
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|a 9780191916397
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|a 0191916390
|q electronic book
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|a 9780192649232
|q electronic book
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|a 019264923X
|q electronic book
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|z 9780192895899
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|a (OCoLC)1354207529
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|a PR6037.M43
|b Z749 2022
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|a HCDD
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1 |
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|a Masud, Noreen,
|d 1989-
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PCjDpGTgd3f64HhDcy4gvXm
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|a Stevie Smith and the aphorism :
|b hard language /
|c Noreen Masud.
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|a Oxford ;
|a New York, NY :
|b Oxford University Press,
|c [2022]
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|c ©2022
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|a 1 online resource (xi, 191 pages) :
|b illustrations.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Oxford English Monographs
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|a Includes bibliographical references and index.
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|a Explores the literature of Stevie Smith with particular emphasis on the importance of the aphorism: a short, witty saying which expresses a general truth. It argues that the aphorism offers Smith a means of managing emotional statements in her work, enabling her to make, and make light of, sincere or dramatic communications.
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|a This monograph draws up a new theory of the aphorism, a form which has received limited critical treatment in literary and philosophical studies. It uses this model of aphorism to frame an original approach to the enigmatic poetry and novels of Stevie Smith (1902-1971). The monograph suggests that aphorism represents a tool for the social management of emotion. Rhetorically corralled into a slick, collectable shape, the aphorism promises arresting and instantaneous epiphany. However, the accomplished elegance which positions the aphorism's message as self-evidently true in fact works to repel further enquiry, and ultimately ensures that it will be forgotten or bypassed in favour of another aphorism: no less eagerly embraced for the earlier disappointment. Aphorism, therefore, is a form in which dangerous ideas and emotions can be safely displayed and, simultaneously, effaced. Because aphorism's style defuses the imperative to act on what is clearly known, writers like Stevie Smith can use the form to stage a withdrawal from the burden of making an impact on the world. The book finds that Smith's use of aphorism and its related forms (proverb, epitaph, caption, and fragment) offers a route into her texts. Drawing on hitherto unpublished archival material, this project argues that Smith's texts resist analysis because, like the aphorisms embedded throughout them, they offer and exemplify a mode of clearly-declared revelation which, at the same time, makes itself unusable.
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|a Description based on online resource; title from home page (Oxford Academic, viewed April 30, 2024).
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600 |
1 |
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|a Smith, Stevie,
|d 1902-1971
|x Criticism and interpretation.
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600 |
1 |
7 |
|a Smith, Stevie,
|d 1902-1971
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJtxdJHXBRfdtfrVDdj3cP
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650 |
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|a Aphorisms and apothegms.
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650 |
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7 |
|a aphorisms.
|2 aat
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650 |
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|a Aphorisms and apothegms
|2 fast
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650 |
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7 |
|a Literature: history & criticism.
|2 thema
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650 |
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|a Literature.
|2 ukslc
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
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776 |
0 |
8 |
|i Print version:
|a Masud, Noreen
|t Stevie Smith and the Aphorism
|d Oxford : Oxford University Press, Incorporated,c2023
|z 9780192895899
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830 |
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|a Oxford English monographs.
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856 |
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|u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/book/45382
|y Click for online access
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|a OUP-SOEBA
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|a 92
|b HCD
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